Nodes and Anti-nodes

Tool's for measure.

The center of the gyroscope is a jewel-like sphere of fused quartz. These spheres, the size of Ping-Pong balls, are the roundest objects ever made by man. The tiny spheres are enclosed inside a housing chamber to prevent disruption from sound waves, and chilled to almost absolute zero to prevent their molecular structure from creating a disturbance. The accuracy of these gyroscopes is 30 million times greater than any gyroscope ever built.

Making Strings in the lab, made me think of Clifford and the ice cream mix that he was privy too, by joining condense matter [ahem...string:] theorists, on a Friday night? :)Nitrogen, and superconductors seem to go hand in hand? Made me think of GPB and [whoops my mistake-not-nobium sphere], were mention for a reason.:)



Normally I do not like to encourage such a view held to speculations, but the transferance to 3d effective thinking and all that, had me look at WMAP, was a process lead through by valuating sound in such analogies. As a layman, I hope I am forgiven.

Is it the process?

Visitors' shadows manipulate and reshape projected images of "Buckyballs." "Buckyball," or a buckminsterfullerene molecule, is a closed cage-structure molecule with a carbon network. "Buckyball" was named for R. Buckminster "Bucky" Fuller (1895-1983), a scientist, philosopher and inventor, best known for creating the geodesic dome.

Nanomandala:

The purposeful arrangement of individual atoms bears some resemblance to the methods monks use to laboriously create sand images particle by particle, however, Eastern and Western cultures use these bottom-up building practices with very different perceptions and purposes.

Photo and text credit: © 2003 Museum Associates/Los Angeles County Museum of Art


To me it is a interesting way of seeing what is happening in space held by perception. BUcky balls and such, from my early days of reading BuckminsterFuller and his interesting building concepts, had somehow morphed into dynamical triangulation, used in the monte carlo method of quantum gravity perceptions.

Dr. Jenny's cymatic images are truly awe-inspiring, not only for their visual beauty in portraying the inherent res-ponsiveness of matter to sound (vibration) but because they inspire a deep re-cognition that we, too, are part and parcel of this same complex and intricate vibrational matrix -- the music of the spheres! These pages illumine the very principles which inspired the ancient Greek philosophers Heraclitus, Pythagoras and Plato, and cosmologists Giordano Bruno and Johannes Kepler.

Dimensional views of the "quark to quark measure" had me see the dynamics of this distance?

How much more then would such a weak field describe for us the oscillation of the neutrino, from one phase state to another. One distance to another? A revealled in cosmic rays, as "new physics perhaps" that extends beyond the standard model?



Paul Dirac

When one is doing mathematical work, there are essentially two different ways of thinking about the subject: the algebraic way, and the geometric way. With the algebraic way, one is all the time writing down equations and following rules of deduction, and interpreting these equations to get more equations. With the geometric way, one is thinking in terms of pictures; pictures which one imagines in space in some way, and one just tries to get a feeling for the relationships between the quantities occurring in those pictures. Now, a good mathematician has to be a master of both ways of those ways of thinking, but even so, he will have a preference for one or the other; I don't think he can avoid it. In my own case, my own preference is especially for the geometrical way.

If for one moment you continue the thought processes in light of visionary changes sought by and spoken in context of polarization effects in the WMAP, then such views have a profound effect, to what was always interesting data from cosmological apprehensions in discovery.

Mikheyev-Smirnov-Wolfenstein effect92 April 2006 wikipedia)

The Mikheyev-Smirnov-Wolfenstein effect is a particle physics process which acts to enhance neutrino oscillations in matter.

While dynamic functions are being revealled to me of microprocesses( phases states), these dynamics are always interesting from what the geometrical perpecive of what was derived from Dirac.

A "three dimensional view" of what may be happening in the abstraction of space dynamics seen in UV perspective described in analogy to Gauss's coordinates?

Something much more profound and detail in a greater depth of thinking of an abstractual nature perhaps? B Field dynamics, would be a interesting comparison while holding mind in geometrical abstraction?

Antineutrinos From Distant Reactors Simulate the Disappearance of Solar Neutrinos

The potential importance of the Kamland results goes well beyond the solar-neutrino problem. Particle theorists hope that the masses and flavor compositions of the neutrino mass eigenstates will help point the way to an encompassing unification beyond today's manifestly incomplete standard model of fundamental particles and their interactions. Detailed knowledge of the neutrino states might also elucidate a central problem of cosmology: How did matter come to dominate over antimatter in the immediate aftermath of the Big Bang? Does the mixing of neutrino states harbor the symmetry-breaking mechanism that could have done the trick?


Oscillating flavorsThe three neutrino mass eigenstates are presumed to be different coherent superpositions of the three flavor eigenstates (ne, nm, and nt) associated with the three charged leptons: the electron, the muon, and the tau. There is good evidence that only two of the three mass eigenstates contribute significantly to ne. In that approximation, one can write

The question always arises in my mind about the quantum harmonical oscillations, as part of a much larger inherent feature of reality, with which we might view WMAP. Or, events that arise from the sun. Could such analogy, born in the sun's process spit out the nature of the neutrino?

The plates can be made visible by mounting a mirror behind the row of plates, angled so that the top of the plates are visible to the audience (same idea as in Polarization by Scattering). Create the optimum angle for the front rows, as the back rows will be looking down on the plates anyway. Make sure the cello bow is nice and tactile by treating it with rosin before the performance. Sprinkle the sand on the plates so that it forms an even cover. Don't overdo the amount.

Helioseismology

Neutrino oscillation( 31 March 2006 Wikipedia)

Neutrino oscillation is a quantum mechanical phenomenon whereby a neutrino created with a specific lepton flavor (electron, muon, or tau) can later be measured to have a different flavor. More specifically, the probability of measuring a particular flavor for a neutrino varies periodically as it propagates. Neutrino oscillation is of theoretical and experimental interest, as observation of the phenomenon implies nonzero neutrino mass.

If you change the way you look at things sometimes, this change, helps you see in different ways that you might not have before? WMAP?

Sounding the Sun: HelioseismologyP.B. Stark

On the other hand, the Sun is essentially transparent to neutrinos, and to acoustic waves. Using acoustic energy, we can "see into the Sun" in a way that is quite similar to using ultrasound to image the interior of the human body.

Oscillations of stars have been recognized since the late 1700s. The complicated pattern of the Sun's oscillation was first observed in 1960 by Robert Leighton, Robert Noyes, and George Simon.

The explanation of the pattern in terms of trapped acoustic waves came in 1970-71 by Roger Ulrich, John Leibacher, and Robert Stein. This explanation predicted certain detailed features of the spectrum of solar oscillations that were confirmed by observations made in 1975 by Franz Deubner.

The Sun is constantly vibrating in a superposition of acoustic normal modes (like the patterns with which a guitar string vibrates, but for a spherical body rather than a string). The characteristic period of oscillation is about 5 minutes. It takes on the order of a few hours for the energy to travel through the Sun. The velocity amplitude of solar p-modes is about 1 cm/s; the relative brightness variation is about 10-7.

Mode lifetimes range from hours to months. Modes are typically excited many times per lifetime.

Let's look at the origins of the images below. Have I described their origin?

See:

Angels and Demons

The Devil, is in the details of a Mirror World?

While the "true cast" is here? :)

Intuitively Balanced: Induction and Deduction

A VIEW OF MATHEMATICS Alain CONNES

Most mathematicians adopt a pragmatic attitude and see themselves as the explorers of this mathematical world" whose existence they don't have any wish to question, and whose structure they uncover by a mixture of intuition, not so foreign from poetical desire", and of a great deal of rationality requiring intense periods of concentration.

Each generation builds a mental picture" of their own understanding of this world and constructs more and more penetrating mental tools to explore previously hidden aspects of that reality.

Is there truth to the emphemeral qualites of mind. That there is a lighter measure with which we take on to life? How would you weight things of meaning? A pythagorean string perhaps, with a weighted gourd? Meaning on resonance as measure by, that vibrating string?

Behind the image as you click on it is an arche principled of Aristotle.

Would we have found the derivation and essence of what that first principle was. The foundation as it might have been in a intuitive moment released? A place where the freedoms, of smooth travelling satellites would have found the least resistance, in order for mind to travel into the "yellow abstract domains of math" and back?



Sometimes I like to think of a image of a "circle within a circle" as a model of what might be percieved. Yet if we thought, that in the center of this, something like a solid matter existed. Our bodies, our brains. Earth Maybe.

Now an image in mind easily drawn might have been, that matter earth, then color red, then green, and then violet, and we have this range of colors issuing from the center. We are never devoid of the thinking mind, or the emotive feelings we have about things, yet there is some impact in the remembrance of things that are emotively charged?

Of course this is speculation of a kind. a model of a kind, and some way in which I had pecieved the dynamcis of life moving from the center outward and back, and never really stayng in one place to long. We have these circles intertwining. Thought runs the whole length of it. From the center out/in, 5 is 1, or 1 is 5? Thoughts about anyhtng could have been 2, 3, or 4?

Life inside, is outside and all that we think, shown on the collar of our sleeves?

Clifford:

His was the best single sentence summing up the concept, as we were to use it that evening: Intuition is the process of getting to a destination without knowing the route. He also added: Sometimes you did not even know you wanted to get there. I've modified the words a bit, but that's the essence of what he said. It was a definition that was so appreciated, you could hear several audible hhhhmmmmms of recognition from the audience.

You have to wonder about "neural correlates to consciousness?"


Remembrance

We have this brain matter and all kinds of neural firings.

To say the "emotive response" could have been activated from the basis of brain structure, and it's corresponding evolutionary standardization, then to have a reward system( pavlov response), would have been based on early emotive developement on humanization standards, to a evolving society, is puzzling one to say the least?

What "new brain covering" in the formation of the brain matters would correspond to our evolution would say that we are a much more refined society that we would invoke new standards and advancements in our thinking?

On Gauss's Mountain

You must understand that any corrections necessary are appreciated. The geometrical process spoken too here must be understood in it's historical development to undertand, how one can see differently.

Euclidean geometry, elementary geometry of two and three dimensions (plane and solid geometry), is based largely on the Elements of the Greek mathematician Euclid (fl. c.300 B.C.). In 1637, René Descartes showed how numbers can be used to describe points in a plane or in space and to express geometric relations in algebraic form, thus founding analytic geometry, of which algebraic geometry is a further development (see Cartesian coordinates). The problem of representing three-dimensional objects on a two-dimensional surface was solved by Gaspard Monge, who invented descriptive geometry for this purpose in the late 18th cent. differential geometry, in which the concepts of the calculus are applied to curves, surfaces, and other geometrical objects, was founded by Monge and C. F. Gauss in the late 18th and early 19th cent. The modern period in geometry begins with the formulations of projective geometry by J. V. Poncelet (1822) and of non-Euclidean geometry by N. I. Lobachevsky (1826) and János Bolyai (1832). Another type of non-Euclidean geometry was discovered by Bernhard Riemann (1854), who also showed how the various geometries could be generalized to any number of dimensions.

These tidbits, would have been evidence as projects predceding as "towers across valleys" amd "between mountain measures," to become what they are today. Allows us to se in ways that we are not used too, had we not learnt of this progression and design that lead from one to another.


8.6 On Gauss's Mountains

One of the most famous stories about Gauss depicts him measuring the angles of the great triangle formed by the mountain peaks of Hohenhagen, Inselberg, and Brocken for evidence that the geometry of space is non-Euclidean. It's certainly true that Gauss acquired geodetic survey data during his ten-year involvement in mapping the Kingdom of Hanover during the years from 1818 to 1832, and this data included some large "test triangles", notably the one connecting the those three mountain peaks, which could be used to check for accumulated errors in the smaller triangles. It's also true that Gauss understood how the intrinsic curvature of the Earth's surface would theoretically result in slight discrepancies when fitting the smaller triangles inside the larger triangles, although in practice this effect is negligible, because the Earth's curvature is so slight relative to even the largest triangles that can be visually measured on the surface. Still, Gauss computed the magnitude of this effect for the large test triangles because, as he wrote to Olbers, "the honor of science demands that one understand the nature of this inequality clearly". (The government officials who commissioned Gauss to perform the survey might have recalled Napoleon's remark that Laplace as head of the Department of the Interior had "brought the theory of the infinitely small to administration".) It is sometimes said that the "inequality" which Gauss had in mind was the possible curvature of space itself, but taken in context it seems he was referring to the curvature of the Earth's surface.

One had to recognize the process that historically proceeded in our overviews "to non-euclidean perspectives," "geometrically enhanced" through to our present day headings, expeirmentallly.

Michelson interferometer(27 Mar 2006 wikipedia)

Michelson interferometer is the classic setup for optical interferometry and was invented by Albert Abraham Michelson. Michelson, along with Edward Morley, used this interferometer for the famous Michelson-Morley experiment in which this interferometer was used to prove the non-existence of the luminiferous aether. See there for a detailed discussion of its principle.

But Michelson had already used it for other purposes of interferometry, and it still has many other applications, e.g. for the detection of gravitational waves, as a tunable narrow band filter, and as the core of Fourier transform spectroscopy. There are also some interesting applications as a "nulling" instrument that is used for detecting planets around nearby stars. But for most purposes, the geometry of the Mach-Zehnder interferometer is more useful.

A quick summation below leads one onto the idea of what experimental validation has done for us. Very simply, the graduation of interferometer design had been taken to astronomical proportions?



Today the Count expands on this for us by showing other information on expeirmental proposals. How fitting that this historical drama has been shown here, in a quick snapshot. As well the need for understanding the "principal inherent" in the project below.

VLBI is a geometric technique: it measures the time difference between the arrival at two Earth-based antennas of a radio wavefront emitted by a distant quasar. Using large numbers of time difference measurements from many quasars observed with a global network of antennas, VLBI determines the inertial reference frame defined by the quasars and simultaneously the precise positions of the antennas. Because the time difference measurements are precise to a few picoseconds, VLBI determines the relative positions of the antennas to a few millimeters and the quasar positions to fractions of a milliarcsecond. Since the antennas are fixed to the Earth, their locations track the instantaneous orientation of the Earth in the inertial reference frame. Relative changes in the antenna locations from a series of measurements indicate tectonic plate motion, regional deformation, and local uplift or subsidence.

See:

Apollo Moon Measure

Fritz London

Fritz London was born in Breslau, Germany, and came to the United States by way of Oxford in 1939. With his younger brother Heinz he began studies of superconductivity in 1935. He was responsible for developing some of our most basic theoretical ideas on the subject, including the London movement, the conjecture that magnetic flux in a superconductor might be quantized, and the realizations that superconductivity must be interpreted as a cooperative phenomenon among large numbers of electrons based on a process known as momentum-ordering.

Apollo Moon Measure

Reference was made by Sean Carroll while he is up in Toronto lecturing.

Georgi Dvali


NYU’S Dvali Says Change in Laws of Gravity, Not ‘Dark Energy,’ Source of Cosmic Acceleration

"This is the crucial difference between the dark energy and modified gravity hypothesis, since, by the former, no observable deviation is predicted at short distances," Dvali says. "Virtual gravitons exploit every possible route between the objects, and the leakage opens up a huge number of multidimensional detours, which bring about a change in the law of gravity."

Dvali adds that the impact of modified gravity is able to be tested by experiments other than the large distance cosmological observations. One example is the Lunar Laser Ranging experiment that monitors the lunar orbit with an extraordinary precision by shooting the lasers to the moon and detecting the reflected beam. The beam is reflected by retro-reflecting mirrors originally placed on the lunar surface by the astronauts of the Apollo 11 mission.

It is important to understand that with this operation running for 35 years the benefits of using existing experimental opportunites are worth considering. I am of course referring to Georgi Dvali's proposition above.

Better than a stopwatch...In essence, we measure the time it takes for the pulse of light to travel to the moon and back. This can take anywhere from 2.34 to 2.71 seconds, depending on how far away the moon is at the time (the earth-moon distance ranges from 351,000 km to 406,000 km). We can time the round trip to few-picosecond precision, or a few trillionths of a second.


Einstein's Equivalence Principle, upon which General Relativity rests, claims that all forms of mass-energy experience the same acceleration in response to an external gravitational force. This is to say that the inertial mass and gravitational mass are equivalent for any form of mass and/or energy. This is very difficult to verify for gravitational energy itself, because laboratory masses have no appreciable gravitational binding energy. One needs bodies as large as the earth to have any measurable self-energy content. Even then, the self-energy contribution to Earth's total mass-energy is less than one part-per-billion

The benefits of seeing and using time clocks, as a measure of perspective has a solid base and the ocnsiderations of GR has lead our views into a world much different then wha we seeon the surface of life. I make reference here to other ways in which we see these relations.

Gravity and Light in the Fifth Dimension perhaps?

Links which extend our perceptions are always greatly appreciated Chris W.

Towards a new test of general relativity?

23 March 2006

Scientists funded by the European Space Agency have measured the gravitational equivalent of a magnetic field for the first time in a laboratory. Under certain special conditions the effect is much larger than expected from general relativity and could help physicists to make a significant step towards the long-sought-after quantum theory of gravity.

See:

A Sphere that is not so Round

What! Superficiality has extra dimensions to it?

Time-Variable Gravity Measurements

UV Fixed Point

Genesis Spacecraft uses Tubes as Freeways

Remembrance

You must understand that the areas with which I had been dealing are highly rigourous. Imagine the purity with which these subjects deal. Now pale in comparison are the controls and experimental validation processes, I see in psychological information and experimentaion. Relying on subject associative mapping relevances in the brain, would this lead to a conclusive model assumption in the neural correlate to consciousness?

Memory echoes in brain's sensory terrain by Bruce Bower

Images of brain show areas that become most active during perception of pictures (a and c, in green) and sounds (e, in yellow). Small arrows point to sites of greatest activity during recall of pictures (b and d) and sounds (f).
Wheeler, Petersen, Buckner/Washington Univ

So vast indeed the thinking mind and it's capabilities, that one might not see the interlinking/backtrackig of the brain in it's neuronical flavours, as to the time and day of each event?



Yet analysis is there as you look through the information, as to the basis of what might have instigated a "modulation" of the senses. Holographical, in nature possibly? If these faculties are impaired and death ensued, would it seem so unlikely that physical functions, would have had to been elevated in some way? Especially if relgated to that memory. What value "images" in mind?


A synesthetic 'Master of Memory' (Mark Ellis) makes a fateful choice after dancing with a stranger (Stephanie Morgenstern), in the unusual wartime romance Remembrance.


Image by Joy von Tiedemann and Mark Morgenstern

Toronto, 1942. ALFRED GRAVES has the curse of perfect memory. It’s born of a rare condition, synesthesia, that fuses his five senses. He can’t see something without also tasting it, hearing its colour, feeling its scent — it’s overwhelming. He protects himself by living cautiously, touring his one-man memory show. One night, AURORA LUFT is in the audience. They share a drink, a dance … then she confesses she was sent to recruit him to a top-secret spy training camp near Whitby, Ontario. Privately, and against orders, she warns him not to come: “It’s not your kind of work.” But it’s too late. Alfred feels changed. Ready for anything. He signs up.

To me this exercise is a exploration of the abilites of what "might have happened." The ideas of ingenuity and production of mind, to establish new perceptions beyond the current uses of math/physics we are currently encountering.

I have no ready answers, just the continue interest and understanding of what new can be brought to the areas heading the forefront of science. What accomplishments, model assumption might do for forming new areas, which to us is with this creativity impulse.

Speak, Memory

Vladimir Nabokov (1899-1977); novelist, poet, scholar, translator, and lepidopterist (he enjoyed chasing and collecting butterflies). A cosmopolitan Russian-born émigré whose linguistic facility, erudite style, and eloquent prose helped to establish him as one of the most brilliant and respected literary figures of the 20th century. Nabokov's best-known novel, Lolita (1955), shocked many people but its humor and literary style were praised by critics. Nabokov produced literature and scholarship of beauty, complexity, and inventiveness in both Russian and English. Nabokov himself used to say "My head speaks English, my heart speaks Russian and my ear speaks French". *Synaesthesia: Vladimir Nabobov was a synesthete, as was also his mother, his wife, and his son Dimitri.

BBC Interviewhis view of other writers and the difference between genius and talent 3 min 13

While one of the aspect of this disease(shall I call it that?) is a memory for things, as the movie up top shows. There is some opinion about artistic validation and synesthesia in regards the actually relation.

Further I thought it appropriate to divest oneself of some saintly and spiritual inclination, if one thought this might have been of appeal in my mind. It is. Then I must dissuade such thinking from something more rigorous.

So Sensory INfusion and contrive inherent as to the dsease, was one thing to look at, in relation to creativity, and abilities in science and writing, to move perception forward.

Synesthesia and Artistic Experimentation by Crétien van Campen

ABSTRACT:

Richard Cytowic has argued that synesthetic experimentation by modern artists was based on deliberate contrivances of sensory fusion and not on involuntary experiences of cross-modal association. He has placed artistic experiments with sensory fusion outside the domain of synesthesia research. Artistic experiments, though historically interesting, are considered irrelevant for the study of synesthesia. Contrary to this view I argue that at least Scriabin's and Kandinsky's artistic experiments were based on involuntary experiences of synesthesia. They were investigating perceptual and emotional mechanisms of involuntary synesthetic experiences that meet Cytowic's criteria of synesthesia. Artistic experiments are not only historically interesting, but may also contribute to present synesthesia research.

See:

American Synesthesia Association

Modulating Phases States: Neural Correlate to Consciousness

Modulating Phases States:Neural Correlates to Consciousness

J. Metzinger Le Gouter/Teatime 1911

Dynamical triangulation

I added the wording below picture to encourage you to click on the picture. While discretization may have been thought endorsed, I still believe in continuity and flow, yet, I could not help think about how the mind is wanting to speak about that confined space, and the simplest discription of it. So in this sense, there are a lot of us asking what geoemtry/physics is involved in those spaces?

Lets be kind to each other.

I was just thinking about how, if I can so easily shift into the ways of non-euclidean realms, how perception had been changed from my current state of writing, how would I convey that?

Classically Shifting Gears maybe?:)

Such vast insight into how we see the universe with it's "analog in nature," sound was considered to extend our thinking by such relations, as well as, point to current WMAP data and the way it is being percieved. I introduce this here, in this blog after travelling through much information.

But it is more then this, with which I have been enthralled about, how we see that situations arose, where my not getting the message across , had me think about what was going on. About the ways in which I like to be creative. Use words, in a multidimensional way, as to poke fun. I am not saying I have what Kandinsky has, but as I thought about it more, I wanted to undertand this creativity, as well as, what the seed bed of each of our experience might manifest to the way it would in our role in who we today.

A High School Tutorial

Something to consider before we move into todays world of science. How I am seeing the data:)



While some of what I might be saying has been relegated to our senses, I would take it further, in that model apprehensions could , and do change current life positions, about which future possibilties arise.

We know this intellectually is a simple assertion about all life and it's changes, that from day to day, new insight, would make the new tomorrow very different.

Signs within Society

Can I say, that peppered throughout society, that the adventurous in science, could have been attributed with skills that could vary according to the modulation states of the mind, with which it had been gifted?

That it would know no race, gender, and human being that what ever the conditon, such skills applied, will be creativitly used in developing science alongs it's routes. Along what ever road it took in life.



IN the one sense "gifted with" might have implied a "given ability" as is the case in Kandinsky's, while in other's I see those whose same wirings had "crossed paths" and created such points, as modulation of the thinking brain. Ths is not held to any one person. Yet if you were to take the "senses away" would imagery have still be functionable in the mind?

In a similar manner, in string theory, the elementary particles we observe in particle accelerators could be thought of as the "musical notes" or excitation modes of elementary strings.
In string theory, as in guitar playing, the string must be stretched under tension in order to become excited. However, the strings in string theory are floating in spacetime, they aren't tied down to a guitar. Nonetheless, they have tension. The string tension in string theory is denoted by the quantity 1/(2 p a'), where a' is pronounced "alpha prime"and is equal to the square of the string length scale.

This is a bold idea I am stating in conjunction with how deveopement is taking place in science, and wondering about, as, "sign's of creativity."

Wonder about what is hidding behind the "facades" we had built up in our lives. That a truer seedbed existed, for life to be expressed in you. You, are the modulator.

Phase shifting(wikipedia 23 Feb 2006)

Phase shifting describes relative phase shift in superposing waves. Waves may be of electromagnetic (light, RF), acoustic (sound) or other nature. By superposing waves using different phase shifts the waves can add (0° shift = "in phase") or cancel out each other (180°). A modulation of the relative phaseshift while superposing waves thus causes an amplitude modulation.

There are so many things that I am trying to bring together from what I see, it is very hard without all the science undertsood ,to the degree that any consistent picture sould ever come forth. The picture(yet fuzzy and foggy) is there, and it holds ideas about holography, about the map of the universe supplied, and it's phase changes. Also that such an idea would have been held in relation to a "troubled mind" who might be exposed to Kandinsky's troubles, or, how society had been changed in a way, by such ideas being put forth in modulation idealizations.

I won't lie to you here, my mind is whirling with all these things in relation to how we are developing along in society as well as what is taking place in our universe. Such a large contrast to each other for sure. Almost like saying the microperspective view had some relation to evidence int he cosmo as we know it today.

I know it is not that easy, and the whole story about uncertainty, is really a baffling one to me. Yet, for some strange reason in face of this uncertainty there seems to be ways in which we can speak abstractually about the effects on the horizon issues, in relation to conformal theories.

So how would such transformative changes allow us to speak to what might be happening inside that blackhole would be as challenging as describing the length measures and what signal planck length according to some time clock measure? Yes i understand that this is important because the limits had been set as to what point quantum gravity effects come into play. How fine our measure that we can know the depth of dynamical situations.

See:

Links Philosophical and Conjectural?

More on Wassily Kandinsky

"Wholeness and Creativity" under the Guise of Synesthesia

Books for the Dead are Really, Books for Life?

Mendeleev's Table in a New Light

Links to More Speculated Science?

Ways IN which To Percieve Landscape?

If it's Not a Soccer Ball, What is it?

Singing Bowl

Coleman-De Luccia instanton

IN what way could some consistent measure be thought of, that such conditions while recognized in the false vacuum, and, with conditions of high energy considerations, be realized into useful information surrounding this move to the true vacuum? It would have to be geometrically explained. Planck epoch in itself, makes this very hard to do, so you use the action of the vacuum, from false to true, to help in that realization.

The volume of the haystack
Lubos Motl:

We don't have a real emotional intuition how "density" in a very-high-dimensional space should behave, but we should probably try to learn it. I feel that these (especially the de Sitter) vacua cannot be quite isolated. There are just many other vacua nearby (virtually all of them) into which one should be able to decay. KKLT only consider one Coleman-DeLuccia instanton, without an enhancement, and I feel it can't be the whole story

The Coleman-De Luccia instanton presents opportunities, or, is the paper countering this proposal? See link below for reference to paper.

I think one needed to understand this movement or how the false vacuum is understood, and how the true vacuum is created.

A geometical smoothly flowing understanding that arose out of "nothing!" Without some geometrical consistancy, this idea isn't going to go away, unless someone has a reason why, and if, that paper deals with it directly?

I remain non-judgemental about characters, and the nature people adopt. I only focus on those issues that would offer us some further ideas to exploit. To help us all push pespectve forward. While there is a facade in what the mind accumulates as the image of who we are, there is "kernels of truth" that we must seek to reference, so the knowledge base can increase, and intuitve leaps for the taking by who ever push persepctove add experimetal basis as a concluding result.

We'll leave the dance and facades for other to design themself. We always want them to be "whole" with what ever they have accepted in life.

Peter Woit recommends supersymmetry

Lubos Motl:

At any rate, quantum black holes do carry quantum information, the relevant entropy is, at least in some cases, attributable to the entanglement entropy, and the research of quantum entanglement in this context could turn out to be very fruitful which is why many of us should look at these "coincidences" more carefully. They may very well clarify the origin and mathematical details of the black hole complementarity

The circumstance around the nature of the state where such superfluids are created, needed some method in which to move, from "one state into another"(turned inside/out)?

If you hold the nature of the bubble universe and it's formation in mind, it does not seem so unlikely that you had the klein bottle, as some geometrical basis from which the false vacuum would direct itself into inflationary results?

So is the paper discounting the basis of the views of Coleman-De Luccia instanton?

The idea behind the Coleman-De Luccia instanton, discovered in 1987, is that the matter in the early universe is initially in a state known as a false vacuum. A false vacuum is a classically stable excited state which is quantum mechanically unstable. In the quantum theory, matter which is in a false vacuum may `tunnel' to its true vacuum state. The quantum tunnelling of the matter in the early universe was described by Coleman and De Luccia. They showed that false vacuum decay proceeds via the nucleation of bubbles in the false vacuum. Inside each bubble the matter has tunnelled. Surprisingly, the interior of such a bubble is an infinite open universe in which inflation may occur. The cosmological instanton describing the creation of an open universe via this bubble nucleation is known as a Coleman-De Luccia instanton.

Okay so we are talking about cosmological proportions here, in blackhole creation and the resulting standard model and interactions developed from the origins of this universe. Is it consistent all the way down to the planck epoch, and how would the planck epoch be described?

One would need to see the geometrical basis of what is hapening from one state to the next. Our universe into some other new expression, or blackhole states, that rejuvenize, using geometrical dynamics of what is already existing?

Would this run contrary to the arrow of time, by having such states within context of the whole universe? Would this not explain the susutenance need to keep the universe in the same state for a very long long time?

Backreaction

Do a search, under the heading of "backreaction in laval nozzle," for further references.

Black Holes and Analogues in Two Dimensions

Examples: acoustics in a moving fluid (“dumbholes”), BEC, Helium, slow light,

See:

Why Higher Energies

More on Wassily Kandinsky

Synesthesia (Greek, syn = together + aisthesis = perception) is the involuntary physical experience of a cross-modal association. That is, the stimulation of one sensory modality reliably causes a perception in one or more different senses.

I have some ideas around this, that if thought about, would have created differences in "phase states of mind" around model consumption, and the resulting transformations?



Yellow, Red, Blue
1925; Oil on canvas, 127x200cm; Centre Georges Pompidou, Paris

Kandinsky, himself an accomplished musician, once said Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul. The concept that color and musical harmony are linked has a long history, intriguing scientists such as Sir Isaac Newton. Kandinsky used color in a highly theoretical way associating tone with timbre (the sound's character), hue with pitch, and saturation with the volume of sound. He even claimed that when he saw color he heard music.

See:

Wholeness and Creativity" under the Guise of Synesthesia