Being Able to See

How does one turn on the internal vision when we use our eyes to look at the day to day happenings with eyes wide open?

What made this interesting for me was the fact that sensory examination could have been used physically by people by no fault of their own under the auspice ofSynesthesia.. This is an examination where the internal wiring causes overlaps in sensory perceptions. So anyway the idea here is that we look at what intentionality means here in the progress toward science and examination of what we can gain in understanding a way in being able to see differently.

Experimental research

In recent years, there has been a large amount of work done on the concept of intentional action in experimental philosophy.^[1] This work has aimed at illuminating and understanding the factors which influence people's judgments of whether an action was done intentionally. For instance, research has shown that unintended side effects are often considered to be done intentionally if the side effect is considered bad and the person acting knew the side effect would occur before acting. Yet when the side effect is considered good, people generally don't think it was done intentionally, even if the person knew it would occur before acting. The most well-known example involves a chairman who implements a new business program for the sole purpose to make money but ends up affecting the environment in the process. If he implements his business plan and in the process he ends up helping the environment, then people generally say he unintentionally helped the environment; if he implements his business plan and in the process he ends up harming the environment, then people generally say he intentionally harmed the environment. The important point is that in both cases his only goal was to make money.^[2] While there have been many explanations proposed for why the "side-effect effect" occurs, researchers on this topic have not yet reached a consensus.

So we understand that there is a physiological effect to how perception can be altered by understanding the effect of  Synesthesia? Such alteration can be given to the idea that if we change the way we see experimental processes as in sound application what comparative analogy can be safe? Can we say that it would be acceptable to science?

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shne. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

 What if you caused intentional blindness in the sense that you isolate the sensory effect of allowing eyes to be deprived of light. Force the condition to effect internalize vision to take place?  So, what happens in isolation? Does the mind then rely on the world constructs that we had had during our lifetimes to say that the whole internal world is then the effect of what we had gained in experience through seeing. How do you the separate the effect of or emotive states from the understanding that our perceptions colored the world of experience and then forced it toward a memory induced fabrication of what we had experienced?

Now you say, how did that happen? Such a fast shift from what is apparent in the looking at the world is to see that we had lost control of the visual capabilities of see reality as it is?  There is this understanding that without intentionality  a ruthless world of our emotive states can take over quite easily as we say that all of reality is clean and perfect without the recognition of what science is to mean.

5 types of ATLAS event shape data

The data is first processed using the vast and all-powerful ATLAS software framework. This allows raw data (streams of ones and zeroes) to be converted step-by-step into ‘objects’ such as silicon detector hits and energy deposits. We can reconstruct particles using these objects. The next step is to convert the information into a file containing two or three columns of numbers known as a "breakpoint file". It can also be used as a "note list". This kind of file can be read by compositional software such as the Composers Desktop Project (CDP) and Csound software used for this project. See: How is Data Converted into Sounds

So while you do experiments it is important to have "intentionality" in regard to your experiments? If this is so then what you had done is prepare for the excursion to what you want to find out? You already had some idea? You want to put controls in the environment?



 How do you separate consciousness from the clean lines of experimentation and reality seeking? You can't? Because without it you were not able to put the controls in that you need too,  in order to find something out. You are part of the vibrations.
 
The very fact that all of the environment is based on the factors of sound would have you believe then that such conversions are possible and that all sounds are envisioned within the context of the world of sound controlled?

I want to force you to be able to see differently. I want to convert the reality of existence of seeing in a vibrational mode. How does this translate then into consciousness and experimentation? What will we be able to find out if we change the constraints on or examinations of reality if we force the mind to see so?

A Synesthetes Talk in the Afterlife :)

Looking up a list of who's who in the Synesthetes world I found it quite interesting. This YouTube Video below was attributed too Maureen Seaberg

 When Mayer was seventeen, he was stricken with cardiac dysrhythmia and was hospitalized for a weekend. Reflecting on the incident, Mayer said, “That was the moment the songwriter in me was born,” and he penned his first lyrics the night he got home from the hospital. See: John Mayer (October 16, 1977), musician, sound to color

John Mayer's song about gravity was quite appealing for obvious reasons? Maybe some will understand why but in science it cannot be so.

 See: Synesthesia Resource Center

The Sound The Universe Makes

As most know who have come to visit here at this Blog site, my fascination with the ways in which "sensationally" and internally one might look at the universe. So of course as long as the science is there in terms of how we are interpreting events. Then,  using the underlying mechanism of that interpretation,  so that it is universally applied,  then you get to see nature in different ways.

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shne. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

As a reader,  you will also see if you look deeper into this blog the historical relation of humanity always seeking to define the way we can look at nature whether it is expressed musicianly or artistically. Is to identify this deep seated need to understand the cosmos in ways that we might not of considered.

5 types of ATLAS event shape data

The data is first processed using the vast and all-powerful ATLAS software framework. This allows raw data (streams of ones and zeroes) to be converted step-by-step into ‘objects’ such as silicon detector hits and energy deposits. We can reconstruct particles using these objects. The next step is to convert the information into a file containing two or three columns of numbers known as a "breakpoint file". It can also be used as a "note list". This kind of file can be read by compositional software such as the Composers Desktop Project (CDP) and Csound software used for this project. See: How is Data Converted into Sounds

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Janna Levin

I want to ask you all to consider for a second the very simple fact that, by far, most of what we know about the universe comes to us from light. We can stand on the Earth and look up at the night sky and see stars with our bare eyes. The Sun burns our peripheral vision, we see light reflected off the Moon, and in the time since Galileo pointed that rudimentary telescope at the celestial bodies, the known universe has come to us through light, across vast eras in cosmic history. And with all of our modern telescopes, we've been able to collect this stunning silent movie of the universe -- these series of snapshots that go all the way back to the Big Bang.

And yet, the universe is not a silent movie, because the universe isn't silent. I'd like to convince you that the universe has a soundtrack, and that soundtrack is played on space itself. Because space can wobble like a drum. It can ring out a kind of recording throughout the universe of some of the most dramatic events as they unfold. Now we'd like to be able to add to a kind glorious visual composition that we have of the universe a sonic composition. And while we've never heard the sounds from space, we really should, in the next few years, start to turn up the volume on what's going on out there. See: Janna Levin: The sound the universe makes

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Radar echos from Titan's surface

This recording was produced by converting into audible sounds some of the radar echoes received by Huygens during the last few kilometers of its descent onto Titan. As the probe approaches the ground, both the pitch and intensity increase. Scientists will use intensity of the echoes to speculate about the nature of the surface.

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Gravity is talking. LISA will listen.

The Cosmos sings with many strong gravitational voices, causing ripples in the fabric of space and time that carry the message of tremendous astronomical events: the rapid dances of closely orbiting stellar remnants, the mergers of massive black holes millions of times heavier than the Sun, the aftermath of the Big Bang. These ripples are the gravitational waves predicted by Albert Einstein's 1915 general relativity; nearly one century later, it is now possible to detect them. Gravitational waves will give us an entirely new way to observe and understand the Universe, enhancing and complementing the insights of conventional astronomy.

See:What Does Gravity Sound Like?

       Gravitational Wave Detectors are Best Described as "Sounds.

See Also: LHC sound

Cymatics and the Heart Song

I think one has to wonder with such diversities of souls who have entered this world, such distinctions of being identified as a "emergent product of all souls" might have a distinctive element with which lives could have been choreographed. Each soul, manifests according to their Heart Song? :)Each Heart Song is carried through a series of many lives? Each Heart Song,manifests according the conceptual acceptances and digestibility of our grokking, according to each circumstance that surrounds that life?

I just finish spending the last 8 days with two of my seven grandchildren. One had passed just a couple of days after being born.

Yes "Happy feet" has become a intricate part of my days visiting as these children are mesmerized by the hearts songs and uniqueness of being borne learning to tap instead of singing. It's trials and tribulations of being different. See:It's a Penquin?

Biology sees no possible reduction to the physics of thinking,  that I have to wonder if they might of thought of the correlation here, as distinctive elements have distinctive sounds?

It's an anologistical way of looking at the space of thinking(mind /body) to have it coincide with somethng inherent in our make up.  Some thing that is correlative to what strides the thinking mind makes and what resonances in the world are set up for each soul distinctive?  Each soul's cause and effect,  bringing home to roost the conceptually formed resonances that have been formed " by grokking and digestibility.

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shne. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

So to then in my thinking that before each soul crystallizes it's hold on the reality of being in this world,  that each soul was in a much different state. A state that the senses held no distinctions other then too, sense "all things" as connected to each other.  The differentiations were our attempts to acceptance of living within this world that it should have it;s compartments for sensory outputs distinctive themselves. See:Soul Food

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Cymatics

From Wikipedia, the free encyclopedia

Resonance made visible with black seeds on a harpsichord sounboard

Amplified sine wave's effects on cornstarch & water solution

Cymatics (from Greek: κῦμα "wave") is the study of visible sound and vibration, a subset of modal phenomena. Typically the surface of a plate, diaphragm, or membrane is vibrated, and regions of maximum and minimum displacement are made visible in a thin coating of particles, paste, or liquid.^[1] Different patterns emerge in the exitatory medium depending on the geometry of the plate and the driving frequency.
The apparatus employed can be simple, such as a Chladni Plate^[2] or advanced such as the CymaScope, a laboratory instrument that makes visible the inherent geometries within sound and music.^{[clarification needed]}

Contents 1 Etymology 2 History 3 Influences in art 4 See also 5 References 6 External links

Etymology

The generic term for this field of science is the study of modal phenomena, retitled Cymatics by Hans Jenny, a Swiss medical doctor and a pioneer in this field. The word Cymatics derives from the Greek 'kuma' meaning 'billow' or 'wave,' to describe the periodic effects that sound and vibration has on matter.

History

The study of the patterns produced by vibrating bodies has a venerable history. One of the earliest to notice that an oscillating body displayed regular patterns was Galileo Galilei. In Dialogue Concerning the Two Chief World Systems (1632), he wrote:

As I was scraping a brass plate with a sharp iron chisel in order to remove some spots from it and was running the chisel rather rapidly over it, I once or twice, during many strokes, heard the plate emit a rather strong and clear whistling sound: on looking at the plate more carefully, I noticed a long row of fine streaks parallel and equidistant from one another. Scraping with the chisel over and over again, I noticed that it was only when the plate emitted this hissing noise that any marks were left upon it; when the scraping was not accompanied by this sibilant note there was not the least trace of such marks.^[3]

On July 8, 1680, Robert Hooke was able to see the nodal patterns associated with the modes of vibration of glass plates. Hooke ran a bow along the edge of a glass plate covered with flour, and saw the nodal patterns emerge.^[4][5]

In 1787, Ernst Chladni repeated the work of Robert Hooke and published "Entdeckungen über die Theorie des Klanges" ("Discoveries in the Theory of Sound"). In this book, Chladni describes the patterns seen by placing sand on metal plates which are made to vibrate by stroking the edge of the plate with a bow.
Cymatics was explored by Hans Jenny in his 1967 book, Kymatik (translated Cymatics).^[6] Inspired by systems theory and the work of Ernst Chladni, Jenny began an investigation of periodic phenomena but especially the visual display of sound. He used standing waves, piezoelectric amplifiers, and other methods and materials.

Influences in art

Hans Jenny's book influenced Alvin Lucier and, along with Chladni, helped lead to Lucier's composition Queen of the South. Jenny's work was also followed up by Center for Advanced Visual Studies (CAVS) founder Gyorgy Kepes at MIT. ^[7] His work in this area included an acoustically vibrated piece of sheet metal in which small holes had been drilled in a grid. Small flames of gas burned through these holes and thermodynamic patterns were made visible by this setup.

Based on work done in this field, photographer Alexander Lauterwasser captures imagery of water surfaces set into motion by sound sources ranging from pure sine waves, to music by Ludwig van Beethoven, Karlheinz Stockhausen, electroacoustic group Kymatik(who often record in surround sound ambisonics), and overtone singing.

Rosslyn Chapel's carvings are thought to contain references to Cymatics patterns and in 2005 composer Stuart Mitchell and his father T.J.Mitchell created a work realised by the use of matching Cymatics/Chladni patterns to the 13 geometric symbols carved onto the faces of 213 cubes emanating from 14 arches. They have named the completed work The Rosslyn Motet and has received a great deal of media publicity and acclaim from scientific and musicological sources.

See also

• List of wave topics
• Oscillon
• Mode shape
• Music visualization
• Visual music
• Cymatic therapy
• Harmonic analysis

References

1. ^ Jenny, Hans (July 2001). Cymatics: A Study of Wave Phenomena & Vibration (3rd ed.). Macromedia Press. ISBN 1-8881-3807-6. 
2. ^ "Instructional Research Lab: Chladni Plate". University of California, Los Angeles. http://www.physics.ucla.edu/demoweb/demomanual/acoustics/effects_of_sound/chladni_plate.html. Retrieved 3 September 2009. 
3. ^ Good Vibrations, Joyce McLaughlin, American Scientist, July-August 1998, Volume: 86 Number: 4 Page: 342, DOI: 10.1511/1998.4.342
4. ^ Ernst Florens Friedrich Chladni, Institute for Learning Technologies, Columbia University
5. ^ Pg 101 Oxford Dictionary of Scientists- Oxford University Press- 1999
6. ^ Jenny, Hans (1967). Kymatik. ISBN 1-888138-07-6
7. ^ Gyorgy Kepes profile at MIT

 External links

• Cymatics and Rosslyn Music 'Cubes'
• Global Cymatics Community
• Cymatics, A Study of Wave Phenomena
• Cymatics Conference
• Cymatica.net : Architectural thesis investigation into the synthesis of space and form generated from sound
• Cymatics.org: Cymatics images & video capturing the interaction of sounds with liquids
• Video of Cymatics of salt grains on vibrating square metal plate
• DIY Cymatics
• TED Talks: Evan Grant: Making sound visible through cymatics

New Synesthete Character on Heroes

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shine. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

I had been searching for the latest TV Show on Heroes.

I finally came across somebody who pretty well sees it the way Synesthesis  does?  A fictional TV show cut forYoutube which provided for reference below which was what I was looking for.


Now the followers of this blog must know by now, that I see the "Colour of Gravity" as a link between what can conceptually transpire when the photon is travelling through, or "showing itself" in a gravitational field.

Now, what is right scientifically on this, that what we can say of theoretics which has combined electromagnetism with gravity, is to reveal "a colourful gravitational history" in this way? It brought to mind a dream I had of Einstein stirring a glass container of juice with ice in it. In my cognisance of how sound would reveal and be indicative of gravity speaking, I look to see what Einstein meant by display.

This was triggered I believe by  Joseph Weber's research into the aluminum bars detectors for gravitational wave detection.

Gravitational Wave Detectors are Best Described as "Sounds."

 

Weber developed an experiment using a large suspended bar of aluminum, with a high resonant Q at a frequency of about 1 kH; the oscillation of the bar after it had been excited could be measured by a series of piezoelectric crystals mounted on it. The output of the system was put on a chart recorder like those used to record earthquakes. Weber studied the excursions of the pen to look for the occasional tone of a gravitational wave passing through the bar...

Some might not understand the history to which I had devoted to building and understanding the emotive qualities combined with the intellectual. Which lead to seeing dynamical movement between the inner and outer world with respect to the state of mind at any given time. There have always been attempts on my part to describe this motion, not just on the psychological level, but on what also transpires emotively while the emotive state is being expressed.

I cannot say I am a Synesthesis by the 61 definitions given by Sean Day. So in the truest sense, I am not by that definition one. But conceptually linking and intertwining sound and colour with the physiological and the psychological, it was important by that definition be given, what colourful state the mind can be in.

Albert Einstein's perception of time and beauty seemed relevant to me about the quality given in measure, but by this perspective I am sure that is not what Einstein wanted to give meaning too, while thinking of the curvature of space and time.

This then is based on a perspective I have formed around gravity. What attach itself to all of us, whether we see the colours or not by consequence. This is an evolutionary form in my mind of what the soul can gain and loose by recognizing the colourful state of mind at any given time, and how it harbours colour in the truest sense as an expression of that being.

To be left with "no physical form" a mode of being becomes a retention of the abstract thinking mind, sets a tone in my mind for what is to come home to roost.

That we exist then mentally in that very realm, means to learn to recognize the pain and the "duration of time" we associated with those given memories. Upon reflection, we learn something then about the way we relate to the world and people around us which allows us to project "forward future consequences" intellectually bound by creative advances in language construction advancements of "creating in the mental world."

IN the most purest sense then, all combined is the birthing to segregation of sensory abilities according to "cabinets of perspective" that are arranged according to the principals of how we will interact in this community. This by arrangement, on entering materiality.

See:Emotion and Reason Balanced: The Mind's Consequence?

See Also: Art and Science: Kandinsky

"Bag Model," for the Economy

“In this edition, as a fifth appendix, a presentation of my views on the problem of space in general and the gradual modifications of our ideas on space resulting from the influence of the relativistic view-point. I wished to show that space-time is not necessarily something to which one can ascribe a separate existence, independently of the actual objects of physical reality. Physical objects are not in space, but these objects are spatially extended. In this way the concept of “empty space” loses its meaning”. A. Einstein (June 9th, 1952)

Photo by Steve Hsu-

The first photo is the morning panel discussion. From left to right, Eric Weinstein, Nouriel Roubini, Richard Freeman and Nassim Taleb.

The Economic Crisis and its Implications for The Science of Economics.

May 1 - 4, 2009
Perimeter Institute

Concerns over the current financial situation are giving rise to a need to evaluate the very mathematics that underpins economics as a predictive and descriptive science. A growing desire to examine economics through the lens of diverse scientific methodologies - including physics and complex systems - is making way to a meeting of leading economists and theorists of finance together with physicists, mathematicians, biologists and computer scientists in an effort to evaluate current theories of markets and identify key issues that can motivate new directions for research. Perimeter Institute was suggested to be the gathering point and conference organizers plan to foster a very careful, dispassionate discussion, in an atmosphere governed by the modesty and open mindedness that characterizes the scientific community.

The conference will begin on May 1, 2009, with a day of talks by leading experts to an invited audience on the status of economic and financial theory in light of the current situation. Three days of private, focused discussions and workshops will ensue, aimed at addressing complex questions and defining future research agendas for the world that can help address and resolve them.

See: Reflections from PI’s economics conference, May 1-4 2009

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The economy is in a ideological struggle to be free:) The more you try to pull it apart the stronger it resists.:)But in a collision, what happens. The rest, you know about?:)

Jets Provide Evidence for Quark Confinement Models

Deep inelastic scattering experiments provided the evidence that the proton and neutron are made up of three more fundamental particles called quarks . One type of experiment in the proton-antiproton colliders produces jets of mesons which correlate with the models of quark confinement. As visualized in the bag model for quark confinement, an individual quark cannot be pulled free because the energy required to do it is much greater than the pair production energy of a quark-antiquark pair. If in a high energy collision, something scatters directly off one of the constituent quarks, it will give it a high energy. With an energy many times the pair production energy, it will create a jet of quark-antiquark pairs (mesons).

See:Evidence for Quark Theory

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At times the economy can flow quite easily, while other times, it resists. It is the elastic nature that defines the symbiotic relation of a cultural thinking about what the economy can actually permit, and what of itself, it shall not.

This is a "toposense" synesthesically imbued as relevant too, an expression of what can surround the "psychology of society?" What proof do I have that such thinking geometrically induced shall not find itself "in movement" as it is thought about, as well? Dynamically this was lead too. How one can move in straight lines and such, was moved to a new mode of thinking that excels toward a movement in thought. It is done, as if theoretically moved toward a QGP recognition of the dynamical recognition, as if, the theory of strings.

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See Also:

Coin, as a Constituent of Symmetry

The Other Side of the Coin

The Toposense of Spacetime

Topo-sense?

Awareness of the Conditioned Response

atom become blog cern change coined comments conditioned death dialogos different eide einstein exists generation gravity greek heavens human information land links literature mind moon nature neologism particle physics plato post protologism provide quantum relativity response science shock space taken thinking thought trial understanding universe used wave words world x-ray

created at TagCrowd.com

Some words in that Tag Cloud have been changed to reflect my own body of thought.

Words, as a "body of thought and thusly, jargon" that removes one further away from?

How is it one can "look past this" to see the "quality of the good?" While it is only to appear as more rhetoric speaking, and a decay from the essence what of that place is. Where the high mountain spots reveal "a clarity of mind" after ascending. Which can oversee such valleys? Represents in some unconscious actions of a painter or writer at work, a unsurmountable problem with life in the challenge ahead?

While lacking a description it had become symbolic, that what was speaking, was a more artistic envisioned capability to express what is needed to be faced. That this unsurmountable can indeed be defined in terms of an objective and goal, to symbolize accomplishment and clarity to mind, once having consumed all the information.

A word newly coined in the hope it will become accepted.

This may be thought a useful invention, one that’s particularly relevant to World Wide Words — coiners often submit linguistic inventions in the hope that they might be promoted and become a settled part of the language.

The difference between a protologism and a neologism is that the latter has actually been used somewhere, even if only once, while a protologism exists only as a suggestion of a word that might be used.

Wikipedia says that it was coined by Mikhail Epstein, the Professor of Cultural Theory and Russian Literature at Emory University in Atlanta, Georgia, and that it was first used in 2005. It’s from Greek protos, first, plus logos, word, but might equally be taken to be an blend of prototype and neologism.

As protologism is quite often used within the Wikipedia community, it is itself no longer a protologism, but has ascended to the status of jargon.

World Wide Words

How is it possible to transform "any thinking" if it has been alloted to only "in the box thinking. Conflict and fear, as if, always contained to the fight or flight response? If all thought was crystallized to "reactionary forces" that would conduct our own thinking to a trial by trial induced basis as a continued response?

We set the tone. We set the thought process accordingly. What memories reside then in the thinking framework, called your own body of thought?

Neologism

A neologism (IPA: /niˈɒləˌdʒɪzəm/; from Greek neo 'new' + logos 'word') is a newly coined word that may be in the process of entering common use, but has not yet been accepted into mainstream language (which can take up to a generation[1]). Neologisms are often directly attributable to a specific person, publication, period, or event. The term neologism was coined in 1803.[2]

So attempts are made to free the way one has always done things. To "shock" the system as to alter it's course of pre-conditioned thought and provide for new opportunities for expression. This entails then some familiarity with what has always been the mode of thinking, that would allow for a new and trans formative change to exist in the potential of any human being.

Neologisms in literature

Many neologisms have come from popular literature and tend to appear in different forms. Most commonly, they are simply taken from a word used in the narrative of a book; a few representative examples are: "grok" (to achieve complete intuitive understanding), from Stranger in a Strange Land by Robert A. Heinlein; "McJob", from Generation X: Tales for an Accelerated Culture by Douglas Coupland; "cyberspace", from Neuromancer by William Gibson; "nymphet" from Lolita by Vladimir Nabokov.

Hunger then, becomes the understanding that all information that currently exists, exists to provide for the potential to develop the quality of mind for the good and to prepare it for that change.

Inside Out

3.1 As Cytowic notes, Plato and Socrates viewed emotion and reason as in a kind of struggle, one in which it was vitally important for reason to win out. Aristotle took a more moderate view, that both emotion and reason are integral parts of a complex human soul--a theory proposed by Aristotle in explicit opposition to Platonism (De Anima 414a 19ff). Cytowic appears to endorse the Platonic line, with the notable difference that he would apparently rather have emotion win out.

I am trying to "create a image" that will use the one above. It is important that the select quoted comment below is understood. This can't be done without some reference.

So while the exercise may be going on "inside" things are happening on the outside. Scientists have never been completely honest with themselves, while some may concern themselves with whose name said what?

I use Plato as a namesake obviously, because of what I saw of some of our influential minds speaking, all the while making inferences to Plato. When ever you read something that resonates with you, it is of value because it correlates to something that you already know. This is what I tried to get across in the previous post, about what is "self evident." Little do some people recognize that while I may have inferred the point of some philosophical foundations, it is not without recognizing that the "qualitative phrases" have to be reduced as well to a logic. To reason.

How do you do that? Well I'll tell you what I found and then you can think whether I understood reason in it's proper format. Whether I understood the "shadows of Plato" to mean something other then what could have been interpreted as being wrong. What is that analogy of the Cave really mean?

Our attempt to justify our beliefs logically by giving reasons results in the "regress of reasons." Since any reason can be further challenged, the regress of reasons threatens to be an infinite regress. However, since this is impossible, there must be reasons for which there do not need to be further reasons: reasons which do not need to be proven. By definition, these are "first principles." The "Problem of First Principles" arises when we ask Why such reasons would not need to be proven. Aristotle's answer was that first principles do not need to be proven because they are self-evident, i.e. they are known to be true simply by understanding them.

Yes I did not enter the halls of higher learning in the traditional ways. You can converse for many years, does not mean you become devoid of the lessons that spoken amongst the commentors. How is it you can think that while listening to scientists you cannot uncover the the processes they use? If I had given thirty years to study, what exactly had I studied? I am a doctor of nothing.:)

This is a torus (like a doughnut) on which several circles are located. Unlike on a Euclidean plane, on this surface it is impossible to determine which circle is inside of which, since if you go from the black circle to the blue, to the red, and to the grey, you can continuously come back to the initial black, and likewise if you go from the black to the grey, to the red, and to the blue, you can also come back to the black.

My quote at Backreaction on this and that, reveals not only part of the understanding gained through this "infinite regress," but also the understanding we have with the world around us. Some would be better served to see the image of the Klein bottle, but I wanted to show what is going on in a "abstract way" to what is happening inside of us, and at the same time, what is happening outside.



I had used the brain and head as a place of our conscious awareness within context of our environment, our bodies. The topological explanations of the numbers above, and used them in the next paragraph. There will be confusion with the colour lines, please disregard that.

While I talked of the emotive and mental realities. I included the spiritual development in the end. The way this interaction takes place, is sometimes just as the mental function(yellow). Other times, it is the emotive realization of the experience. It is coloured by our emotion(red).

While we interact with our environment, there is this turning inside out, continuously. Sometimes we may say that "1" is the emotive realization, while the number 2 is seen as a mental extension of the situation. While the areas overlap each other, an outward progression may mean that the spiritual progress is numbered 4, while the interaction of the emotive, mental and spiritual progression may be number 3. Ultimately the spiritual progression is 4 (Violet). All these colours can mix and are significant in themself. They reveal something about our very constitution.

While some may wonder how could any conceptualization ever integrate the "Synesthesia views" of the world when it sees itself presented with such a comparison? The journey of course leads to the "Colour of Gravity." Discard your body, and one will wonder about the "clear light." What it means, in the "perceptive state of existence." If one is prepared, then one shall not have "to much time on their hands" getting lost in the fog.

Plato and Aristotle, Up and Down by Kelley L. Ross, Ph.D.

Rafael has Plato pointing up and Aristotle gesturing down to indicate the difference in their metaphysics. For Plato, true existence is in the World of Forms, in relation to which this world (of Becoming) is a kind of shadow or image of the higher reality. Aristotle, on the other hand, regards individual objects in this world as "primary substance" and dismisses Plato's Forms -- except for God as a pure actuality, without matter.

However, when it comes to ethics and politics, the gestures should be reversed. Plato, like Socrates, believed that to do the good without error, one must know what the good is. Thus, we get the dramatic moment in the Republic where Plato says that philosophers, who have escaped from the Cave and come to understand the higher reality, must be forced to return to this world and rule, so that their wisdom can benefit the state. Aristotle, on the other hand, says that the "good" is simply the goal of various particular activities, without one meaning in Plato's sense. The particular activities of most human affairs involve phronésis, "practical wisdom." This is not sophía, true wisdom, for Aristotle, which involves the theoretical knowledge of the highest things, i.e. the gods, the heavens, and God.

Thus, for philosophy, Aristotle should point up and would represent a contemplative attitude that was certainly more congenial to religious practices in the Middle Ages. By the same token, Aristotle's contribution to what we now think of as science was hampered by his lack of interest in mathematics. Although Aristotle in general had a more empirical and experimental attitude than Plato, modern science did not come into its own until Plato's Pythagorean confidence in the mathematical nature of the world returned with Kepler, Galileo, and Newton. For instance, Aristotle, relying on a theory of opposites that is now only of historical interest, rejected Plato's attempt to match the Platonic Solids with the elements -- while Plato's expectations are realized in mineralogy and crystallography, where the Platonic Solids occur naturally.

Therefore, caution is in order when comparing the meaning of the metaphysics of Plato and Aristotle with its significance for their attitudes towards ethics, politics, and science. Indeed, if the opposite of wisdom is, not ignorance, but folly, then Socrates and Plato certainly started off with the better insight.

It is good that you go to the top of the page of the linked quotes of Kelley L. Ross. You must know that I developed this site without really understanding the extent Mr. Ross had taken this issue. There is much that is familiar, and with him, an opposing view too.

See:

Induction and Deduction
Intuitively Balanced: Induction and Deduction

The Other Side of the Coin

Susan Holmes- Statistician Persi Diaconis' mechanical coin flipper.

In football's inaugural kickoff coin toss, the coin is not caught but allowed to bounce on the ground. That introduces an extra complication, one mathematicians have yet to sort out.

Persi Diaconis See here.

The Ground State

There is always an "inverse order to Gravity" that helps one see in ways that we are not accustom too. The methods of "prospective measurements" in science have taken a radical turn? Satellites as a measure, have focused our views.



While one may now look at the "sun in a different way" it had to first display itself across the "neutrino Sudbury screen" before we knew to picture the sun now in the way we do. It was progressive, in the way the sun now forms a picture of what we now know in measure.

So you try and bring it all together under this "new way of seeing" and hopefully your account of "the way reality is," is shared by others who now understand what the heck I am doing?

To get a simple physical understanding of what the acoustic oscillations are, it may be helpful to change the perspective. Normally, the common way of presenting the phenomenon has been in terms of standing waves where the analysis is done in Fourier space. But the baryon-photon fluid really is just carrying sound waves, and the dispersion relation is even pretty linear. So let’s instead think of things in terms of traveling waves in real spacehttp://72.14.253.104/search?q=cache:xLcnPGO6BDQJ:cmb.as.arizona.edu/~eisenste/acousticpeak/spherical_acoustic.ps+Fourier+space+when+I%27m+thinking+about+sound.&hl=en&ct=clnk&cd=1&gl=ca-Steward Observatory, University of Arizona
c 2005

"Uncertainty" has this way of rearing it's head once we reduce our perspective to the microscopic principals(sand), yet, on the other side of the coin, how is it that only 5% of mass determination allows us to see the universe mapped in the way it has in regards to the CMB?

There is this "entropic valuation" and with it, temperature. Some do not like the porridge "to hot or to cold," with regards to "living in a place" within the universe.

So I'll repeat the blog comment entry here in this blog so one can gather some of what I mean.

At 2:56 AM, December 11, 2007, Plato said...

As a lay person with regards to the complexity of the language(sound)and universe, it is sometimes reduced to "seeing in ways that are much easier to deal with," although of course, it may not be the same for everyone?:)

:)Something good science people "do not want to hear?"

Good link in html.

The launching of the sound waves is very similar to dropping a rock in a pond and seeing the circular wave come off (obviously that a gravity wave, not a compressional wave, but I’m focusing on the geometry). The difference here is that the area where the “rock” entered is still the most likely region to form galaxies; the spherical shell that it produced is only carrying 5% of the mass.

Hopefully, this demystifies the effect: we’re seeing the imprint of spherical sound waves launched from the sites of dark matter overdensities in the early universe. But also I hope it makes it more clear as to why this effect is so robust: the propagation of sound in the baryon-photon plasma is very simple, and all we’re doing is measuring how far it got.

"Mapping," had to begin somewhere. Whatever that may mean,one may think of Mendeleeev or Newlands.

Generally Grouping Order increases the density of objects within a frame of reference, resulting in a more pronounced single object.

"Sand with pebbles" on a beach? It had to arise from someplace?

The other side of the Coin is?

This recording was produced by converting into audible sounds some of the radar echoes received by Huygens during the last few kilometres of its descent onto Titan. As the probe approaches the ground, both the pitch and intensity increase. Scientists will use intensity of the echoes to speculate about the nature of the surface.

and not to be undone.

Mass results in an increase in the gravitational force exerted by an object. Density fluctuations on the surface of the Earth and in the underlying mantle are thus reflected invariations in the gravity field.As the twin GRACE satellites orbit the Earth together, these gravity field variations cause infinitesimal changes in the distance between the two. These changes will be measured with unprecedented accuracy by the instruments aboard GRACE leading to a more precise rendering of the gravitational field than has ever been possible to date.

Layman pondering.

So now that you have this "comprehensive view" I have gained on the way I am seeing the universe. You can "now see" how diverse the application of sound in analogy is. It is helping me to develop the "Colour of Gravity" as a artistic endeavour. I refrain from calling it "scientific" and be labelled a crackpot.

A Synesthesic View on Life.

Who knows how I can put these things together and come up with what I do. Yet, it had not gone unnoticed that such concepts could merge into one another, and come out with some tangible result as a "artistic effort." Some may be used to the paintings of Kandinsky(abstract), yet the plethora of imaging that unfolds in the conceptual framework might have been self evident, from such a chaotic mess of the layman's view here?

The Ring of Truth

Savas Dimopoulos:Here’s an analogy to understand this: imagine that our universe is a two-dimensional pool table, which you look down on from the third spatial dimension. When the billiard balls collide on the table, they scatter into new trajectories across the surface. But we also hear the click of sound as they impact: that’s collision energy being radiated into a third dimension above and beyond the surface. In this picture, the billiard balls are like protons and neutrons, and the sound wave behaves like the graviton.

On the title it is important to understand what is being implied within the context of this post. What came to mind immediately when Bee wrote"Ring of Truth" in her post, "A Theoretically Simple Exception of Everything." Joseph Weber came to mind.

Joseph Weber 1919 - 2000

Joseph Weber, the accomplished physicist and electrical engineer, has died at the age of 81. Weber's diverse research interests included microwave spectroscopy and quantum electronics, but he is probably best known for his investigations into gravitational waves.

In the late 1950s, Weber became intrigued by the relationship between gravitational theory and laboratory experiments. His book, General Relativity and Gravitational Radiation, was published in 1961, and his paper describing how to build a gravitational wave detector first appeared in 1969. Weber's first detector consisted of a freely suspended aluminium cylinder weighing a few tonnes. In the late 1960s and early 1970s, Weber announced that he had recorded simultaneous oscillations in detectors 1000 km apart, waves he believed originated from an astrophysical event. Many physicists were sceptical about the results, but these early experiments initiated research into gravitational waves that is still ongoing. Current gravitational wave experiments, such as the Laser Interferometer Gravitational Wave Observatory (LIGO) and Laser Interferometer Space Antenna (LISA), are descendants of Weber's original work.

Weber was born in 1919 in Paterson, New Jersey, and graduated in 1940. He spent eight years as an electrical engineer in the US Navy, and was assigned as navigator on the aircraft carrier Lexington during World War II. After his resignation from the Navy in 1948, Weber went on to obtain his PhD in 1951 from the Catholic University of America. He was appointed professor of electrical engineering at the University of Maryland, and he moved into the physics department in 1961 when he began his investigations into gravitational waves.

Weber died on 30 September in Pittsburgh, Pennsylvania. He is survived by his wife, the astrophysicist Virginia Trimble.

Bee writes about "Ring of Truth" from Lee Smolin's book,

"But we are also fairly sure that we do not yet have all the pieces. Even with the recent successes, no idea yet has that absolute ring of truth." p. 255 (US hardcover).

So I pulled this above from Bee's comment blog for further reference. To help make my point about gravitational wave detection and all the kinds of wav(Y)es in which gravity can now be looked at.

So of course it is necessary to include the commentary from Bee's reference too, Garrett Lisi's comment section, to help one see the complex rotations that speaks to all manifestations(geometrical foresight on complex rotations in dimensional spaces), from the origins of all a particle creations to the elemental understanding given in context of the post by Bee.

"With the discovery of sound waves in the CMB, we have entered a new era of precision cosmology in which we can begin to talk with certainty about the origin of structure and the content of matter and energy in the universe-Wayne Hu

Stefan,

Maybe I have a better chance to understand them when their relation to the original post is more than just the word "gravity" in both of them?

Your "toying with the way we see gravitational and gravity waves?" Dealing with the objective world with ancient ideas?

I pointed to the differences.

Plato:Wherever there are no gravitational waves the spacetime is flat. One would have to define these two variances. One from understanding the relation to "radiation" and the other, "to the perfectly spherically symmetric."

But still to see such dynamics in terms of the "mathematical abstract" I see see no reason why you would "lesson my points" on helping one to see these differences in the space around us.

This recording was produced by converting into audible sounds some of the radar echoes received by Huygens during the last few kilometres of its descent onto Titan. As the probe approaches the ground, both the pitch and intensity increase. Scientists will use intensity of the echoes to speculate about the nature of the surface.

So I may point to the ways in which one may synthesized the views of the world in relation to not only "sound" as Kris just talks about, but also about how one may transform that sound "to colour."

3.1 As Cytowic notes, Plato and Socrates viewed emotion and reason as in a kind of struggle, one in which it was vitally important for reason to win out. Aristotle took a more moderate view, that both emotion and reason are integral parts of a complex human soul--a theory proposed by Aristotle in explicit opposition to Platonism (De Anima 414a 19ff). Cytowic appears to endorse the Platonic line, with the notable difference that he would apparently rather have emotion win out.

Cosmic variance may talk about synesthesia yet you cannot stop the changes such understanding brings to the emotive forces that surround earth and us.

Such a shift to bulk perspective is not without it's lessons on progressing the views of gravity in "all situations."

I am not so smart, just that I may see differently then you Stefan. :)

We can't actually hear gravitational waves, even with the most sophisticated equipment, because the sounds they make are the wrong frequency for our ears to hear. This is similar in principle to the frequency of dog whistles that canines can hear, but are too high for humans. The sounds of gravitational waves are probably too low for us to actually hear. However, the signals that scientists hope to measure with LISA and other gravitational wave detectors are best described as "sounds." If we could hear them, here are some of the possible sounds of a gravitational wave generated by the movement of a small body in spiralling into a black hole.

Does anybody really understand what is happening when the conceptual foundation allows new perspective to form? New theories to make their way into challenging the very foundations of our reality?

Every step in the production of the "conceptual framework" is an exercise in how perception is being changed. Can be changed.

There are moderators of all sorts who govern the information that is being written. How one view can be portrayed and sits in contradiction to the way String theory uses E8 is not the reason one might of suspected problems with acceptance here or there.

It s a organizational method on how to respond and place it accordingly. Peter is being paranoid? :)