Sunday, April 02, 2006

Nodes and Anti-nodes

Tool's for measure.

The center of the gyroscope is a jewel-like sphere of fused quartz. These spheres, the size of Ping-Pong balls, are the roundest objects ever made by man. The tiny spheres are enclosed inside a housing chamber to prevent disruption from sound waves, and chilled to almost absolute zero to prevent their molecular structure from creating a disturbance. The accuracy of these gyroscopes is 30 million times greater than any gyroscope ever built.

Making Strings in the lab, made me think of Clifford and the ice cream mix that he was privy too, by joining condense matter [ahem...string:] theorists, on a Friday night? :)Nitrogen, and superconductors seem to go hand in hand? Made me think of GPB and [whoops my mistake-not-nobium sphere], were mention for a reason.:)

Normally I do not like to encourage such a view held to speculations, but the transferance to 3d effective thinking and all that, had me look at WMAP, was a process lead through by valuating sound in such analogies. As a layman, I hope I am forgiven.

Is it the process?

Visitors' shadows manipulate and reshape projected images of "Buckyballs." "Buckyball," or a buckminsterfullerene molecule, is a closed cage-structure molecule with a carbon network. "Buckyball" was named for R. Buckminster "Bucky" Fuller (1895-1983), a scientist, philosopher and inventor, best known for creating the geodesic dome.

The purposeful arrangement of individual atoms bears some resemblance to the methods monks use to laboriously create sand images particle by particle, however, Eastern and Western cultures use these bottom-up building practices with very different perceptions and purposes.

Photo and text credit: © 2003 Museum Associates/Los Angeles County Museum of Art

To me it is a interesting way of seeing what is happening in space held by perception. BUcky balls and such, from my early days of reading BuckminsterFuller and his interesting building concepts, had somehow morphed into dynamical triangulation, used in the monte carlo method of quantum gravity perceptions.

Dr. Jenny's cymatic images are truly awe-inspiring, not only for their visual beauty in portraying the inherent res-ponsiveness of matter to sound (vibration) but because they inspire a deep re-cognition that we, too, are part and parcel of this same complex and intricate vibrational matrix -- the music of the spheres! These pages illumine the very principles which inspired the ancient Greek philosophers Heraclitus, Pythagoras and Plato, and cosmologists Giordano Bruno and Johannes Kepler.

Dimensional views of the "quark to quark measure" had me see the dynamics of this distance?

How much more then would such a weak field describe for us the oscillation of the neutrino, from one phase state to another. One distance to another? A revealled in cosmic rays, as "new physics perhaps" that extends beyond the standard model?

Paul Dirac

When one is doing mathematical work, there are essentially two different ways of thinking about the subject: the algebraic way, and the geometric way. With the algebraic way, one is all the time writing down equations and following rules of deduction, and interpreting these equations to get more equations. With the geometric way, one is thinking in terms of pictures; pictures which one imagines in space in some way, and one just tries to get a feeling for the relationships between the quantities occurring in those pictures. Now, a good mathematician has to be a master of both ways of those ways of thinking, but even so, he will have a preference for one or the other; I don't think he can avoid it. In my own case, my own preference is especially for the geometrical way.

If for one moment you continue the thought processes in light of visionary changes sought by and spoken in context of polarization effects in the WMAP, then such views have a profound effect, to what was always interesting data from cosmological apprehensions in discovery.

Mikheyev-Smirnov-Wolfenstein effect92 April 2006 wikipedia)
The Mikheyev-Smirnov-Wolfenstein effect is a particle physics process which acts to enhance neutrino oscillations in matter.

While dynamic functions are being revealled to me of microprocesses( phases states), these dynamics are always interesting from what the geometrical perpecive of what was derived from Dirac.

A "three dimensional view" of what may be happening in the abstraction of space dynamics seen in UV perspective described in analogy to Gauss's coordinates?

Something much more profound and detail in a greater depth of thinking of an abstractual nature perhaps? B Field dynamics, would be a interesting comparison while holding mind in geometrical abstraction?

Antineutrinos From Distant Reactors Simulate the Disappearance of Solar Neutrinos
The potential importance of the Kamland results goes well beyond the solar-neutrino problem. Particle theorists hope that the masses and flavor compositions of the neutrino mass eigenstates will help point the way to an encompassing unification beyond today's manifestly incomplete standard model of fundamental particles and their interactions. Detailed knowledge of the neutrino states might also elucidate a central problem of cosmology: How did matter come to dominate over antimatter in the immediate aftermath of the Big Bang? Does the mixing of neutrino states harbor the symmetry-breaking mechanism that could have done the trick?

Oscillating flavorsThe three neutrino mass eigenstates are presumed to be different coherent superpositions of the three flavor eigenstates (ne, nm, and nt) associated with the three charged leptons: the electron, the muon, and the tau. There is good evidence that only two of the three mass eigenstates contribute significantly to ne. In that approximation, one can write

The question always arises in my mind about the quantum harmonical oscillations, as part of a much larger inherent feature of reality, with which we might view WMAP. Or, events that arise from the sun. Could such analogy, born in the sun's process spit out the nature of the neutrino?

The plates can be made visible by mounting a mirror behind the row of plates, angled so that the top of the plates are visible to the audience (same idea as in Polarization by Scattering). Create the optimum angle for the front rows, as the back rows will be looking down on the plates anyway. Make sure the cello bow is nice and tactile by treating it with rosin before the performance. Sprinkle the sand on the plates so that it forms an even cover. Don't overdo the amount.

No comments:

Post a Comment