Dialogos of Eide: A recipe for making strings in the lab

All you educated people must forgive me here. I do not have the benefit, of the student and teacher relationship, yet I rely heavily on my intuitive processes. I cannot say whether for sure these are always right. IN this sense, I would not have been liked to call a Liar, or one who had ventured forth to spread illusionary tactics to screw up society.

On the contrary, my ideal is set in front of my mind, and all things seem to gather around it most appropriately. A place and time, where good educators have watched out for the spread and disemmination, that could lead society away from, good science? I will give credit to Peter Woit in this sense. Lubos Motl for staying the course. As to those who excell these views for us as well. We are your distant cousins in need of education and for those, in the backwoods of isolation.

Fixations on Objective Design

This is far from the truth of my goal, and "fixations on objective design" of reality, are not what I was hoping to reveal. More, the understandng, that to get there, there are some considerations to think about.

The idealization in theoretcial developement should show this. The physics must accompany the development of this lineage of mathematics, as well as the lineage of physics must lead mathematics? What is the true lineage? Could any mathematican tell me or are they limited to the branches they deal with in physics?

Now back to the topic of this thread.

When I was a kid, I liked to take buttons and place a thread through them. Watching Mom, while I prep the button, she got ready to sew. I would take both ends of the thread and pull it tightly. I liked the way the button could spin/thread depending on how hard I pull the thread.

Now for some of you who don't know, the pythagorean string tension was arrived at by placing gourds of water on strings, to dictated the harmonical value, "according to weight?"

It is said that the Greek philosopher and religious teacher Pythagoras (c. 550 BC) created a seven-tone scale from a series of consecutive 3:2 perfect fifths. The Pythagorean cult's preference for proportions involving whole numbers is evident in this scale's construction, as all of its tones may be derived from interval frequency ratios based on the first three counting numbers: 1, 2, and 3. This scale has historically been referred to as the Pythagorean scale, however, from the point of view of modern tuning theory, it is perhaps convenient to think of it as an alternative tuning system for our modern diatonic scale.

So we see the nature spoken too, in a much different way?

KakuIf strings are to be the harmony then what music do such laws of chemistry sing? What is the mind of God? Kaku saids,"According to this picture, the mind of God is Music resonanting through ten- or eleven dimensional hyperspace which of course begs the question, If the Universe is a symphony, then is there a composer to the symphony."

Simply put, superstring theory says all particles amf forces are manifestations of different resonances of tiny one dimenisonal strings(or possibly membranes) vibrating in ten dimensions.

Artist's impression of the setup.

The disks represent the bosonic condensate density and the blue balls in the vortex core represent the fermionic density. The black line is a guide to the eye to see the wiggling of the vortex line that corresponds to a so-called Kelvin mode, which provides the bosonic part of the superstring

(image and text: )arXiv.org/abs/cond-mat/0505055.

Now I will tell you why this elementary experiment is very good for fixing the mind around some potential idea? Now, when I look at it, and look at the ball placings on each disk ( are they in the same spot....hmmm yes this could be a problem), each disk will automatically spin according to the placement of the ball, in relation to it's edge. Now when you place this in line, like a one dimensional string, as if you see this string vibrate, imagine how you would get these waves to exemplify themself and the disk placement acccordingly.

Now it is most important that you see the tension of this string vibrate, in relation to how we see the disks spin. Pull tightly on the string and you get a wonderful view of a oscillatory nature, that is dictated by the respective placement of the balls on the disk. Good stuff!

In brackets above, the exploration of artistic rendition is very good, because it allows you to further play with this model and exhaust it's potential. Would it be incorrect to say, that ball placement and vibratory placement can be related to string harmonics? In this case, how would KK tower and circle allocation to disk identify this string, but to have some signature in the way these disks spin,,individually and as a whole(one string)

The link below was 2000 but it is effective in orientating thoughts?

To find extra dimensions of the type studied by the CERN group, experimenters are on the alert for what they call Kaluza-Klein towers, which are associated with carriers of the nongravitational forces, such as the photon of electromagnetism and the Z boson of the weak force. Excitations of energy within the extra dimensions would turn each of these carriers into a family of increasingly massive clones of the original particle—analogous to the harmonics of a musical note.

For me, nodal impressions at spots, serve me well to see the vibratory nature of the reality that we live in. Balloons with dyes spread around it, and sound application help us see where such nodal point considerations would settle themself to these distinctive notes. You take the sum(it harmical value, in order to distinctively classify the partcle/object?

Maybe we can have experts describe this in a most genaral way, where I might have complicated the picture:?) What I did want to say about artistic rendition, is like the work of Penrose. It is very important it culminates the vision, to real things? As I showed in Monte Carlo effect. Or, John Baez's view of Plato's God?

Ultracold Superstrings byMichiel Snoek, Masudul Haque, S. Vandoren, H.T.C. Stoof

Supersymmetric string theory is widely believed to be the most promising candidate for a "theory of everything", i.e., a unified theory describing all existing particles and their interactions. Physically, superstring theory describes all particles as excitations of a single line-like object. Moreover, the bosonic and fermionic excitations are related by supersymmetry. A persistent problem of string theories is the lack of opportunity to study them experimentally. In this Letter, we propose and analyze a realistic condensed-matter system in which we can create a non-relativistic Green-Schwarz superstring in four space-time dimensions. To achieve this, we make use of the amazing tunability that is now possible with ultracold trapped atomic gases. In particular, for the creation of the superstring we consider a fermionic atomic gas that is trapped in the core of a vortex in a Bose-Einstein condensate. We explain the tuning of experimental parameters that is required to achieve supersymmetry between the fermionic atoms and the bosonic modes describing the oscillations in the vortex position.

Now what is very interesting to me is the way such harmonical value can be seen in in relation to particle identification. It is not always easy to see how such disks and toys could exemplify this for us, but I am trying. If we wanted to see the new toy and the relations that I will show how would this all relate to the disk and the ball on it?

I wanted to look at what you were saying to "try," and understand.

One of the most exciting predictions of Einstein's theory of general relativity is the existence of a new type of wave, known as a gravitational wave. Just as in electromagnetism, where accelerating charged particles emit electromagnetic radiation, so in general relativity accelerating masses can emit gravitational radiation. General relativity regards gravity as a curvature of spacetime, rather than as a force, so that these gravitational waves are sometimes described as `ripples in the curvature of spacetime'.