Galileo Galilei's Balance

Let proportion be found not only in numbers, but also in sounds, weights, times and positions, and whatever force there is.Leonardo Da Vinci

Can it be said that measure has ever left the mind of those whose age has come and gone, and what appears as "no traces left behind" might indeed be the passage of age of one thought to the next? Progressive?

(This illustration and text are from a magazine advertisement for NBC, probably dating from the 1940’s. It was found among the files of the Print and Picture Department of the Free Library of Philadelphia. The word “eureka!” is coming out of Archimedes’ mouthSee:Archimedes


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So it is ever the attempt for ingenuity to come forward from the deep recesses of the mind, for daylight to shine, and the measures revealed in as natural setting as possible? Who are these inventors then that help us to begin with one step and move forward with another? Is it their genius that we shall capitalize on, or shall it be the ignited pathways that are set "by ignition," that we say that brain has taken a new course in thinking? Blazing new trails?

These "ideas" always existed? But where?

De Architectura, VitruviusFirst Milanese period 1481/2 - 1499

The first printed edition of the De Architectura (On Architecture) by the ancient Roman architect, Vitruvius, appears.

Marcus Vitruvius Pollio (born c. 80–70 BC, died after c. 15 BC) was a Roman writer, architect and engineer (possibly praefectus fabrum during military service or praefect architectus armamentarius of the apparitor status group), active in the 1st century BC. By his own description[1] Vitruvius served as a Ballista (artilleryman), the third class of arms in the military offices. He likely served as chief of the ballista (senior officer of artillery) in charge of doctores ballistarum (artillery experts) and libratores who actually operated the machines.[2]

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So in today's world what value would Google have to produce a library and recording of all books that exists so that the route to knowledge shall be forever enshrined in some medium that we use now. If all the institutions and architecture of our civilization were to be gone tomorrow, shall such records be readily available to the "searching mind seeking knowledge" if there be survivors, that it will easily dial up the internet, or by wireless, gain access?

My job more or less has been to enshrine "such knowledge" in the way we record information, that it is different then what Google seeks to do. Yes, some day by such shadows as again from one of Stefan's earlier link supplied below as "Euclidean Geometry and the Shadows," there will be an alignment with such geometries, which shall point the way to a vault where all things that man has gone through, that one day we will know our true history from the beginning of time till now.

This vault to me was about our access to the ideas that exist out there in the ethers and how we might attain by touch of our finger upon it's pulse, that such connection is more then what exists in the Sistine Chapel above, that we had connected to that same resource as Jung's world of the collective unconscious.

How so if we did not pursue the very notion of ideas that are attained at "some center" and found connected outside of our self?

Galileo Galilei

In 1586 at the age of 22, Galileo (1564-1642) wrote a short treatise entitled La Bilancetta (“The Little Balance”). He was skeptical of Vitruvius’s account of how Archimedes determined the fraud in Hiero's crown and in this treatise presented his own theory based on Archimedes’ Law of the Lever and Law of Buoyancy. He also included a description of a hydrostatic balance that determined the precise composition of an alloy of two metals.

Just as it is well known to anyone who takes the care to read ancient authors that Archimedes discovered the jeweler’s theft in Hiero’s crown, it seems to me the method which this great man must have followed in this discovery has up to now remained unknown. Some authors have written that he proceeded by immersing the crown in water, having previously and separately immersed equal amounts [in weight] of very pure gold and silver, and, from the differences in their making the water rise or spill over, he came to recognize the mixture of gold and silver of which the crown was made. But this seems, so to say, a crude thing, far from scientific precision; and it will seem even more so to those who have read and understood the very subtle inventions of this divine man in his own writings; from which one most clearly realizes how inferior all other minds are to Archimedes’s and what small hope is left to anyone of ever discovering things similar to his [discoveries]. I may well believe that, a rumor having spread that Archimedes had discovered the said theft by means of water, some author of that time may have then left a written record of this fact; and that the same [author], in order to add something to the little that he had heard, may have said that Archimedes used the water in that way which was universally believed. But my knowing that this way was altogether false and lacking that precision which is needed in mathematical questions made me think several times how, by means of water, one could exactly determine the mixture of two metals. And at last, after having carefully gone over all that Archimedes demonstrates in his books On Floating Bodies and Equilibrium, a method came to my mind which very accurately solves our problem. I think it probable that this method is the same that Archimedes followed, since, besides being very accurate, it is based on demonstrations found by Archimedes himself. Galileo and the Scientific Revolution by Laura Fermi and Gilberto Bernardini (Translated with the assistance of Cyril Stanley Smith) Basic Books, Inc., New York, 1961 Library of Congress Catalog Card Number 61-7486

SEE:The Golden Crown Sources

It had not escaped me that the shadows and stories of the cave become fodder for thought, even amongst our own scientists, that they began the process one way philosophically and thought, what is capable in us to see that any dimensional significance would be an higher portal for some movement of the abstract in mind, is realized in topological dance?


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See:

God the Geometer

Euclidean Geometry and the Shadows

Update:

The Truth

Filling the Universe with Sand

One of the "Silicon Avogadro Spheres" at the National Physical Laboratory (NPL), Teddington, UK. See:Counting Atoms in a Sphere

Stefan writes...

To measure means to count. We measure a length by counting marks on a ruler, and a time span by counting ticks of clock. We compare the quantity we want to measure to multiples of a standardized quantity, the unit of measurement, such as the metre, the inch, or the second......

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Discrete mathematics, also called finite mathematics or decision mathematics, is the study of mathematical structures that are fundamentally discrete in the sense of not supporting or requiring the notion of continuity. Objects studied in finite mathematics are largely countable sets such as integers, finite graphs, and formal languages.

Discrete mathematics has become popular in recent decades because of its applications to computer science. Concepts and notations from discrete mathematics are useful to study or describe objects or problems in computer algorithms and programming languages. In some mathematics curricula, finite mathematics courses cover discrete mathematical concepts for business, while discrete mathematics courses emphasize concepts for computer science majors.

Reductionism seems to be the ability to measure in powers of ten, and then, we get to a point where everything is all smeared out. So energy at some point becomes the determination of what any particulate could be measured, and yet, we would say that it is like using sand to fill the universe?

I have been intrigued by the idea of a "kitchen measure of a teaspoon of sorts" as well as to what water fills any glass to it's brim. Thinking, that such a substance while pertaining to the measure of something, can have space in between, with which it can fill? Yet, it does not flow over? How much before it does, and we say that this measure is what the spirit of these walking bodies shall qualify too? The soul at 21 grams?

The title of the movie comes from the work of Dr. Duncan MacDougall, who in the early 1900s sought to measure the weight purportedly lost by a human body when the soul departed the body upon death. MacDougall weighed dying patients in an attempt to prove that the soul was material, tangible and thus measurable. These experiments are widely considered to have little, if any scientific merit, and MacDougall's results varied considerably from 21 grams, but for some people this figure has become synonymous with the measure of a soul's mass [1]The Soul=λόγος,θυμος,ἔρως

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Archimedes met an untimely death while deep in thought, pondering a figure he had drawn in the sand. He did not see the Roman soldier approach, sword in hand. The mosaic portrays this historical event

"Kepler Conjecture is speaking about cannon balls. Tom Hales writes,"Nearly four hundred years ago, Kepler asserted that no packing of congruent spheres can have a density greater than the density of the face-centered cubic packing."

Turning now to Archimedes’ reckoning, he proceeds to fill up the (then) known universe with sand by considering a succession of spheres, each 100 times the diameter of its predecessor in the succession. He uses a fact well known to Greek geometers: the ratio of the volumes of two spheres is the third power of the ratio of their diameters. The Sand Reckoner

The Stomachion

A computer-enhanced image of a 1,000-year-old manuscript reveals the faint traces of a copy of Archimedes' Stomachion treatise. It had been overwritten by monks in the 13th century. (Rochester Institute of Technology, Johns Hopkins University/The Archimedes Palimpsest)

It was chance that led Dr. Netz to his first insight into the nature of the Stomachion. Last August, he says, just as he was about to start transcribing one of the manuscript pages, he got a gift in the mail, a blue cut-glass model of a Stomachion puzzle. It was made by a retired businessman from California who found Dr. Netz on the Internet as a renowned Archimedes scholar. Looking at the model, Dr. Netz realized that a diagram on the page he was transcribing was actually a rearrangement of the pieces of the Stomachion puzzle. Suddenly, he understood what Archimedes was getting at.

See:στομα'χιον

See Also:Archimedes Palmpsest

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See:

Historical Approach of the Sand Reckoner

13th Sphere of the GreenGrocer

Loosing Sight of Discrete Geometry

Leaving Footprints

Labyrinth on the portico of the cathedral of San Martino at Lucca, Tuscany, Italy.

The term labyrinth is often used interchangeably with maze, but modern scholars of the subject use a stricter definition. For them, a maze is a tour puzzle in the form of a complex branching passage with choices of path and direction; while a single-path (unicursal) labyrinth has only a single Eulerian path to the center. A labyrinth has an unambiguous through-route to the center and back and is not designed to be difficult to navigate.

This unicursal design was widespread in artistic depictions of the Minotaur's Labyrinth, even though both logic and literary descriptions of it make it clear that the Minotaur was trapped in a multicursal maze.[2]

A labyrinth can be represented both symbolically and physically. Symbolically, it is represented in art or designs on pottery, as body art, etched on walls of caves, etc. Physical representations are common throughout the world and are generally constructed on the ground so they may be walked along from entry point to center and back again. They have historically been used in both group ritual and for private meditation.

This has been brewing in the back of my mind for some time now. AS you can see with my previous post entitled,"What are Memories made up of ?," I am going after the "scientific validation" that is needed in my view with which to grant substance to the depth of persons life, as if thought held to an reincarnate perspective.

Some things that are held in mind are much as if one were a tracker and what evidence allows one to see such an impression set as a footprint indeed, leaves us some information about what had existed before. I think this is significant when I think about what passes to earth as LIGO operation are measured, in the ligo arms.

This is why I reference KIp Thorne and all those who study gravitational waves are trackers of a sort in my mind, as to what existed before, has indeed left an impression for us to measure now. Thusly to say "the bulk," then is to say that such evidence exists all around us in this way.

Now what makes this different is something that I had found in my own life, so yes, how can I say that this is there for others as well? Subjectively, we understand that the mind requires a science validation process that would account for some kind of verification as to something that passes from one life to another?

If a sceptic then of course where is one's proof. While it is required for them, it is not so important to me, that while venturing to be much like a scientist, that I am happy to say these things hold meaning that exist without out that need.

Buddhism

According to the scriptures, the Buddha taught a concept of rebirth that was distinct from that of any known contemporary Indian teacher. This concept was consistent with the common notion of a sequence of related lives stretching over a very long time, but was constrained by two core Buddhist concepts: anattā, that there is no irreducible ātman or "self" tying these lives together; and anicca, that all compounded things are subject to dissolution, including all the components of the human person and personality. At the death of one personality, a new one comes into being, much as the flame of a dying candle can serve to light the flame of another.[10][11]

Since, according to Buddhism, there is no permanent and unchanging self (identity) there can be no transmigration in the strict sense. Buddhism teaches that what is reborn is not the person but that one moment gives rise to another and that this momentum continues, even after death. It is a more subtle concept than the usual notion of reincarnation, reflecting the Buddhist concept of personality existing (even within one's lifetime) without a "Self". Instead of a fixed entity, what is reborn is an "evolving consciousness" (M.1.256) or "stream of consciousness" (D.3.105), whose quality has been conditioned by karma.[12]

Buddhism suggests that samsara, the process of rebirth, occurs across five or six realms of existence.[13] It is actually said in Tibetan Buddhism that it is very rare for a person to be reborn in the immediate next life as a human.[14] This depends on the karmic potentialities (or "seeds") they have created with their actions and upon their state of mind at the time of death. If we die with a peaceful mind, this will stimulate a virtuous seed and we shall experience a fortunate rebirth; but if we die with a disturbed mind, in a state of anger, say, this will stimulate a non-virtuous seed and we shall experience an unfortunate rebirth. This is similar to the way in which nightmares are triggered by our being in an agitated state of mind just before falling asleep.[15]

How many examples here then shown in link above, only as one, that I can say that my views are and coincide with this perspective, or that belief? This does not invalidate these views at all, just that I am struggling to explain myself within context of the subject, yet personal, in the way I came about my own view.

This runs contrary to many aspects of the beliefs in reincarnation, that anything of the personality could survive let alone "some mandala symbol that is transferable" from one life to another "as an model of perspective." This was troubling in my mind that if I can experience facets of my consciousnesses in the idea of "containment of experience," then how can such symbolisms not be seen "as seeds" if you might, as to what transpires in another future mind from earlier time?

I can say, that intuitively such constructions were familiar to me. That such a process was developed, as I sought to understand my relation with the world. These experiences had a tremendous impact, as time moved on as if the writing just seem to follow from one question in mind, to the next. This is why questions seem to be so prevalent in my writing, that a question mark, could set the stage for what is to come next.

It is as if then, you lay out all the evidence before you, and in this containment of probables, what question will rise in mind that really brings all this evidence together? It's a troubling time in mind, that being inundated and gathering research material, you wonder what it all means, and only by setting the stage for such incubation, will any egg transpire out of the "deliberate mind to facilitate" the emergence of the modelling.

Sure it will all sound familiar in a scientific concept kind of way. How can you then go backward when one must move forward according to some arrow of time. Time set forth as some evolutionary cause for the idea of a soul perfecting itself, after trials and tribulations, to make sense and mature through growth. Moving "around the wheel of life" one might say?

So you see then this is a problem for me in that a description given by Buddhism might immediately disqualify such a notion as I prepare for the enquiring mind as to "a method by which such models are built" and finally lived as life is breathed into.


How did this come to be?

Is an affinity with somethings in your life an adequate measure of some unseen bond that is struck between you and the object of your perception? Is there such a time as if in the state of mind that chaos could harbour a nightmare that one may also say that such a life work can spark some remembrance of things too, in such a state? It is in such a moment that certain events have strikingly force myself to consider some evidence to exist to support such a vision to see that such examples were plenty as I roamed the hall of our records to see that such perspective were held relevant in my mind. Mandalas a plenty then, and even conceptually, an liminocentric structure of you like. Mathematically appealing, as to a basis of an "geometric equatorial design" that rests at the basis of ones psychology.

What are Memories made up of ?

Illustration by The New York Times

Some do indeed understand the fuzzy logic.

These images are pixel orientated. They describe a process of thinking that is quite impermeable to the everyday biological function of the thinking brain that we have devised a way in which to represent the process of marketing for the populace at large that is by it's own standard, not real?

First came the heterodyne. The principle of "beats" or difference tones between simultaneous audio pitches was well known since antiquity, but Reginald Fessenden in 1901 was the first to apply the principle to radio transmissions [3]. Originally both radio frequencies were to be transmitted, received with two antennas, and combined in a detector. Later a local oscillator was substituted for one of the transmitter-receiver combinations and the heterodyne as we know it was born. Fessenden himself coined the term, from the Greek heteros (other) and dynamis (force).Who Invented the Superheterodyne?

If memories can reside in the bulk, and the bulk is accessible to any thinking....what exists then as a schema of thought, that have been emotively crystallize in constituents of a finer particulate(pixels), and defined as some substrate of the thinking everyday world? Is reductionism then thought too, having run it's course. If we think it, and thusly, so shall it be?

So then, there is "no finer substrate of the thinking mind" that is alloted to a movement of sorts, which gathers around, and becomes, all probabilistic futures, that will be connected, as if, in cause and effect that we were not aware of?

That then is a conclusion one can drawn and most certainly life goes on and we experience the world the way it is. There is no other view with which to tackle the simplicity of the world other then to take it as it is?

But wait!

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Dr. Kip Thorne, Caltech 01-Relativity-The First 20th Century Revolution


Plato:

This device is also used to dial into the history and memory of a soul and their functions of the past, as they are revealed through this screen.

While one may indeed think this is some story line, it is also an idea that rests in the creative facet of my thinking, that it was Jung's world of the collective unconscious which held and does hold a validity of thinking, that all facets of these schemes, are real tangible things. They are the record of our history. How shall we record history then?

Thusly, as using these constituent factors of the reductionist principle of our everyday world, it then made sense to me, that we should be able to record history just as much as we watch preprogrammed medium aspects of television, that we could adjust the frequency, to hone in on such and such a date?

Ah! Time travel? No not really, just using what currently already exists out there in the bulk.

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See:

The Gravity People of our History

Production of Gravitational Waves

Timeline

Mapping Weather Changes

Plato Said:

More to the truth then.

A device, that reveals what "color of gravity" means as you display your patronage in thought. More to the "signature of your soul being," that while thinking genome, it's more what you like to do with this physiological makeup and brain, that reveals the true nature of the individual in full regalia.

A lie detector. No. Something much more substantial in this device as the defendant sits under sworn testimony.

See also:Yes, but are you a prime-number?

Uniqueness of the soul arising from it's beginning, is that each life is "an identification unique" of what can be manifested as a circle if you like, and identified to each quadrant as "an image to explain," what and why you came into this life and the purpose.

It begins and one travels clockwise for consideration. This once existed, yet does not now. Such memories can be contained to mandalas of a sort, while you contend to produce mind maps for containment in this life as models that are not so different to see that such a thing can become an identifier of what you are motivated to do and carry over into this life. Energy packet that can awake into what has been done previously now provided a time when such a capsule explodes into awareness.

But the truth is, the Earth's topography is highly variable with mountains, valleys, plains, and deep ocean trenches. As a consequence of this variable topography, the density of Earth's surface varies. These fluctuations in density cause slight variations in the gravity field, which, remarkably, GRACE can detect from space.

I wanted to write this post with the understanding that while we define ourselves in terms of the body, earth, there is a "weather that surrounds us" that is not so different then what surrounds the earth.

So below is a scientific analysis, while I speculated as to the measures that would require such a device for existence to be thought of, in much the same way. "So chaotic" that such a realization exists in mind that the detection of the truer color palettes, can be turbulent above, while underneath, such weather disturbances detour those same color factors held too, in body mind solidified.

This device is also used to dial into the history and memory of a soul and their functions of the past, as they are revealed through this screen.

Two experiments harness cosmic rays to help monitor and predict weather. On the surface, COSMOS detectors clock the speeds of neutrons that are generated when cosmic rays penetrate the ground. This yields a measure of soil moisture, an important factor in precipitation and crop yields. And half a mile underground, muons coming into the MINOS detector were used to take the temperature of the lower stratosphere. This could help validate readings from satellites and weather balloons. Illustration: Sandbox StudioSee:Cosmic weather gauges By Glennda Chui and Tona Kunz

Sacks Spiral

Dyson, one of the most highly-regarded scientists of his time, poignantly informed the young man that his findings into the distribution of prime numbers corresponded with the spacing and distribution of energy levels of a higher-ordered quantum state. Mathematics Problem That Remains Elusive —And Beautiful By Raymond Petersen

Sacks Spiral of prime numbers

Robert Sacks devised the Sacks spiral, a variant of the Ulam spiral, in 1994. It differs from Ulam's in three ways: it places points on an Archimedean spiral rather than the square spiral used by Ulam, it places zero in the center of the spiral, and it makes a full rotation for each perfect square while the Ulam spiral places two squares per rotation. Certain curves originating from the origin appear to be unusually dense in prime numbers; one such curve, for instance, contains the numbers of the form n2 + n + 41, a famous prime-rich polynomial discovered by Leonhard Euler in 1774. The extent to which the number spiral's curves are predictive of large primes and composites remains unknown.

A closely related spiral, described by Hahn (2008), places each integer at a distance from the origin equal to its square root, at a unit distance from the previous integer. It also approximates an Archimedean spiral, but it makes less than one rotation for every three squares.

It looks as though primes tend to concentrate in certain curves that swoop away to the northwest and southwest, like the curve marked by the blue arrow. (The numbers on that curve are of the form x(x+1) + 41, the famous prime-generating formula discovered by Euler in 1774.). See more info on Mersenne Prime.

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See:

Quantum Mechanics: Determinism at Planck Scale

The Whole World is a Stage

Nature's Experiment on the Meaning of Weight

To Stop the Hardening

Kaluza-Klein (Invisible Architecture III) by Dawn Meson

Gallery: Dawn Meson
by Raven Hanna

From cave paintings of bison to Monet landscapes, artists have studied and interpreted the natural world. Dawn Neal Meson, a San Francisco artist, has taken this theme one level further, or, rather, many orders of magnitude smaller.

The subjects of Sum Over Histories, Meson's latest series of acrylic paintings, feature aspects of nature at the particle physics level: colliding electrons, multidimensional surfaces, entangled particles, and string theory. Her goal is to illuminate invisible worlds, unseen and unseeable. Through these works she answers her own question, what can art contribute beyond photography?

The Relief of Burdens

Realistic or imaginative? This detailed bust, titled 'Solon' (National Museum, Naples) is technically more sophisticated than anything produced in Solon's own time. Most of the ancient literary records, from which history derives its knowledge of Solon, were also constructed long after his death.

Solon (ancient Greek: Σόλων, c. 638 BC–558 BC) was an Athenian statesman, lawmaker, and Lyric poet. He is remembered particularly for his efforts to legislate against political, economic and moral decline in archaic Athens. His reforms failed in the short term yet he is often credited with having laid the foundations for Athenian democracy.[1][2][3][4]

Our knowledge of Solon is limited by the lack of documentary and archeological evidence covering Athens in the early 6th Century BC.[5][6] He wrote poetry for pleasure, as patriotic propaganda and in defence of his constitutional reforms. His works only survive in fragments. They appear to feature interpolations by later authors, and it is possible that fragments have been wrongly attributed to him (see Solon the reformer and poet). Ancient authors such as Herodotus and Plutarch are our main source of information, yet they wrote about Solon hundreds of years after his death, when history was by no means an academic discipline (see for example Anecdotes). Fourth Century orators, such as Aeschines, tended to attribute to Solon all the laws of their own, much later times.[7] Archeology reveals glimpses of Solon's period in the form of fragmentary inscriptions but little else. For some scholars, our 'knowledge' of Solon and his times is largely a fictive construct based on insufficient evidence[8][9] while others believe a substantial body of real knowledge is still attainable.[10] Solon and his times can appear particularly interesting to students of history as a test of the limits and nature of historical argument.[11]

Seisachtheia (Greek: seiein, to shake, and achthos, burden, i.e. the relief of burdens) was a set of laws instituted by the Athenian lawmaker Solon in order to rectify the wide-spread serfdom and slavery that had run rampant in Athens by the 6th Century BC, by debt relief. Under the pre-existing legal status, according to the Aristotelian Constitution of the Athenians, debtors unable to repay their creditors would surrender their land to them, then becoming hektemoroi, i.e. serfs who cultivated what used to be their own land and gave one sixth of produce to their creditors. Should the debt exceed the perceived value of debtor's total assets, then the debtor and his family would become the creditor's slaves as well. The same would result if a man defaulted on a debt whose collateral was the debtor's personal freedom.

The seisachtheia laws immediately cancelled all outstanding debts, retroactively emancipated all previously enslaved debtors, reinstated all confiscated serf property to the hektemorioi, and forbade the use of personal freedom as collateral in all future debts. A ceiling to maximum property size was also instituted regardless of the legality of its acquisition (i.e. by marriage), meant to prevent excessive accumulation of land by powerful families.

Emerging from the Chrysalis

The dream is a little hidden door in the innermost and most secret recesses of the soul, opening into that cosmic night which was psyche long before there was any ego consciousness, and which will remain psyche no matter how far our ego consciousness extends.... All consciousness separates; but in dreams we put on the likeness of that more universal, truer, more eternal man dwelling in the darkness of primordial night. There he is still the whole, and the whole is in him, indistinguishable from nature and bare of all egohood. It is from these all-uniting depths that the dream arises, be it never so childish, grotesque, and immoral. Carl Jung

The Basic Writings of C.G. Jung, by Violet S.de Laszlo


You form your perceptions of things, and from the data accumulated, you make a decision about what you believe in. How much more dynamic is this "quality of thinking" once you recognize the place from which all information can be drawn, and then, is specific to what you had enquired and lived during the day?

Photograph of a Monarch Butterfly. Taken by Kenneth Dwain Harrelson on May 29th, 2007.

In Culture:The Ancient Greek word for "butterfly" is ψυχή (psȳchē), which primarily means "soul", "mind"

So this is the basic assumption about what Pure land represents while central to any design of an liminocentric structure, is the idea that you are coming ever closer to the very essence and quality of all of one's thinking. It's truth. You are then connected to the universe in this way, and such probable outcomes become the exact exchange in effect of those same decision making processes.

The Basic Writings of C.G. Jung, by Violet S.de Laszlo

In rising above dualisms while I had demonstrated a physical action and sought to reveal it's cause and effect, it is the understanding too, that such thinking can be manifested in the mental structure to hide the extensions leading to these polarizations. Knowing full well now, that what ever your stance embroiled in the dance, it is evidenced that you yourself can contain the seed of the other, while discussing the fate.

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The Lagrangian



I also showed how easy for the mind to manoeuvrer through the trappings of gravity as it can propel itself through space. The idea of a photon description of the very colourful world of gravity in this way is aware of the locations of these "tunnels" as one can move with utmost speed. See that any deviation, could send the mind into the very locations that one has sunk further then, to then use that momentum to skip onto a further destination, once learning to be free.

Such thinking then is to become embroiled within the context of "any orbit" to realize this has become the gravity with which all thought shall become detained as it See's the evolution of it's future, according to which planet it rests.

So too it is of any mind that returns to that dualism that the journey will be cut short. By it's very nature the mind and it's thought contain the elements of gravity as if seeking to move as fast as one can, with out the restriction of resistance that this thought process holds. It endeavours that each thinking mind is capable to free themself of those thought forming locations. Those locations, that having skipped previous is the enlightenment of the dualism that contains the revolution of thinking.

Rising Above the Duality

The Tao of heaven is to take from those who have too much and give to those who do not have enough. Man’s way is different. He takes from those who do not have enough to give to those who already have too much. (verse 77. Tr. Gia Fu Feng)

Gia-Fu Feng (1919 - 1985) was prominent as both an English translator (with his wife, Jane English) of Daoist classics and a Daoist teacher in the United States, associated with Alan Watts, Jack Kerouac, The Beats and Abraham Maslow.

He was born in Shanghai in 1919 into a fairly wealthy family of some influence. His father was a prominent banker, one of the founders of the Bank of China; his mother died when he was 16. He was educated privately in his own home in the classics of the Chinese tradition and in private boarding schools. He was for several months tutored by the wife of the British Consul-General. His family members were Buddhist. For the springtime holiday, they travelled to the ancestral tombs in Yu Yao, in Chekiang Province, for the spring festivals. During the Japanese Occupation, Gia-Fu went to Kunming in Free China to complete his Bachelor's Degree at Southwest Associated University in the liberal arts. Gia-Fu once commented that he had become a millionaire three times in his life, giving his money away each time. The first time was when he worked for the bank in Kunming.

Xiuzhen TuThis is the Yin-yang symbol or Taijitu (太極圖), with black representing yin and white representing yang. It is a symbol that reflects the inescapably intertwined duality of all things in nature, a common theme in Taoism. No quality is independent of its opposite, nor so pure that it does not contain its opposite in a diminished form: these concepts are depicted by the vague division between black and white, the flowing boundary between the two, and the smaller circles within the large regions.

Secret of the Golden Flower

Chinese Taoists believe this bright image has close relation to the "Original Essence", "Golden Flower", and "Original Light" . If the practitioner sees the Mandala, that means he/she see part of "Original Essence", and he/she are entering the beginning level of the immortal essence. In the book of Wilhelm's translation, he describes some of the pictures of the Mandala.

Some might know of my references to the Mandala throughout this blog and more specific the understanding of what the "Pure land" means. If you had never known of what the Koan symbolizes then how would you know to understand that the communication of that "very essence of quality" is transmutable to another human being in it's most pure from?

The Golden Flower is the Elixir of Life (literally, golden ball, golden pill). All changes of spiritual consciousness depend upon the Heart. Here is a secret charm, which, although it works very accurately, is yet so fluent that it needs extreme intelligence and clarity, and complete absorption and calm. People without this highest degree of intelligence and understanding do not find the way to apply the charm; People without this utmost capacity for concentration and calm cannot keep fast hold of it.

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This is a photograph of author and philosopher Robert M. Pirsigtaken by Ian Glendinning on the eve of the Liverpool conference of 7th July 2005.

What is in mind is a sort of Chautauqua...that's the only name I can think of for it...like the traveling tent-show Chautauquas that used to move across America, this America, the one that we are now in, an old-time series of popular talks intended to edify and entertain, improve the mind and bring culture and enlightenment to the ears and thoughts of the hearer. The Chautauquas were pushed aside by faster-paced radio, movies and TV, and it seems to me the change was not entirely an improvement. Perhaps because of these changes the stream of national consciousness moves faster now, and is broader, but it seems to run less deep. The old channels cannot contain it and in its search for new ones there seems to be growing havoc and destruction along its banks. In this Chautauqua I would like not to cut any new channels of consciousness but simply dig deeper into old ones that have become silted in with the debris of thoughts grown stale and platitudes too often repeated.

Zen and the Art of Motorcycle Maintenance Part 1 Chapter 1.(Bold added by me for emphasis)

This article is more about what Robert Maynard Pirsig accomplished. What I had learnt as I came to realize what the value of thought I had taken from the reading. I had already read a lot over the years, and it was that reading that brought it together for me, so that now I can describe what I feel needs to be done.

The title of this post is specific in that the Tao here is the realization that we can constantly move in this relation. Is still to remain part of the earthly state of existence, as the "square" shows in my model of thinking.

Here in this mandala it is interesting to see how such a construction of the diagram becomes focused. Foursquare. If you look at the pyramid and us being over top of, then we can keep this in mind. The Seal of Solomon or Star of David is a symbolism of a kind that warrants the mind to think of involution and evolution. The central location is the place of the heart. Those six smaller triangles then become what?:)

Central to this evolution of the thinking, and the rising above this duality, is to recognize "the Heart" in this relation. It is the idea of the quality that must come into one's thinking to see that what transpires after the distinction of such dualism is to become part of the quality of the new thinking mind. Then the thinking mind has been raised in a "energy configuration" that holds all thoughts to a transforming hierarchy within the pyramid, as a colour of gravity depiction and ascension, as possible in each and every person.

The dream is a little hidden door in the innermost and most secret recesses of the soul, opening into that cosmic night which was psyche long before there was any ego consciousness, and which will remain psyche no matter how far our ego consciousness extends.... All consciousness separates; but in dreams we put on the likeness of that more universal, truer, more eternal man dwelling in the darkness of primordial night. There he is still the whole, and the whole is in him, indistinguishable from nature and bare of all egohood. It is from these all-uniting depths that the dream arises, be it never so childish, grotesque, and immoral. Carl Jung

The very image at the bottom of this blog page again is a type of koan that was given to me "in literal form" to come to understand it's message. I pass it onto others so that they might consider it's message. It is about life, and about the transformation to a spiritual person. This is a necessary recognition of when we choose to "rise above that dualism" to become situated in the heart mind.

This is also the time when we take the earthly design, and move over top of the pyramid, to see that what lays before us is a recognition of the cyclical nature that dualism enfolds into the living of, as a human being. One needs the heart in order to rise to the higher principals of the intellect, taking that energy and transforming it into new thought processes. So then the pyramid then becomes a dynamical model of the human body and mind.

To ever get the sense of this momentum of opposites transforming into the one other is to realize that a pressure exists on the forearm. IN this contact a oppositional force will cause the realization that if you were empty, no resistance, to allow that opposing movement to move forward. You allow it to become centrifugal, as if, in a rotation, to return the force back onto itself.

Such momentums are the things which propel my own mind through the vast journeys of space on a imaginary spaceship, that while in the Lagrangian mode, one can understand how such rockets can travel with the least amount of energy expedited.

Such an exchange is the idea then that the economy in caught in this kind of action of dualism?

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See:

Distortions of Reality

Ancient Notion of "Matter Four Squared" Called Earth

Orators Reduced to Written Words

Oh Dear!... How Technology has Changed Things