In the late 1960s a young Italian physicist, named Gabriele Veneziano, was searching for a set of equations that would explain the strong nuclear force, the extremely powerful glue that holds the nucleus of every atom together binding protons to neutrons. As the story goes, he happened on a dusty book on the history of mathematics, and in it he found a 200-year old equation, first written down by a Swiss mathematician, Leonhard Euler. Veneziano was amazed to discover that Euler's equations, long thought to be nothing more than a mathematical curiosity, seemed to describe the strong force.
He quickly published a paper and was famous ever after for this "accidental" discovery.
If one did not seek to find a "harmonial balance" where is this, then what potential could have ever been derived from such situations about the possibilties of a negative expression geometriclaly enhanced?
Because the negative attributes have not added up to much in production of anti matter, have we assigned a conclusion to the world of geometerical propensities to not encourge such things a topological maps?
The puzzle to the right(above) was invented by Sam Loyd. The object of the puzzle is to re-arrange the tiles so that they are in numerical order.
The puzzle forms a model of how the positron moves in Dirac's theory. The numbered tiles represent the negative-energy electrons. The hole is the positron. When a negative-energy electron falls into the hole, the hole appears to have moved to another position.
While it would not have seemed likely, such redrawings of the pictures of Albrecht Dürer, this individual might not have caught my attention. I seen the revision of the painting redone, and what was caught in it. You had to really look, to get this sense.