Tuesday, June 21, 2005

Thematic Resolutions



It is of course with some concern that any scientific mind, held to the established rules of his organizational, "motto of acceptance of the stringent rules of science" would allow such room, as to embue the human being with qualities greater then, the value assigned to subjective valuations. A church of reason that finds itself distasteful to the inquiry of life, and sanction it to the discourse of valued scientific principals that those of Strings and LQG fight back and forth with.

It's okay, we won't be fooled:)

Is it a coming to terms with the features we see in our own makeup as children, that we might sight the significant memory of that same childhood. What stuck, that you would have seen this course of action, no less then what held a Einstein in the mystery of the world, to understand it is a real and wonderful world of the forces that we do not readily see, yet we know well it directs the sciences in our world.


Nuances


The Alchemy of Creativity and the Social Artist.

Briggs speaks of themata as informing the lives of many geniuses. Beginning with themata for example --what are they, what is their deeper purpose and meaning? I see them as patterns of creation for which we are specially tuned, each of us tuned differently by the special sense organs in ourselves which pick up variations on these themes throughout the world. The famous example of the child Einstein and his fascination with the magnetic operation of the compass which then influenced his entire life of looking for the electromagnetic field in the unified field of reality. Each of us then is given as our gift a kind of guiding visionary theme which recurs throughout our life, and when we attend to it as an ally and helper, it gives us unique perspectives on working with reality.



God's Equation, by Amir D. Aczel, Pg 14

From a early age, young Albert showed great interest in the world around him. When he was five years old, his father gave him a compass, and the child was enchanted by the device and intrigued by the fact the needle followed a invisible field to point always in the direction of the north pole.Reminicing in old age, Einstein mentioned this incident as one of the factors that perhaps motivated him years later to study the gravitational field.


Is there some deeper force that evades our thinking, that it could have transcended the world of science, to know that envisioning the capabilities beyond those we enlist in our psychological reasoning, has real physical results manifest. It has been the direction and question that has existed most in my mind, that the world of the discrete, had many explanations before such solidification could have ever existed in the mind of concrete things.

So while such a view is held to a space beyond the limitations of math's design, such views revealled in the Wunderkammer were realistic abilties of the mind to incorporate the envisioning abilites beyond the euclidean defintions. "Straight lines and course of measure," that there could exist other forms beyond the limitations Einstein sought to describe for us in the gravity explanation given in General relativity.

It is well understood that the adventures lead too here were very instrumental in the realization that the noneuclidena geometires were very well adpatable to the view of Faradya, Gauss and Riemann in further defining ths geometric tendency a sa basis of exploration that today we are taken inot the abstract space of mind.

So what was the motivating force and we find that the culminative effect of a life exists, for those who by name are defined. Where is this basis that we can call forth eth elemental table of Mendelev to say that al things arise and her eare the concrete constructs of mind embellsih in the material world?

The light behind, in the analogy of Plato's cave, sets up the thinking in how issues from the source[the fire]( and here it might be referred to the fifth dimension)shines in its radiation. How is form realized?



Betrayal of Images" by Rene Magritte. 1929 painting on which is written "This is not a Pipe"

The jest here recognizes, that a picture of, and the real pipe are very different indeed. How is "form" percieved from perspective. The picture of the pipe and the real pipe are different things? And yet in this comparison, there is a third aspect as the idea?

It was a attempt to define this emergent property of existance that all of it could have been derived from some basis? Background dependant/ independant and two views that enlist the funcitonabiltiy to discourse, the thoughts held?

So it is well understood that such motivations that drive the character have some motivating force beyond what we had understood in the complete individual, called a "Peter Woit" or a "Lubos Motl", to find that such forces govern one or the other in it's drive for expression. One the justice that would not milead scoiety from someintelligent design feature to have gauaged society to a standard of being, better undertsood with a greater idealism set? Or of th efire that instigates a lubos Motl to question and position and valid it no less then the "peacemaker" might have revealled in the just and reasonable society?

So we have exposed a greater potential relaization that not only is motivated from perspectve, to find the creation of the universe is no less the creative adventure of the soul in i';s own design, for fruitation. So where exists this idea who find itself of the universe, as it unfolded in it's own motivation?

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