Fritz London

Fritz London was born in Breslau, Germany, and came to the United States by way of Oxford in 1939. With his younger brother Heinz he began studies of superconductivity in 1935. He was responsible for developing some of our most basic theoretical ideas on the subject, including the London movement, the conjecture that magnetic flux in a superconductor might be quantized, and the realizations that superconductivity must be interpreted as a cooperative phenomenon among large numbers of electrons based on a process known as momentum-ordering.

Apollo Moon Measure

Reference was made by Sean Carroll while he is up in Toronto lecturing.

Georgi Dvali


NYU’S Dvali Says Change in Laws of Gravity, Not ‘Dark Energy,’ Source of Cosmic Acceleration

"This is the crucial difference between the dark energy and modified gravity hypothesis, since, by the former, no observable deviation is predicted at short distances," Dvali says. "Virtual gravitons exploit every possible route between the objects, and the leakage opens up a huge number of multidimensional detours, which bring about a change in the law of gravity."

Dvali adds that the impact of modified gravity is able to be tested by experiments other than the large distance cosmological observations. One example is the Lunar Laser Ranging experiment that monitors the lunar orbit with an extraordinary precision by shooting the lasers to the moon and detecting the reflected beam. The beam is reflected by retro-reflecting mirrors originally placed on the lunar surface by the astronauts of the Apollo 11 mission.

It is important to understand that with this operation running for 35 years the benefits of using existing experimental opportunites are worth considering. I am of course referring to Georgi Dvali's proposition above.

Better than a stopwatch...In essence, we measure the time it takes for the pulse of light to travel to the moon and back. This can take anywhere from 2.34 to 2.71 seconds, depending on how far away the moon is at the time (the earth-moon distance ranges from 351,000 km to 406,000 km). We can time the round trip to few-picosecond precision, or a few trillionths of a second.


Einstein's Equivalence Principle, upon which General Relativity rests, claims that all forms of mass-energy experience the same acceleration in response to an external gravitational force. This is to say that the inertial mass and gravitational mass are equivalent for any form of mass and/or energy. This is very difficult to verify for gravitational energy itself, because laboratory masses have no appreciable gravitational binding energy. One needs bodies as large as the earth to have any measurable self-energy content. Even then, the self-energy contribution to Earth's total mass-energy is less than one part-per-billion

The benefits of seeing and using time clocks, as a measure of perspective has a solid base and the ocnsiderations of GR has lead our views into a world much different then wha we seeon the surface of life. I make reference here to other ways in which we see these relations.

Gravity and Light in the Fifth Dimension perhaps?

Links which extend our perceptions are always greatly appreciated Chris W.

Towards a new test of general relativity?

23 March 2006

Scientists funded by the European Space Agency have measured the gravitational equivalent of a magnetic field for the first time in a laboratory. Under certain special conditions the effect is much larger than expected from general relativity and could help physicists to make a significant step towards the long-sought-after quantum theory of gravity.

See:

A Sphere that is not so Round

What! Superficiality has extra dimensions to it?

Time-Variable Gravity Measurements

UV Fixed Point

Genesis Spacecraft uses Tubes as Freeways

Remembrance

You must understand that the areas with which I had been dealing are highly rigourous. Imagine the purity with which these subjects deal. Now pale in comparison are the controls and experimental validation processes, I see in psychological information and experimentaion. Relying on subject associative mapping relevances in the brain, would this lead to a conclusive model assumption in the neural correlate to consciousness?

Memory echoes in brain's sensory terrain by Bruce Bower

Images of brain show areas that become most active during perception of pictures (a and c, in green) and sounds (e, in yellow). Small arrows point to sites of greatest activity during recall of pictures (b and d) and sounds (f).
Wheeler, Petersen, Buckner/Washington Univ

So vast indeed the thinking mind and it's capabilities, that one might not see the interlinking/backtrackig of the brain in it's neuronical flavours, as to the time and day of each event?



Yet analysis is there as you look through the information, as to the basis of what might have instigated a "modulation" of the senses. Holographical, in nature possibly? If these faculties are impaired and death ensued, would it seem so unlikely that physical functions, would have had to been elevated in some way? Especially if relgated to that memory. What value "images" in mind?


A synesthetic 'Master of Memory' (Mark Ellis) makes a fateful choice after dancing with a stranger (Stephanie Morgenstern), in the unusual wartime romance Remembrance.


Image by Joy von Tiedemann and Mark Morgenstern

Toronto, 1942. ALFRED GRAVES has the curse of perfect memory. It’s born of a rare condition, synesthesia, that fuses his five senses. He can’t see something without also tasting it, hearing its colour, feeling its scent — it’s overwhelming. He protects himself by living cautiously, touring his one-man memory show. One night, AURORA LUFT is in the audience. They share a drink, a dance … then she confesses she was sent to recruit him to a top-secret spy training camp near Whitby, Ontario. Privately, and against orders, she warns him not to come: “It’s not your kind of work.” But it’s too late. Alfred feels changed. Ready for anything. He signs up.

To me this exercise is a exploration of the abilites of what "might have happened." The ideas of ingenuity and production of mind, to establish new perceptions beyond the current uses of math/physics we are currently encountering.

I have no ready answers, just the continue interest and understanding of what new can be brought to the areas heading the forefront of science. What accomplishments, model assumption might do for forming new areas, which to us is with this creativity impulse.

Speak, Memory

Vladimir Nabokov (1899-1977); novelist, poet, scholar, translator, and lepidopterist (he enjoyed chasing and collecting butterflies). A cosmopolitan Russian-born émigré whose linguistic facility, erudite style, and eloquent prose helped to establish him as one of the most brilliant and respected literary figures of the 20th century. Nabokov's best-known novel, Lolita (1955), shocked many people but its humor and literary style were praised by critics. Nabokov produced literature and scholarship of beauty, complexity, and inventiveness in both Russian and English. Nabokov himself used to say "My head speaks English, my heart speaks Russian and my ear speaks French". *Synaesthesia: Vladimir Nabobov was a synesthete, as was also his mother, his wife, and his son Dimitri.

BBC Interviewhis view of other writers and the difference between genius and talent 3 min 13

While one of the aspect of this disease(shall I call it that?) is a memory for things, as the movie up top shows. There is some opinion about artistic validation and synesthesia in regards the actually relation.

Further I thought it appropriate to divest oneself of some saintly and spiritual inclination, if one thought this might have been of appeal in my mind. It is. Then I must dissuade such thinking from something more rigorous.

So Sensory INfusion and contrive inherent as to the dsease, was one thing to look at, in relation to creativity, and abilities in science and writing, to move perception forward.

Synesthesia and Artistic Experimentation by Crétien van Campen

ABSTRACT:

Richard Cytowic has argued that synesthetic experimentation by modern artists was based on deliberate contrivances of sensory fusion and not on involuntary experiences of cross-modal association. He has placed artistic experiments with sensory fusion outside the domain of synesthesia research. Artistic experiments, though historically interesting, are considered irrelevant for the study of synesthesia. Contrary to this view I argue that at least Scriabin's and Kandinsky's artistic experiments were based on involuntary experiences of synesthesia. They were investigating perceptual and emotional mechanisms of involuntary synesthetic experiences that meet Cytowic's criteria of synesthesia. Artistic experiments are not only historically interesting, but may also contribute to present synesthesia research.

See:

American Synesthesia Association

Modulating Phases States: Neural Correlate to Consciousness

Modulating Phases States:Neural Correlates to Consciousness

J. Metzinger Le Gouter/Teatime 1911

Dynamical triangulation

I added the wording below picture to encourage you to click on the picture. While discretization may have been thought endorsed, I still believe in continuity and flow, yet, I could not help think about how the mind is wanting to speak about that confined space, and the simplest discription of it. So in this sense, there are a lot of us asking what geoemtry/physics is involved in those spaces?

Lets be kind to each other.

I was just thinking about how, if I can so easily shift into the ways of non-euclidean realms, how perception had been changed from my current state of writing, how would I convey that?

Classically Shifting Gears maybe?:)

Such vast insight into how we see the universe with it's "analog in nature," sound was considered to extend our thinking by such relations, as well as, point to current WMAP data and the way it is being percieved. I introduce this here, in this blog after travelling through much information.

But it is more then this, with which I have been enthralled about, how we see that situations arose, where my not getting the message across , had me think about what was going on. About the ways in which I like to be creative. Use words, in a multidimensional way, as to poke fun. I am not saying I have what Kandinsky has, but as I thought about it more, I wanted to undertand this creativity, as well as, what the seed bed of each of our experience might manifest to the way it would in our role in who we today.

A High School Tutorial

Something to consider before we move into todays world of science. How I am seeing the data:)



While some of what I might be saying has been relegated to our senses, I would take it further, in that model apprehensions could , and do change current life positions, about which future possibilties arise.

We know this intellectually is a simple assertion about all life and it's changes, that from day to day, new insight, would make the new tomorrow very different.

Signs within Society

Can I say, that peppered throughout society, that the adventurous in science, could have been attributed with skills that could vary according to the modulation states of the mind, with which it had been gifted?

That it would know no race, gender, and human being that what ever the conditon, such skills applied, will be creativitly used in developing science alongs it's routes. Along what ever road it took in life.



IN the one sense "gifted with" might have implied a "given ability" as is the case in Kandinsky's, while in other's I see those whose same wirings had "crossed paths" and created such points, as modulation of the thinking brain. Ths is not held to any one person. Yet if you were to take the "senses away" would imagery have still be functionable in the mind?

In a similar manner, in string theory, the elementary particles we observe in particle accelerators could be thought of as the "musical notes" or excitation modes of elementary strings.
In string theory, as in guitar playing, the string must be stretched under tension in order to become excited. However, the strings in string theory are floating in spacetime, they aren't tied down to a guitar. Nonetheless, they have tension. The string tension in string theory is denoted by the quantity 1/(2 p a'), where a' is pronounced "alpha prime"and is equal to the square of the string length scale.

This is a bold idea I am stating in conjunction with how deveopement is taking place in science, and wondering about, as, "sign's of creativity."

Wonder about what is hidding behind the "facades" we had built up in our lives. That a truer seedbed existed, for life to be expressed in you. You, are the modulator.

Phase shifting(wikipedia 23 Feb 2006)

Phase shifting describes relative phase shift in superposing waves. Waves may be of electromagnetic (light, RF), acoustic (sound) or other nature. By superposing waves using different phase shifts the waves can add (0° shift = "in phase") or cancel out each other (180°). A modulation of the relative phaseshift while superposing waves thus causes an amplitude modulation.

There are so many things that I am trying to bring together from what I see, it is very hard without all the science undertsood ,to the degree that any consistent picture sould ever come forth. The picture(yet fuzzy and foggy) is there, and it holds ideas about holography, about the map of the universe supplied, and it's phase changes. Also that such an idea would have been held in relation to a "troubled mind" who might be exposed to Kandinsky's troubles, or, how society had been changed in a way, by such ideas being put forth in modulation idealizations.

I won't lie to you here, my mind is whirling with all these things in relation to how we are developing along in society as well as what is taking place in our universe. Such a large contrast to each other for sure. Almost like saying the microperspective view had some relation to evidence int he cosmo as we know it today.

I know it is not that easy, and the whole story about uncertainty, is really a baffling one to me. Yet, for some strange reason in face of this uncertainty there seems to be ways in which we can speak abstractually about the effects on the horizon issues, in relation to conformal theories.

So how would such transformative changes allow us to speak to what might be happening inside that blackhole would be as challenging as describing the length measures and what signal planck length according to some time clock measure? Yes i understand that this is important because the limits had been set as to what point quantum gravity effects come into play. How fine our measure that we can know the depth of dynamical situations.

See:

Links Philosophical and Conjectural?

More on Wassily Kandinsky

"Wholeness and Creativity" under the Guise of Synesthesia

Books for the Dead are Really, Books for Life?

Mendeleev's Table in a New Light

Links to More Speculated Science?

Ways IN which To Percieve Landscape?

If it's Not a Soccer Ball, What is it?

Singing Bowl

Coleman-De Luccia instanton

IN what way could some consistent measure be thought of, that such conditions while recognized in the false vacuum, and, with conditions of high energy considerations, be realized into useful information surrounding this move to the true vacuum? It would have to be geometrically explained. Planck epoch in itself, makes this very hard to do, so you use the action of the vacuum, from false to true, to help in that realization.

The volume of the haystack
Lubos Motl:

We don't have a real emotional intuition how "density" in a very-high-dimensional space should behave, but we should probably try to learn it. I feel that these (especially the de Sitter) vacua cannot be quite isolated. There are just many other vacua nearby (virtually all of them) into which one should be able to decay. KKLT only consider one Coleman-DeLuccia instanton, without an enhancement, and I feel it can't be the whole story

The Coleman-De Luccia instanton presents opportunities, or, is the paper countering this proposal? See link below for reference to paper.

I think one needed to understand this movement or how the false vacuum is understood, and how the true vacuum is created.

A geometical smoothly flowing understanding that arose out of "nothing!" Without some geometrical consistancy, this idea isn't going to go away, unless someone has a reason why, and if, that paper deals with it directly?

I remain non-judgemental about characters, and the nature people adopt. I only focus on those issues that would offer us some further ideas to exploit. To help us all push pespectve forward. While there is a facade in what the mind accumulates as the image of who we are, there is "kernels of truth" that we must seek to reference, so the knowledge base can increase, and intuitve leaps for the taking by who ever push persepctove add experimetal basis as a concluding result.

We'll leave the dance and facades for other to design themself. We always want them to be "whole" with what ever they have accepted in life.

Peter Woit recommends supersymmetry

Lubos Motl:

At any rate, quantum black holes do carry quantum information, the relevant entropy is, at least in some cases, attributable to the entanglement entropy, and the research of quantum entanglement in this context could turn out to be very fruitful which is why many of us should look at these "coincidences" more carefully. They may very well clarify the origin and mathematical details of the black hole complementarity

The circumstance around the nature of the state where such superfluids are created, needed some method in which to move, from "one state into another"(turned inside/out)?

If you hold the nature of the bubble universe and it's formation in mind, it does not seem so unlikely that you had the klein bottle, as some geometrical basis from which the false vacuum would direct itself into inflationary results?

So is the paper discounting the basis of the views of Coleman-De Luccia instanton?

The idea behind the Coleman-De Luccia instanton, discovered in 1987, is that the matter in the early universe is initially in a state known as a false vacuum. A false vacuum is a classically stable excited state which is quantum mechanically unstable. In the quantum theory, matter which is in a false vacuum may `tunnel' to its true vacuum state. The quantum tunnelling of the matter in the early universe was described by Coleman and De Luccia. They showed that false vacuum decay proceeds via the nucleation of bubbles in the false vacuum. Inside each bubble the matter has tunnelled. Surprisingly, the interior of such a bubble is an infinite open universe in which inflation may occur. The cosmological instanton describing the creation of an open universe via this bubble nucleation is known as a Coleman-De Luccia instanton.

Okay so we are talking about cosmological proportions here, in blackhole creation and the resulting standard model and interactions developed from the origins of this universe. Is it consistent all the way down to the planck epoch, and how would the planck epoch be described?

One would need to see the geometrical basis of what is hapening from one state to the next. Our universe into some other new expression, or blackhole states, that rejuvenize, using geometrical dynamics of what is already existing?

Would this run contrary to the arrow of time, by having such states within context of the whole universe? Would this not explain the susutenance need to keep the universe in the same state for a very long long time?

Backreaction

Do a search, under the heading of "backreaction in laval nozzle," for further references.

Black Holes and Analogues in Two Dimensions

Examples: acoustics in a moving fluid (“dumbholes”), BEC, Helium, slow light,

See:

Why Higher Energies

More on Wassily Kandinsky

Synesthesia (Greek, syn = together + aisthesis = perception) is the involuntary physical experience of a cross-modal association. That is, the stimulation of one sensory modality reliably causes a perception in one or more different senses.

I have some ideas around this, that if thought about, would have created differences in "phase states of mind" around model consumption, and the resulting transformations?



Yellow, Red, Blue
1925; Oil on canvas, 127x200cm; Centre Georges Pompidou, Paris

Kandinsky, himself an accomplished musician, once said Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul. The concept that color and musical harmony are linked has a long history, intriguing scientists such as Sir Isaac Newton. Kandinsky used color in a highly theoretical way associating tone with timbre (the sound's character), hue with pitch, and saturation with the volume of sound. He even claimed that when he saw color he heard music.

See:

Wholeness and Creativity" under the Guise of Synesthesia

Why Higher Energies?

I guess I don't have to tell anyone how confusing all this stuff is and the need for a consistent picture to arise out of it.

New physics beyond the standard model of particle physics and parallel universes by Rainer Plaga

top-quark masses - for which the standard model predicts such a decay - cannot be interpreted as evidence for new physics at low energy scales.

The history of Risk Assessment, was a exercise into understanding the developing role as to what new physics should be? Strangelets and strange quarks arose from this?

The search for the very small requires very high energies. The discoveries necessary for the electroweak unification were near the upper end of available energies in the current generation of particle accelerators. Establishing Grand Unification is beyond the practical limits of earthbound laboratories. This forces particle physicists to look outward to astrophysical phenomena which may have enough energy to shed some light on further attempts at unifying the four fundamental forces.

This map defines the whole standard model and the phase transitions. We are talking about a "certain time" in the planck epoch. So what is happening "in" the Planck epoch?

If such energies had recognized the current state of the superfluid created, then anomalies in "this scenario" would have allowed such "geometrical presence to be channelled" as part of the cyclical features contained in the expression of the universe?

So you take this universe and apply the backhole on a cosmlogical scale eqaul to it's inflation, as a distance in the blackhole's radius? Such a crunch would have recognized the boundary conditions as a the furthest point this universe could have grown, from the original blackhole that created this universe?

So what evidence is left? That the universe and it's "dark matter" as the false vacuum is creating the scenarios for the universe to have found it's temeperature today, started from some "other condition" seen in the planck epoch? Okay how did you get there?

The bubble conditions would then have to existed in the superfluids? How would have geoemtrically arrived at such a "topology expressed" in this one universe?

Professor Satyendra Nath Bose, the founder of Bose-Einstein statistics and the discoverer of the “Boson,” is well known as a giant in the world of physics and science as the man who, along with Albert Einstein, revolutionized the world of theoretical physics and showed the world a new way to imagine how the world works.

The topological genus figure of the sphere, to a torus and it's rotation seen in characteristic, housed the equallibrium state arrived at, as to the channelling of that extra energy and the resulting "new physics" in the strange quarks created?

So what is "that cylinder" created as the jet is expressed, in the gravitational collapse

See: John Bahcall and the Neutrinos

Thus, this cycle is completed in the bulk perspective? Would have created the situation again in strong concentrations? Why cosmologically the conditons are "many" and such evidence pointing to ICECUBE, as to the conditons beyond the standard model, leads to questions about "cerenkov radiation?"

Is there no backreaction created, if we were to lets say look at the Laval nozzles, and understand that what is expressed in the standard model energy once ejected in the jet, would have had counter proposals manifest in the geomerical presence held to a whole universe. The Anti-matter? Non Qui

Books for the Dead are Really, Books for Life?

The Papyrus of Ani
(The Egyptian Book of the Dead)

Translated by E. A. Wallis Budge

Tibetan Book of the Dead Teachings

with Lama Kusang Norbu

I mean most certainly that if such historical context can be "so clouded" by this introduction of things, aside from the science validation process, how much weight would we apply in such measures? To have found our current state of illusion, so far from the truth? So far interceded by the degration of fog in regards to the color purity of clarity realized? You had to know, that the truth here, had some measure. I relayed "this myth" for a means in which to investigate, your truth, as you have learned it.

In this sense the ultimate judge of who you are, have been, overlays all life experience. Forces us to consider the "emotive content" of that experience in relation to the "ephemeral qualities" I had assigned to such memory induction.

Would it be so free, that we had distanced ourselves from the bias of emotion, that sent this memory into a "resource base" with which we shall measure and speak about all reality? So such an assumption of life before our eyes, as it replays in our day today, has us reflecting on the nature of our life experience? What differences in time, before and after, that we might not say ,that after this journey completed, such measure might not have been used to take stock of?

So is it, our names are not so important? But the understanding, that we create this name?

So what art form would we imbue to such facades and measures of illusion, that we would "be" the life, and recognize the truth, as we have come to deal with it, soul by soul basis. Recognition of "our sins flawed" in the rhetoric of our character, biased and messages sent forth.

Had we forgotten then this tool of measure then, and what it means. The "contrast" to subjective realization, is the distillation of what value the "heart is" and the truth with which we will bear down on the responsibility of our life, as well, as the life of others.

Soul by soul basis, we recognize the freedom with the probability outcome, would have said this resulting soul "choose" this experience, and in this life experience, what was the reality and concrete forming, that all life issued from this result, was to be, the "new" life?

This "cyclical nature" had to be realized?

A Myth Created: Truth Felt, and a Life to Accomplish?

I sometimes have a problem with the thought, that the brain in human beings back 2000 years time, had less intelligent brain matter defined, that we could have had less than the truth of things required?

The plate below speaks to this. Observation maybe on the inherent principals embedded with myth, seems interesting, if held in context of what the emotive truth would have implied. Having given meaning to "lightness in the heart of things."

Maybe new light shed on Einstein's relevance to gravity held in perspective of length of time past with a pretty girl.

Subjective as this may be, it shows some relation to the "time variable recognitions" held in perspective, while looking at the nature of the sphere of earth seen in a new light.

The feather, because of its name, "shut", was a symbol of Shu. Shu was the Egyptian god of the air and the father of the earth (Geb) and the sky (Nut). Shu was often shown wearing a feather in his hair. Occasionally Geb was shown dressed in feathers, a representation of the air which covers him.

Usually, the feather was a symbol of Ma'at, the goddess of truth and order. The goddess was always shown wearing an ostrich feather in her hair. The feather by itself was her emblem.

In art, the feather was shown in scenes of the Hall of Ma'at. This hall is where the deceased was judged for his worthiness to enter the afterlife. The seat of the deceased's soul, his heart, was weighed on a balance against the feather of Ma'at. If the heart was free from the impurities of sin, and therefore lighter than the feather, then the dead person could enter the eternal afterlife. Other gods in the judgement hall who were part of the tribunal overseeing the weighing of the heart were also pictured holding a feather.

A mechanism would have been needed to see such a development in the definitions of those ephemeral qualities. Could have "hidden" within the "emotive content" our subjective life experience. Why do we remember?

The understanding that such reactionary states allotted to experience, would have seen less of the material attachment held to the emotive content necessary? So for measuring our truthfulness to ourselves, rests in our assignment of what purity, and quality of life assigned to our undertaking of this life expressed in thought.

Taking such a stance on the idea of what came before and what came after would then take us to the question of relevance? Why is it necessary outside of these two points of existence, to have them included now.

How well then our understanding, that if such a "emotive quality to truth" had been assigned, then the draw to matter defined states of experience, might not be as strong. Awareness. Thus we will have unleashed the ephemeral quality of mind?

So it ventures forth from the confines of the home, in which it lives. Deals, in the abstract nature. Would we have abandon such a merger of emotive and intellectual qualities risen into a higher recognition necessary. What is the value of that truth personally?

It shed light on a personal experience in nature, with which all experience is remembered?

Ways IN which To Percieve Landscape?

What a Cosmologist Wants from a String Theorist?




Emotion versus Reason?

3.1 As Cytowic notes, Plato and Socrates viewed emotion and reason as in a kind of struggle, one in which it was vitally important for reason to win out. Aristotle took a more moderate view, that both emotion and reason are integral parts of a complex human soul--a theory proposed by Aristotle in explicit opposition to Platonism (De Anima 414a 19ff). Cytowic appears to endorse the Platonic line, with the notable difference that he would apparently rather have emotion win out.

Emotion can be used as a catelysct into higher abstractual/dimensional thinking, if, it can be used to counter research into?:)

Figure 2. Clebsch's Diagonal Surface: Wonderful.

Mein Gott. :) If seeing on distance scales, had relevances in regards to "all the issues" of the standard model, would this not in effect change the way we see in those distances?

Peter Woit:I’ve looked very carefully in landscape papers and Susskind’s book for any sort of plausible idea about how this stuff will ever lead to a prediction of anything and I can’t find it.

Thanks Peter, that's it?


The Hills are Alive with the Sound of M theory?

With the discovery of sound waves in the CMB, we have entered a new era of precision cosmology in which we can begin to talk with certainty about the origin of structure and the content of matter and energy in the universeWayne Hu

By exercising the imagination I thought Wayne Hu did a fine job of relating these things on a "cosmological scale." Hills and Valleys. But in a more detailed quantum look, what value, conformal field theory of point particles?

In effect, the 5-D universe is recorded like a hologram on the 4-D surface at its periphery. Superstring theory rules in the 5-D spacetime, but a so-called conformal field theory of point particles operates on the 4-D hologram. A black hole in the 5-D spacetime is equivalent to hot radiation on the hologram--for example, the hole and the radiation have the same entropy even though the physical origin of the entropy is completely different for each case. Although these two descriptions of the universe seem utterly unalike, no experiment could distinguish between them, even in principle.

Les Houches




ROBBERT DIJKGRAAF:Map of the world, as used in my Les Houches lectures

I like this picture better Clifford. Is the landscape, as barren, or is it, the hope that we see such beautiful things of which the seed bed wil allow such things to arise from it?

For some, the "creative" outlet? Maybe, a Shangri-la high" in the mountains of abstractual thinking?

IN the Wunderkammern

James Joseph Sylvester (September 3, 1814 - March 15, 1897) was an English mathematician and lawyer.

We are told that "mathematics is that study which knows nothing of observation..." I think no statement could have been more opposite to the undoubted facts of the case; that mathematical analysis is constantly invoking the aid of new principles, new ideas and new methods, not capable of being defined by any form of words, but springing direct from the inherent powers and activity of the human mind, and from continually renewed introspection of that inner world of thought of which the phenomena are as varied and require as close attention to discern as those of the outer physical world, ...that it is unceasingly calling forth the faculties of observation and comparison, that one of its principal weapons is induction, that it has frequent recourse to experimental trial and verification, and that it affords a boundless scope for the exercise of the highest efforts of imagination and invention. ...Were it not unbecoming to dilate on one's personal experience, I could tell a story of almost romantic interest about my own latest researches in a field where Geometry, Algebra, and the Theory of Numbers melt in a surprising manner into one another.

While I always point upward in Rapheal's painting, I mention often, the "One thing."

Gold or wisdom, while leadng "the alchemist" in the search of that elucive material, mining, has to note the glimmer's as a sun shines on the landscape of ideas. So you work it, use a sluicebox, or a gold pan. Watch how river flow's and the bends in it. Where some deposits might have laid themself while others are carried off further down stream, left to some "eddie" or "pool of thinking." See flowers emerge in rocks crevices of all places.

However, don't be fooled! The charm of the golden number tends to attract kooks and the gullible - hence the term "fool's gold". You have to be careful about anything you read about this number. In particular, if you think ancient Greeks ran around in togas philosophizing about the "golden ratio" and calling it "Phi", you're wrong. This number was named Phi after Phidias only in 1914, in a book called _The Curves of Life_ by the artist Theodore Cook. And, it was Cook who first started calling 1.618...the golden ratio. Before him, 0.618... was called the golden ratio! Cook dubbed this number "phi", the lower-case baby brother of Phi.

See:

Fool's Gold

The Alchemist in You

String Theory Displays Golden Ratio Tendency