WE ARE A HEAVENLY FLOWER

AND we should consider that God gave the sovereign part of the human soul to be the divinity of each one, being that part which, as we say, dwells at the top of the body, inasmuch as we are a plant not of an earthly but of a heavenly growth, raises us from earth to our kindred who are in heaven. And in this we say truly; for the divine power suspended the head and root of us from that place where the generation of the soul first began, and thus made the whole body upright. When a man is always occupied with the cravings of desire and ambition, and is eagerly striving to satisfy them, all his thoughts must be mortal, and, as far as it is possible altogether to become such, he must be mortal every whit, because he has cherished his mortal part. But he who has been earnest in the love of knowledge and of true wisdom, and has exercised his intellect more than any other part of him, must have thoughts immortal and divine, if he attain truth, and in so far as human nature is capable of sharing in immortality, he must altogether be immortal; and since he is ever cherishing the divine power, and has the divinity within him in perfect order, he will be perfectly happy. Now there is only one way of taking care of things, and this is to give to each the food and motion which are natural to it. And the motions which are naturally akin to the divine principle within us are the thoughts and revolutions of the universe. These each man should follow, and correct the courses of the head which were corrupted at our birth, and by learning the harmonies and revolutions of the universe, should assimilate the thinking being to the thought, renewing his original nature, and having assimilated them should attain to that perfect life which the gods have set before mankind, both for the present and the future.

Plato from Timaeus, 90a-d, translated by B. Jowett

Self Evident Dimensional Perspective

Where a dictionary proceeds in a circular manner, defining a word by reference to another, the basic concepts of mathematics are infinitely closer to an indecomposable element", a kind of elementary particle" of thought with a minimal amount of ambiguity in their definition. Alain Connes

John Merryman in comment section:

Can they propose these dimensions as anything more then the copyrighted product of their own imagination and not loose control over the idea?

Okay I have a problem with the term "static."

I'll just give you an example of what I am thinking in relation to how we may perceive dimension and then of course, there is a mathematical interpretation of topological spaces that others are better qualified to speak on. How could there be such a geometrical interpretation at such quantum levels.

Is there such thing as "a breakdown of time" within the context of measure? It is my ignorance that separates me from the more educated here, yet it is not without wanting to understand, that I am pushing this point further.

Think about the following concept for a moment.

Savas Dimopoulos:

Here’s an analogy to understand this: imagine that our universe is a two-dimensional pool table, which you look down on from the third spatial dimension. When the billiard balls collide on the table, they scatter into new trajectories across the surface. But we also hear the click of sound as they impact: that’s collision energy being radiated into a third dimension above and beyond the surface. In this picture, the billiard balls are like protons and neutrons, and the sound wave behaves like the graviton.

Here we are given a new look into another dimension? A shift from what is euclidean, to what is now non-euclidean. It is really quite simple to understand "what Einstein did" when we now talk about gravity.




Juan Maldacena:

Strings existing in the five-dimensional space-time can even look point-like when they are close to the boundary. Polchinski and Strassler1 show that when an energetic four-dimensional particle (such as an electron) is scattered from these strings (describing protons), the main contribution comes from a string that is close to the boundary and it is therefore seen as a point-like object. So a string-like interpretation of a proton is not at odds with the observation that there are point-like objects inside it.

While it is abstract, the move to thinking in the new way is important while we are looking at the whole picture.

Albert Einstein

The surface of a marble table is spread out in front of me. I can get from any one point on this table to any other point by passing continuously from one point to a "neighboring" one, and repeating this process a (large) number of times, or, in other words, by going from point to point without executing "jumps." I am sure the reader will appreciate with sufficient clearness what I mean here by "neighbouring" and by "jumps" (if he is not too pedantic). We express this property of the surface by describing the latter as a continuum.Albert Einstein p. 83 of his Relativity: The Special and the General Theory

There are deeper philosophical questions here about being a realist and an anti-realist.?

René Thom

See:René Thom:René Thom (September 2, 1923 – October 25, 2002) was a French mathematician. He made his reputation as a topologist, moving on to aspects of what would be called singularity theory; he became celebrated for one aspect of this latter interest, his work as founder of catastrophe theory (later developed by Christopher Zeeman). He received the Fields Medal in 1958.



Photograph by Paul Halmos

Much emphasis has been placed during the past fifty years on the reconstruction of the geometric continuum from the natural integers, using the theory of Dedekind cuts or the completion of the field of rational numbers. Under the influence of axiomatic and bookish traditions, man perceived in discontinuity the first mathematical Being: "God created the integers and the rest is the work of man." This maxim spoken by the algebraist Kronecker reveals more about his past as a banker who grew rich through monetary speculation than about his philosophical insight. There is hardly any doubt that, from a psychological and, for the writer, ontological point of view, the geometric continuum is the primordial entity. If one has any consciousness at all, it is consciousness of time and space; geometric continuity is in some way inseparably bound to conscious thought.

Euclidean Geometry and the Shadows

Just as some prisoners may escape out into the sun, so may some people amass knowledge and ascend into the light of true reality.The Holographic Principle and M-theory

I am always interested in "the flavour history" gives as we look back in time. If one always looked to the past as they looked at the cosmos what will become of the future? This has be stereotypically been instilled in our humanities thinking. That there is a brighter light that shines and all it's shadows cast are of some "truer reality" then the one that is now.

LIC(Long Island City) Gnomon Header above.

Of course it would not be without understanding certain things about "Plato's character" that I should show how we can deposit "these historical packets of energy" in that history. That it is deeply entrenched in "current sociological thinking" as we make our way through the days of our existence. A kind of "collective unconscious."

As archiac as this "method of measure" may seem, it has captured our fascination in more ways then one.

Plato's cave?

You tend to get this consistency of "historical thought" once one sees the connection?:)Euclid

How could one not perceive geometry at work after seeing what the sun can do in regards to these calendars?

One could of course propose the Egyptian new year, where the dead are placed, in relation to the pyramid, and the design of that history according to the clock, but then ,it may be in contradiction to what is current.

Even more ancient, the Medicine Wheels.

So looking at the blog entry of Stefan of Backreaction, and "Bee's mathematical universe," I would say these are "deeply connected with each other" that I would have to indeed say something.

I see Bee beat me too it.

Q9:"People see all sorts of things when they look at the SUN and Solar Calendars"

Time and how one views the cosmos for sure.

Capturing the understanding of Hooft, Heisenberg and others, you see Stefan working the principals "outside of himself" with his environment. Inside the universe.

Like, how one can "view the cosmos" or how "dimensionality is reduced to the now."

The evidence of "the beginning" is not gone?

The shadows reveal this, and so it reveals the mathematics of this universe.

Or, how the matter of the diamond has it's structure implanted in the mapping of it's features?

Yet, "the mapping" is closer to the beginning, then, the matter is of itself. :)

I expound further in Shadow Dancing in the Light and "The Artist In Us All"

The Artist In Us All

""Deep play means no analysis, no explanation, no promises, no goals, no worries. You are completely open to the drama of life that may unfold.""-Dianne Ackerman

See more on Deep Play.

This post entry under the heading of the "Artist in us All," is a culmination of information that I had transmitted on Bee's discussion board, under the heading of Art and Communication.

The whole jest is a preclude to a much more detailed analysis of Art and Science and the following post to this one, prepares the readers for a understanding that I myself strongly advocate.

But before I move to far ahead of myself, let me take you to the post entries that will prepare one for future considerations.

The Format

A final aspect of beauty that was often cited by readers might be called "deep play". This is the sense that we are actively engaged with something outside ourselves that is responding to us - rather than watching a game of our own construction or watching nature from a detached distance.

The timing of "preparing the format" asks that any given time be considered as the source from which we will move human experiences further along it's path to growth. We can "remove names" and this exercise will be of value to who ever inserts their name or responds accordingly to the questions posted in that same name.

This is the valuation of interplay that is part of our own gathering system. This post then is the template for what is happening within your own self. A "perceived constant" is being examined in relation to your contact with reality? What ever that is for you at this time?

Bee,

"It is sometimes the scientist who takes "to the edge." Then it is the artist, who takes us much further." Plato( this is my quote Bee :)

Susskind did exactly this, by envisioning a rubber band? Some may laugh, yet, it is a mathematical insight.

Penroses Influence on Escher

During the later half of the 1950’s, Maurits Cornelius Escher received a letter from Lionel and Roger Penrose. This letter consisted of a report by the father and son team that focused on impossible figures. By this time, Escher had begun exploring impossible worlds. He had recently produced the lithograph Belvedere based on the “rib-cube,” an impossible cuboid named by Escher (Teuber 161). However, the letter by the Penroses, which would later appear in the British Journal of Psychology, enlightened Escher to two new impossible objects; the Penrose triangle and the Penrose stairs. With these figures, Escher went on to create further impossible worlds that break the laws of three-dimensional space, mystify one’s mind, and give a window to the artist heart.

But on the other hand you speak about the longevity of the musician, in place of what artist can do, but I would remind you of Dali's picture "on time" as a masterpiece?

Not least to mention his geometrical views on the hypercube and the crucification?

Number theory is the type of math that describes the swirl in the head of a sunflower and the curve of a chambered nautilus. Bhargava says it's also hidden in the rhythms of classical Indian music, which is both mathematical and improvisational. He sees close links between his two loves -- both create beauty and elegance by weaving together seemingly unconnected ideas.

There is a "inherent beauty in the mathematics" when we think about this music?

Not to mention the relationship of the "Monte Carlo methods" in relation to the cubists.

Bee, you were to soft in your opinion of artists when I am showing you otherwise. :)

Here is another quote you might recognize in relation to a form of mathematics.

An equation means nothing to me unless it expresses a thought of God.Srinivasa Ramanujan

It is how Srinivasa Ramanujan received his "inspiration" and the place from which this mathematics emerged, that few people realize is of significance.

From "a chaotic mind" it resolved itself "to the subconscious" that we realize the pattern that is inherent underneath.

12:50 PM, October 10, 2007

Part of the understanding here is our connection to the "universality of the subconscious mind" and it's reservoir of impressions received, as we try to express our perspective of the world. "How deep" is your subconscious mind, that you would not understand the complexity of all "self evident information" makes you who you are? That this interplay that takes place with you and your environment, is an exchange that is taking place not only on a "deductive and inductive Archean constant" that all of us would then be writing the "postulate of experience" here?

Bee,

It is not about God, but how we dress up the mathematics in our everyday lives. Then, we have to decipher the context of the mathematics other then the "resolved experience-science" we have in moving mathematics forward?

To Srinivasa Ramanujan it was about his dream and how he received his messages, yet, how absurd that such a place as the subconscious we could receive such inspiration?

It is not about "heliocentrism" that we are, "the centre of the universe," but rather, that we are connected to the universe in such a way?

Liminocentric structures?

Finally, we also hope that this series furthers the discussion regarding the nature and function of 'the mandala'. In the spiritual traditions from which Jung borrowed the term, it is not the SYMMETRY of mandalas that is all-important, as Jung later led us to believe. It is their capacity to reveal the asymmetry that resides at the very heart of symmetry. By offering a new view about how consciousness itself is structured - in a fundamentally paradoxical fashion - and how these structurings are reflected in principles according to which the mandala is organized, we are able in this series to show how personality itself may be thought of as having an essentially 'liminocentric' design.

The "source of symmetry" is our perfection with the universal inherent in each of us. Our delving into this large pool is in part the effort of our recordings, that what is gained in experience is mapped on the brain's structure, and beyond that. This interplay has to have consequence? Not just in the development of the brain's structure, but far beyond what we see of the physical body.

1:40 PM, October 10, 2007

Bee:I tend to believe we are taking ourselves too seriously. If there is a God how could we be sure we'd be able to understand his (her?) thoughts? Genderless for sure eh?:)

From a psychological perspective and I am no expert for sure, but our present state of consciousness has to be supported in one way or another. Animus and Anima, depending on that gender?

An "all wise mother figure" who appears in your dream( your higher self speaking to you), or for those men, who recognize that the higher self is talking to them in a way that they have their "wise white haired person offering insight."

But before I loose you here, I wanted to show you that on first appearance Jean Shinoda Bolen is telling a story. This is the artist aspect of herself, showing the depth of our natures. She is showing it in a way that is helping people identify aspects of themself. Showing underlying causes for such "fantasy development."

Richards Wagners's Ring of Nibelung Jean Shinoda Bolen, M.D. Ring of Power was interesting.

Strange that we could have seen A Jungian Understanding of the Wagner's Ring cycle, portrayed in todays world and how could have this been accomplished. But by re-introducing a fictional story and embuing it with the archetypal structures of what Jean Shinoda Bolen called, "The Abandon Child, The Authoritarian Father, and the Disempowered Feminine."

Under the search of "Jean Shinoda Bolen on my site." One reason the "nav bar" was of good use. If you have a search feature otherwise?

It's never clear from all appearances, yet there is a deeper understanding of what is culminating in a person's experiential life.

I follow your thoughts on Bohm for I read him a long time ago too, and somehow it seems fitting that art and communication, might have incorporated "language as a developmental phase" to seeing reality, in new ways?

Sort of like being initiated into string theory, to help get past some of the blockages that are stopping science from developing further?

7:56 AM, October 11, 2007

These blockages manifest within the self, and become impediments to our experience and progression to further learning. This is not to say learning stops. It is the "greatest effort" that what has become apparent in the state of self evidential experience, is the potential to great transport human experience beyond the self's own limitations. Provides for, the "intuitive leaps" necessary once the basis of this experience is resolved. How deep this blockages goes, that the subconscious mind will allow images to transport the self to a future place for consideration.

Bee:It might not be an universally applicable source of inspiration?

To Hardy I don't think that mattered one bit. It is just part of the process to understanding how we humans like to fabricate our realities. Yet, there is a universal connection that we have that is a very consistent. One in relation to the artist in us all.

Namagiri, the consort of the lion god Narasimha. Ramanujan believed that he existed to serve as Namagiri´s champion - Hindu Goddess of creativity. In real life Ramanujan told people that Namagiri visited him in his dreams and wrote equations on his tongue.

We are the best predictors of ourselves and our experiential conditions that we put forward. A model perhaps in developmental insight as to what we have to do in science?

So in the psychology......

If any such resolve is not forthcoming in our "supposed awake reality," then there is a culminating effect that someone(archetypal) is speaking to us to help us resolve these disputes. "Our universality" is there in us all. I see no race religion, or gender.

So like Jean above we write our own story, and show the affect our experiential life has on the new conditions if not resolved.

So I apply these things to our current search for understanding the math creation (calculus for Newton)and the derivatives needed to push insight further into "new realms of experience."

Would you denigrate Calculus as a language to helping you discern the nature of reality? Newton knew he had to do something. Einstein realize it when Grossman was developing a new language, as was Reinmann preparing us from his predecessors, on the issue of "non euclidean geometries?" Gauss was very delighted with his student

8:18 AM, October 11, 2007

Understanding that human experience is "cradling the times for breakthroughs to further understanding" is the incubation period necessary for preparing these intuitive leaps and future predictability.

Here 50% or 100% provides for whether the human side of us really understands and knows what is necessary for us to progress. How would the probability of all human experiences to know to draw for one own postulate, "the self evident" and then understand that the leap to growth in experiences requires this and this?

While such is th evastness of the human experience it is not without our understanding that each of us has repercussions of actions to every decision we make. I cannot tell which, only that this probability can be played out time and time again and it will result in the growth of each of us at varying times. There is a constancy that is being talked about here that can be debated, but as far as I can tell this is the postulate that has been written.

To them, I said,
the truth would be literally nothing
but the shadows of the images.


-Plato, The Republic (Book VII)

I used this quote in "your other thread" for a reason. Images? Think about this for a minute.

If one can "translate" and transfer the image mathematically for each other, then what has happened? A level of communication not understood before?


Arthur Miller

Miller has since moved away from conventional history of science, having become interested in visual imagery through reading the German-language papers of Einstein, Heisenberg and Schrödinger - "people who were concerned with visualization and visualizability". Philosophy was an integral part of the German school system in the early 1900s, Miller explains, and German school pupils were thoroughly trained in the philosophy of Immanuel Kant.

When I referred to Susskind I did so for a reason as well. This is the culmination of what mathematically is derived. Thus, the image is a culmination, yet, it is only a "shadow of the truth."

I used Magritte, When is a Pipe a Pipe painting, to illustrate this.

Hawking shows this in his book as well.

You have to remember Plato's analogy was even used by Gerardus t'Hooft. See here and Heisenberg so you are in good company.

P.A.M. Dirac was a gifted mathematical inventor who saw how quantum mechanics rises from classical mechanics, yet transcends it. Dirac did not know of the Bohr atom when he arrived at Cambridge in 1923; yet he quickly began contributing to the mathematical structure demanded by quantum phenomena, discovering the connection between the Poisson bracket and the commutator of Heisenberg”s matrix representation of observables. Then, with careful attention to its classical antecedent, Dirac found the equation governing the evolution of the matrix elements which had eluded Heisenberg in the operator ihdA/dt = [A,H]. He then went on to discover spinors in describing the relativistic electron and antimatter implied by the quantum in relativistic space-time. Dirac conceived the many-time formulation of relativistic quantum mechanics and laid the foundations of the Feynman path integral thereby opening the way to quantum electrodynamics. Newton synthesized the foundations of classical mechanics. In fitting kinship, Dirac, who did the equivalent for quantum mechanics, filled the chair at Cambridge held by Newton.

Some people are better suited to visualization then others, and this comes out in some mathematicians and in artists as I had shown you of Escher and Dali. I could never judge Dali for his character an his life, but I can say how important he tried to push the envelope. Maybe for all his indulges, he thought if he could think of the cross and his geometrically tendency he might have found some relation?


Of course, to Plato this story was just meant to symbolize mankind's struggle to reach enlightenment and understanding through reasoning and open-mindedness. We are all initially prisoners and the tangible world is our cave. Just as some prisoners may escape out into the sun, so may some people amass knowledge and ascend into the light of true reality.

What is equally interesting is the literal interpretation of Plato's tale: The idea that reality could be represented completely as `shadows' on the walls

12:19 PM, October 12, 2007

Great Pyramid was built inside out, Frenchman says

Man ponders shadow, or shadow ponders itself?

Great Pyramid of Giza was the world's tallest building from c. 2570 BC to c. 1300 AD.†

For me, this has always been somewhat of an interest of mine. I'll tell a little bit of why this is so as well. Give you some ideas about what the pyramid represents to me and then of course you can add your own theories like anyone one else does, who has a similar interest.

Great Pyramid of Giza. From a 19th century stereopticon card photo

Given the "artifact of the structure," we like to inject our own ideas about things. Stand amazed, as if "on the site" we are some how transported back in time to the history that must be recorded some place?

I would just as soon turn on the television of the event linked in some "physics way" then on the psychometry subjectively induced perceptions that can be held. We would have to remove "our bias" in place of "the connection" not understood.


Will We Travel Back (Or Forward) in Time? by RICHARD GOTT III

Einstein proved we can travel forward by moving near light speed. Backward requires a wormhole, cosmic string and a lot of luck
Do the laws of physics permit time travel, even in principle? They may in the subatomic world. A positron (the antiparticle associated with the electron) can be considered to be an electron going backward in time. Thus, if we create an electron-positron pair and the positron later annihilates in a collision with another, different electron, we could view this as a single electron executing a zigzag, N-shaped path through time: forward in time as an electron, then backward in time as a positron, then forward in time again as an electron.

When I think of Ronald Mallet and the time travel issue, I like to think of what history can show in it's most intimate moments. That it could place a spell upon us as "a window" to that past. You must know of my attempts at the cosmology used to discern gamma ray detection and the depth perception "enhanced" using that method.

The Window to our past becomes much clearer as time in science also progresses.

Signal Travels Farther and Faster Than Light By MALCOLM W. BROWNE

Another deep quantum mystery for which physicists have no answer has to do with "tunneling" -- the bizarre ability of particles to sometimes penetrate impenetrable barriers. This effect is not only well demonstrated; it is the basis of tunnel diodes and similar devices vital to modern electronic systems.

Tunnelling is based on the fact that quantum theory is statistical in nature and deals with probabilities rather than specific predictions; there is no way to know in advance when a single radioactive atom will decay, for example.

The probabilistic nature of quantum events means that if a stream of particles encounters an obstacle, most of the particles will be stopped in their tracks but a few, conveyed by probability alone, will magically appear on the other side of the barrier. The process is called "tunnelling," although the word in itself explains nothing.

So anyway, many theories arise as to how it was constructed. That is not my concern at this time, although, I show the latest in the news. It is more about the geometry that exists, and what I think this model is used for?

Great Pyramid was built inside out, Frenchman saysBy Tim Hepher, Reuters Fri Mar 30, 2007 12:20PM EDT

PARIS (Reuters) - A French architect said on Friday he had cracked a 4,500-year-old mystery surrounding Egypt's Great Pyramid, saying it was built from the inside out.

Previous theories have suggested Pharaoh Khufu's tomb, the last surviving example of the seven great wonders of antiquity, was built using either a vast frontal ramp or a ramp in a corkscrew shape around the exterior to haul up the stonework.

But flouting previous wisdom, Jean-Pierre Houdin said advanced 3D technology had shown the main ramp which was used to haul the massive stones to the apex was contained 10-15 meters beneath the outer skin, tracing a pyramid within a pyramid.

Map of the Giza Pyramid complex

So of course in order to get close to what I want to show it is important that I show a map of the Giza Pyramid complex so you understand what it is that I propose.

It was important that I show dominate features of the history of the thinking. That it helps to display what the purpose was and how the Giza Plateau was marked according to a Calendar.

Yes a calender, You heard it here for the first time and going back to my early research I will show what I drew then and what this calendar is of. As well, how it was used to demonstrates key locations on that Giza Complex.

Map of Giza pyramid complex.

Models built for thought progression were important features in understanding what any theory does for us as we want to progress our views of the world we live in. No matter how abstract the idea, if it can lead one to new perceptions and bring new perspective to the way in which we see the world then it is not the illusions with which we wish to further perpetuate, but the understanding of our place in the world.



Plato- Book VII of The Republic-The Allegory of the Cave

And now, I said, let me show in a figure how far our nature is enlightened or unenlightened: --Behold! human beings living in a underground den, which has a mouth open towards the light and reaching all along the den; here they have been from their childhood, and have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads. Above and behind them a fire is blazing at a distance, and between the fire and the prisoners there is a raised way; and you will see, if you look, a low wall built along the way, like the screen which marionette players have in front of them, over which they show the puppets.

See here as well.

So to get to the points I make it is important to understand some of Plato's writings in order for you to get the jest of the influences of that Egyptian culture. As well, I was lead to believe, this is the beginning of the work for those in science who begin their education.

I go back to this because of what is needed to be place in mind. What I gather from that culture, and what I perceive is influencing science deep within it's consciousness, as humanity, struggles to become clear about it's place in the universe.

The Landscape and Quantum Tunnelling

Quantum tunnelling (or tunneling) is the quantum-mechanical effect of transitioning through a classically-forbidden energy state. It can be generalized to other types of classically-forbidden transitions as well.

Consider rolling a ball up a hill. If the ball is not given enough velocity, then it will not roll over the hill. This scenario makes sense from the standpoint of classical mechanics, but is an inapplicable restriction in quantum mechanics simply because quantum mechanical objects do not behave like classical objects such as balls. On a quantum scale, objects exhibit wavelike behavior. For a quantum particle moving against a potential energy "hill", the wave function describing the particle can extend to the other side of the hill. This wave represents the probability of finding the particle in a certain location, meaning that the particle has the possibility of being detected on the other side of the hill. This behavior is called tunnelling; it is as if the particle has 'dug' through the potential hill.

The landscape presents the idea of tunnelling which I had been thinking about. I showed the link again in a the previous post discussing the "elephant and the horizon" to demonstrate that the "question of time" by Smolin. That it may undergo some features, while talking about the issues of quantum gravity? How were we to measure this knowing Planck Time? So you need ways in which to measure this. At Planck length how are you to do this?



Substituting this mass back into one of the length expressions gives the Planck length




and the light travel time across this length is called the Planck time:



Keep in mind that this is a characteristic time, so its order of magnitude is what should be noted. Sometimes it is defined with the wavelength above divided by 2π, so don't worry about the number of significant digits.


I draw attention to the plasmatic events demonstrated by the Quark Gluonic perception. How is this perceived and measured at this level? So you are sending measure to reductionistic views. Lee Smolin accepts this I think? While we understand the comparative view of all particles associated to a energy valuation, I wanted immediate results in the colour of our thinking for it to incur some understanding of the nature of gravity at the energies involved.

It had to be immediate, and the discrimination of the photon in it's colour was a necessary feature of knowing the particle energies as well in the nature of the gravity. You had to move to a "fifth dimensional perspective" electromagnetism plus gravity, in order to follow what I am saying.

Quantum Effect, however allow a manifold to change state abruptly at some point-to tunnel through the intervening ridge to a nearby lower valley.

Beyond the 3+1 of Spacetime

So we have moved to the holographic principle and the understanding about the shadows? Again, I return to the context of the pyramid here in this post. I am also revealing an aspect of this geometrical feature that sits at the basis of my thinking when it come to geometrical interpretation.

While the "pyramid is a solid," there is a Sun that shines, and shadows cast from that pyramid we become aware of the "rays of that Sun." The Sun is a very important feature of Plato's Cave, as well as seeing it's use in the Giza Complex.

So I gave you a map above.

I would like you all to know that "carbon dating" is a science in itself.

Carbon dating was developed by a team led by Willard Libby. Originally a carbon-14 half-life of 5568±30 years was used, which is now known as the Libby half-life. Later a more accurate figure of 5730±40 years was determined, which is known as the Cambridge half-life. However laboratories continue to use the Libby figure to avoid inconsistencies when comparing raw dates and when using calibration curves to obtain calendrical dates.

But in this model, I am assuming that the "time clock" assigned to the archaeology of the Pyramid is much different then the one we currently see in current literature. Just from this point alone you could depart. But please, stay around a little bit, so I can show how the model of the pyramid was used as a Sun Dial. How the structures were following "the times" in progression? An interesting story nonetheless?

I have the issues of the meme's in people's experiences to draw upon. How mankind's development in it's observation were gained from what the sun could do to the objects of our world. Given in our youth, a compass of Einstein or a License plate revealing symmetry, or a lamp shade that sends it's line, as a shadow across one's living room. Dust particles that announce themselves once the "ray of light" is invoked?

Hi Q9

Plato:

If you "step back from the article" I am placing a lot of things for consideration.

I am trying to give one "the flavour" of the past, which we know is very difficult at best to describe, as any taste incurred from consuming and digesting foods.

Current issues on the landscape? Tunnelling? Time travel? Tunnelling in faster then light?

I include this response in this post article so that I could answer you immediately. It seems Haloscan is not working?

Hi Q9

Great Pyramid was built inside out, Frenchman says-Post

The term "landscape" comes from evolutionary biology (see Fitness landscape) and was first applied to cosmology by Lee Smolin in his book.[11] It was first used in the context of string theory by Susskind.[12] There are several popular books about the anthropic principle in cosmology.[13] Two popular physics blogs are opposed to this use of the anthropic principle.[14]

See String theory landscape

Dumbo is a 1941 animated feature film produced by Walt Disney and first released on October 23, 1941 by RKO Radio Pictures. The fourth film in the Disney animated features canon, Dumbo is based upon a children's book of the same name by Helen Aberson and illustrated by Harold Perl based on true events. The main character is Jumbo Jr., a semi-anthropomorphic elephant who is cruelly nicknamed Dumbo. He is ridiculed for his big ears, but it turns out that he is capable of flying by using them as wings. His only friend is the mouse Timothy, parodying the stereotypical animosity between mice and elephants. Dumbo was a deliberate exercise in simplicity and economy for the Disney studio, and is today considered one of its finest films.

See "Pink Elephant"

A reference to pink elephants occurs in the 1941 Disney animated classic Dumbo. Dumbo, having taken a drink of water from a bucket spiked with moonshine, begins to hallucinate singing and dancing "Pink Elephants on Parade."

One should not assume that heighten perception refers to "some state of being" other then what is normal? :)

Some see non euclidean geometries at work, does not make you special?

Although such an attribute discovered to me was exceptional. It has it's history though, that cannot be overlooked.

Yet, it is relevant to "projective geometries" and how these arose. So Hilbert saids a list of 23 problems and one of them is "continuity?" What kind of geometry is that? :)

Yet too, should we move so far from what is "solidified in our world," to have said, there cannot exist the designs of geometry that describe this object? Some model? Reveals, aspect of the sociological side of our interactions, that we could have excelled to become better human beings?

Imagine some people draw mountains when in class and are bored with the lecture, or others, dream of some far off places in thought. Why not that such a gravity be included in all peoples thought to have them colour their lives accordingly?

The hard example supplied is Susskind's elephant and entanglement in relation too, what is in the blackhole and what is outside, by describing the horizon. It's colour.

Surely the colour of the gravity can be revealed by such entanglement? You may think a "blackhole in technology" while I am thinking, that by it's very nature, the history of that time allowed us to view it? How so?

Rocket Science

I am having problems trying to respond in Haloscan Q9. So what's that saying, "It's not Rocket Science?"

Now look here:) We now know that Susskind's elephant is "not Pink" and it is not "Dumbo." :) The elephant we are talking about, while still held to "blind men" holding parts of the reality, there is a serious question here about what quantum gravity is. So I have given perspective to what we shall see in terms of colour and the blackhole. All the while I was still speaking about Quantum Gravity.

There’s a place from which nothing escapes, not even light, where time and space literally come to end. It’s at this point, inside this fantastic riddle, that black holes exert their sway over the cosmos … and our imaginations. See Breakthrough Propulsion Physics?

There are different processes out there to which Quantum gravity is being model according to other perspectives. What comes of those persepctives if they have been consumed by their modelled approaches, that they say, "I have the tail" or, "I have the ear." We are still all blind as hell. But it's fun to create the language, new models, new perspectives to help understand our place in the world. Not to continue to perpetuate illusions we all like to create, but ways in which to speak to what is most troubling.

The Blind Men and the Elephant-John Godfrey Saxe (1816-1887)

So this brings me back to the Pyramid.

So what is the calendar in this particular place and I would like to think that I could immerse myself in this windowed view of reality as to what once was. Say, that this television, is based on the nature of the Colour of gravity and that while we watch it. We had to take into consideration the quantum dynamical world that is trying to be spoken to in General Relativity, not just at the classical level, but at the quantum one as well.

Lest I had taken you now to Banchoff and his wonderful 5d explanations of a 2d screen?

Knowing the Giza Complex and the requirement of the Sun, it is now apparent that I will make a subtle exposure to the valuation of how the pyramid was orientated to the sociological aspects of Egyptian thinking.

The Egyptians believed that a person's essence or soul was composed of several elements that at the point of death would become separate entities:

The "ka"

Should we be so foolish to think that the subtle aspect of our humanity could not operate on levels, other then the physical? I give you colour as a consequence of what transpires in life, and holds any person to the realm of their thinking. If they did not know that the gravity associated to every thought manifests as some colour in the disposition of the human body what becomes of the disposition of the soul?

See the Name and Shadow

Raphael the Painter

By 'dilating' and 'expanding' the scope of our attention we not only discover that 'form is emptiness' (the donut has a hole), but also that 'emptiness is form' (objects precipitate out of the larger 'space') - to use Buddhist terminology. The emptiness that we arrive at by narrowing our focus on the innermost is identical to the emptiness that we arrive at by expanding our focus to the outermost. The 'infinitely large' is identical to the 'infinitesimally small'.The Structure of Consciousness John Fudjack - September, 1999

Self-portrait by Raphael

While I am no great philosopher, the idea of truth was very important one to me. Finding some method by which to proceed was very difficult without the teachers handy. So I learned to trust my intuition as I was lead from one place to another. By it's own design, the correlation I termed in relation to cognition were very important discover about my own potential. I had to symbolically discribe the very actions of what goes in, and what comes out, turns through that channel in much the same way a electromagnetic field governs by analogy the principle of life around the human body, as information passes through the center.

If conceived as a series of ever-wider experiential contexts, nested one within the other like a set of Chinese boxes, consciousness can be thought of as wrapping back around on itself in such a way that the outermost 'context' is indistinguishable from the innermost 'content' - a structure for which we coined the term 'liminocentric'.

Will this become part of the greater complexity of the life form, as information becomes part of the larger context of the souls growth? How is that measured? How is t external world brought back in and then turned outward, and the "colors change" as the truth begins to dawn?

For me the story here starts with a painter and from the very painting itself, one can imagine a larger story unfolding, as one peers into the center of the School of Athens.

For now, the music is set aside, for the "foundational perspective" that issues forth from this blog.



I added this biography of the artist himself and "crunched" behind him is a speculation of a kind that becomes the basis of this bloggery. It is about observation and the search for truth as we look at the work of Raphael and the following information that I hold in consideration of this painting.

Our attempt to justify our beliefs logically by giving reasons results in the "regress of reasons." Since any reason can be further challenged, the regress of reasons threatens to be an infinite regress. However, since this is impossible, there must be reasons for which there do not need to be further reasons: reasons which do not need to be proven. By definition, these are "first principles." The "Problem of First Principles" arises when we ask Why such reasons would not need to be proven. Aristotle's answer was that first principles do not need to be proven because they are self-evident, i.e. they are known to be true simply by understanding them.

Do we know what Raphael was trying to impart through these images?

Inductive and Deductive

While holding the School of Athens by Raphael then picture in mind and consider the following?

Aristotle from a a posteriori leads perspective in one way, and Plato a prior?

PLato saids, "Look to the perfection of the heavens for truth," while Aristotle saids "look around you at what is, if you would know the truth"

So from that basis look at what is portrayed in the opening statement above with regards to Plato finger pointing up and Aristotle's hand sweeping pervasively?

So while I lead one through a vast maze of links here it is not without doing my own research that I could now point you to wikipedia for examination of the many things that we could learn of Plato. Imagine Plato continues to live through all this information?

Without Plato a a personification of the some of the ideals I have, I know who I am. The sun as a symbol of enlightenement? Then following, Plato's Cave Analogy?

As a beginning, you see I started to point out some of the more important features of the leadng perspective of Aristotle, and the link I see to Robert Laughlins building blocks of matter?

But before I jump so far ahead, maybe it is indeed useful to link wiki here so one gets the jest of what may be implied by an example?

Epistemology or theory of knowledge is the branch of philosophy that studies the nature and scope of knowledge. The term "epistemology" is based on the Greek words "επιστημη or episteme" (knowledge) and "λόγος or logos" (account/explanation); it is thought to have been coined by the Scottish philosopher James Frederick Ferrier.

Much of the debate in this field has focused on analyzing the nature of knowledge and how it relates to similar notions such as truth, belief, and justification. It also deals with the means of production of knowledge, as well as skepticism about different knowledge claims. In other words, epistemology primarily addresses the following questions: "What is knowledge?", "How is knowledge acquired?", and "What do people know?". Although approaches to answering any one of these questions frequently involve theories that are connected to others, there is enough particular to each that they may be examined separately.

There are many different topics, stances, and arguments in the field of epistemology. Recent studies have dramatically challenged centuries-old assumptions, and the discipline therefore continues to be vibrant and dynamic.

So while some would point to the very functions of perceiving aspects of the higher self, if there is such a thing accept in one conceptual framework, or messages from God, as Ramanujan received the equations in dream time. I think of this as a very dynamical process, that each of us possesses. If without the teacher to guide us, then the teacher most certainly makes it's way into the mind for observation?

Innatism

Innatism is a philosophical doctrine introduced by Plato in the socratic dialogue Meno which holds that the mind is born with ideas/knowledge, and that therefore the mind is not a tabula rasa at birth. It asserts therefore that not all knowledge is obtained from experience and the senses. Innatism is the opposite of empiricism.

Plato claimed that humans are born with ideas/forms in the mind that are in a dormant state. He claimed that we have acquired these ideas prior to our birth when we existed as souls in the world of Forms. To access these, humans need to be reminded of them through proper education and experience.

While it is referred to the young born into this world, what said that any person could not become that "blank slate" that would allow the wider perspective of what has been lived, is not confined to this life, but is exposed as that channel is opened for the wider perspective about life?

I say,"

I mean really, if, each of us is born into this world with such a blank slate, then how is an idea incorporated into such a design of our blank slate. Especially, if there had not been some influence predisposed, to draw ideas into the appropriate environment for consideration?

While we provide for the nurturing aspect of creativity to express itself, we find that such freedoms are encouraged by observation of the introspective attitude we gain by learning about ourselves.

The Medicine Wheel as a Mandala



It is not so much that we learn about the very "drawing here for you" but that it is circular in nature, and by the very discription the mandala is pretty "clear cut" as to what manifested from a deeper level in my own mind.

Now what you do not understand is that the center is very important feature on what we focus on. While the "purity of thought" is presented here. It is the idea that the closer to the source you get, the purer the thought/idea that manifests into the theoretical world.

While I attempt to explain the process this does not disavow you from experimenting and testing, so that the advancement of knowledge and understanding reawakens you to the "nature" of one's being? What is this?

Coxeter and Plato's Cave

IN Beyond the Dance of the Sun I give an image of Plato's Cave for consideration, about dimensinal perspectve.

This is not only held in my mind in terms of what free people are chained in their perspectives, but I also feel, that the leading characteristics were kindly put forward not only by my own position, but by those who I have listed throughout this blog.

Bolya, Heisenberg and Hooft?

There are "no wares" here to market(no advertising) other then what perception has granted me by "learning" and assuming the inherent nature of the leading perspectves in geometries and their relation to the real world.

Visitors' shadows manipulate and reshape projected images of "Buckyballs." "Buckyball," or a buckminsterfullerene molecule, is a closed cage-structure molecule with a carbon network. "Buckyball" was named for R. Buckminster "Bucky" Fuller (1895-1983), a scientist, philosopher and inventor, best known for creating the geodesic dome.

Imagine then, that such nanotechnology sites have taken us down to microperspectives and there are such things in the "geometry of being" that would dictate the technolgies that we use?

Was it so distant from the real world that such "projective geometries" exposed the correlation of knowledge from a man like Coxeter, that you would say "I would rather demomnstrate the technological aspect because this is real?"

You know you had to be more suttle then this. You knew you had to think of the sun's ray and "think" beyond in the Sun/Earth Relation in a lagrangian perspective. But you refuse?

It is better then, that the cynics remain chained. And allow themselves to spread their venom about the callousness of "good people who had ventured forth" and asked about dimensional perspective. Who is it, that remains in the box?

Focus then, on the science and what has been accomplished. You need no further explanation. No "back reaction" to what constituted this science.

HOUSTON, Texas, Oct. 31 -- Nobel laureate Richard Smalley, co-discoverer of the buckyball and widely considered to be one of the fathers of nanotechnology, died Friday at the age of 62 after a long battle with cancer.
Rice University professor Smalley shared the 1996 Nobel Prize in chemistry with fellow Rice chemist Robert Curl and British chemist Sir Harold Kroto for the 1985 discovery of a new form of carbon nicknamed buckyballs. Shaped like soccerballs and no wider than a strand of DNA, buckyballs each contain 60 carbon atoms arranged in a hollow sphere resembling two conjoined geodesic domes. Smalley coined the name "buckminsterfullerene" for the discovery in honor of architect and geodesic dome inventor Buckminster Fuller.

Fullerenes -- the family of compounds that includes buckyballs and carbon nanotubes -- remained the central focus of Smalley's research until his death. According to colleagues, Smalley's belief that nanotubes were a wonder material that could solve some of humanity's problems -- such as clean energy, clean water and economical space travel -- led him to crusade for more public support for science and to help found a business, Carbon Nanotechnologies Inc., in 2000 to make sure his discoveries made it to the marketplace where they could benefit society. Smalley was convinced that nanotubes could only be used to solve society's problems if they were manufactured in bulk and processed economically.

The socialogical foundation of thinking about our world here then is a far cry from the very foundationof the geometries and how human being may envision. How they may descend into mind. Thre posisbilties are endless,a nd I would just point to the images of flowers and the kalidescope they cause, as they reveal strange nodes and anti-nodes brought forth in mandalic pattern interpretations.

What symmetry is this, that we can create such patterns and see how beautiful they are? Some like Clifford like th easymmetry of certain flowers?

Again such liminocentric structure are a inhernet part of our consciousness developement and following this process, into reality is a very important step. Some will only like the pictures and some will venture deeper. That's always be the way of it.

How would I know this?:)

Beyond the Dance of the Sun

When we first start facing truth, the process may be frightening, and many people run back to their old lives. But if you continue to seek truth, you will eventually be able to handle it better. In fact, you want more! It's true that many people around you now may think you are weird or even a danger to society, but you don't care. Once you've tasted the truth, you won't ever want to go back to being ignorant!

If we concretize thngs and leave no room, then other theories seem like a waste of time compared to our views? Is their no room, to see what perfection the sun has for us in it's rays?


SOHO is a project of international cooperation between ESA and NASA

A lot of times it is much easier to accept the cosmological review of the universe in such a grand scale why would we think we need something more then what is already here? What has the subject of helioseismology to do with the way Wayne Hu may look at his universe?

One of the lessons I learnt as I tried to understand how they tied together the cosmological and quantum world, was to understand that relativity only spoke to that cosmo at large, and that to think anythng more, we would have to bring quantum perspectve in line with it.

We talked lots about micro perspective and particle creation and understood that the beginning of the universe is tied directly to how we micro perceptively deal with it's origins?

You may look at the sun and then realize the dynamical nature such quantum perception reveals as this process continues to unfold for us, as long as the energy is there to support it?

Now that you have shifted your views to the "nature of the dance," I had some choreographies for you to consider.

A Microperspective of the Cosmological world.

A giddy craze was sweeping across Europe at the turn of the 17th century. The wealthy and the well-connected were hoarding things—strange things—into obsessive personal collections. Starfish, forked carrots, monkey teeth, alligator skins, phosphorescent minerals, Indian canoes, and unicorn tails were acquired eagerly and indiscriminately. Associations among these objects, if they were made at all, often reflected a collector's personal vision of an underlying natural "order". Critical taxonomy was rarely in evidence.

I'll just point towards Greg Egans animations in this article.

What are Holonomy figures

While you are seeing these dynamics in context of cosmological reviews would you discard images of the quantum world?), how is abstractness(not real?). Holding many others in thoughts about geometrical propensities from a historical course in projective geometries?

Withn context of a complete revolution, the noting of the solar body and polarity shifts are quite natural, yet, how would you not think of these geometrical dynamcis as how we might look at the "B field" and Cayley shapes?

Just something to add to your thoughts as you concretize your views about let's say, quasars.



I like the Latin name of Sun(Sol). Plato's use of "the sun" in the analogy of the Cave?

And now, I said, let me show in a figure how far our nature is enlightened or unenlightened: --Behold! human beings living in a underground den, which has a mouth open towards the light and reaching all along the den; here they have been from their childhood, and have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads. Above and behind them a fire is blazing at a distance, and between the fire and the prisoners there is a raised way; and you will see, if you look, a low wall built along the way, like the screen which marionette players have in front of them, over which they show the puppets.

Holding a "ideal or image" in mind "as to perfection," can be a guiding light in terms of what possibly "enlightenment" may do for society? What any one moment might do in our realization of what "truly rings the basic core of our understanding" about what we thought long and hard about.:)

A "aha" moment perhaps? A "greater depth of seeing" beyond the "shadows on the walls."

Basis of Reality by Geometric Design?

I would like to continually like to remind one of Plato's cave. If the sun is behind us, how do you relate what is seen dimensionally, and describe it from first principles? The shadows are used in a way to draw our attention to our limitations of thinking.



So I moved this internally, and the sun behind, becomes the sun from a center realized inside. Circles within circles, topologically and constructively asking, which way are we seeing now?

I was thinking here that to get to the "truer source of reality" what underlies our basic intepretations of such "thought constructs," would be to defined essentially in a geometric way, first. This is how first principle is established, as observation to a "geometric way" leads all concepts from this beginning?

Man ponders shadow, or shadow ponders itself?

So let's say you are this fellow sleeping on the bus, and he is having deep suttle thoughts about life. He generalizes what he might see of "mass psychosis" in a geometical way, as well as, see science, necessary as the basis of this expression?

You also hads to know where the beginning of all expression arose from, so this defintion is very important in that respect?

Although theoretical, it establishment with the basis of science would be very important. As Feynman diagrams are.

Example here given with Dirac?

Paul Dirac:

When one is doing mathematical work, there are essentially two different ways of thinking about the subject: the algebraic way, and the geometric way. With the algebraic way, one is all the time writing down equations and following rules of deduction, and interpreting these equations to get more equations. With the geometric way, one is thinking in terms of pictures; pictures which one imagines in space in some way, and one just tries to get a feeling for the relationships between the quantities occurring in those pictures. Now, a good mathematician has to be a master of both ways of those ways of thinking, but even so, he will have a preference for one or the other; I don't think he can avoid it. In my own case, my own preference is especially for the geometrical way.

Picture is link :)

So the thought construct is very dependant on how we would look at reality and this might inject various geometric processes, yet, we are very aware of the timeline, and where this expression arose from. This is what first principle must do?

While we like to think of the "building blocks of matter" you may of liked to call them strings in the first microseconds, this still does not take you to the source of the expression of what is now geometrically enhanced? So one siads there is no geometry? And of course the Pizza Guy is amazed at how all this could exemplify itself in some way in which the false vacuum and the true vacuum can tunnel from one to another.

So definition of "brane thinking" here encases a lot of information conceptually, as we speak about the reality of such things, and how they arose? These are contained in the most simplfied picture forms. It is necessary to see into how the workings of all "thought constructs," will manifest. Why pictures beomes links to a much more detail way of thinking geometrically.

I gave Dirac as a example.



I also link Albrect Durer for a example as well.

Abraham Maslow and Peak Experience

"The worst disease afflicting human kind is hardening of the categories." - Artist Bob Miller.

Well I having been watching the topics ofCategorically Not site created. I see such fine visitations by those who have ventured into the science, asking for responsibility of mind in science, be given to society on a platform, as a fine and ethical reporting/lectures, on where science/other issues, are today?

That they had ventured beyond the safe haven of science, to talk about "intuition of a kind", held to thoughts on subjectivity made me think.

So things less likely to be held in the role of experimental validation( and psychological modelling has learnt to bear the brunt of scorn by many science minds?) that we might like to see physical processes and evidenced to date, also, as a kind of invitation to think about the roles subjectively of modelled thought about intuition worked, revealled as common today in practise?

Peak experiences (wikipedia 17 April 2006)

Peak experience is a term used to describe certain extra-personal and ecstatic states, particularly ones tinged with themes of unification, harmonization and interconnectedness. Participants characterize these experiences, and the relevations imparted therein, as possessing an ineffably mystical (or overtly religious) quality or essence

The question I might have placed up front here, is if such thoughts about intuition are born to what it would constitute, would one have said, a close relation to "Peak experience"? What would any consolidation of the individual represent in it's wholeness, if such an actualization moment was percieved for a short time, that such gains made by the work and study of, found it's application would have been granted in the moment of one's solitude? As one who gazed into the stream, or one who found in such a place that would help the mind in its efforts to raised the packet from the probability of all possibilties, as an enlightening moment?

From whence would all such idealizations emerge, that such an tonality of thought would embrace itself as a self actualized moment in the connection to the value of all probabilites with this peak moment? The probability of all things needed a resource and commonality from which all minds could draw some comparison. Where was this moment of recognition? A harmonical Oscillator of a kind, possibly? The basis of all reality existed in some form self described harmonical expression?


1908-1970
by Dr. C. George Boeree

Abraham Harold Maslow was born April 1, 1908 in Brooklyn, New York. He was the first of seven children born to his parents, who themselves were uneducated Jewish immigrants from Russia. His parents, hoping for the best for their children in the new world, pushed him hard for academic success. Not surprisingly, he became very lonely as a boy, and found his refuge in books.

What I had been working towards here in the pass couple of years is evidence by the archive to the right.

It has been a interestng experience trying as best I can to see where science was going. What was being held at the forefront of science knowledge, in regards to the theoretical idealizations, that were born to push insight, and perception deeper into the coming realities. The cognition of what might be borne in mind, that any emergence might have revealled of itself in the aspect of new geometries formed to consolidate all geometries that currenty exist?

What shall these be in the mind where cognition is born out of the reality about our being?

Surprizingly, as one learns about themself, the life experience seems to become clearer, as we progress along the "road of independance." Learning curves, that keep us so occupied, that the life's lesson might never seem ever finished, as we progress through one goal or another. Find, the mind flowing and growing. IT had a path which we might have never had known, had we not realized what it had amounted to in realization? It's work?

What could the intellect become if it held all it's intention to "abstract form" in mathematics, that it never found the associations it did and were needed in pushing into those deeper realities? There was a point it no longer worked, and such a place held in the microcosmic view, was still part of a much larger cosmological view? Can this not be so?

How can a speck of a universe be physically identical to the great expanse we view in the heavens above? (Greene, The Elegant Universe, pages 248-249).

Above it all, there were ideas in my mind that biased the way I talked and wrote, that I saw beyond what the intentions were about our participation into forging the reductionistic view, as some part of the greater whole? Why, I recognized the probelmatic koan( can I call it that) revealled in Brian Greene's wording that guided my thought process.

This was labelled as an liminocentruc structures, and within the context of this blogger experience of writing, I wrote about them historically, as a place visited, and as images that arise in mind, that could have represented aspects of our wholeness.

The mandala can also be an image of eternity cycling through time and as such images soul's and Nature's circular journeys, as they are reflected in, for example, the Native American Medicine Wheel, in seasonal, rebirth and karmic cycles, in mythic journeys of going out and returning changed to one's point of origin, and in the zodiacal wheel as life's twelve archetypal stages of personal growth.

This cyclic transformation is also at the heart of ancient Chinese meditation. When the spiritual light in the body moves through rhythmical breathing in a circle, all the opposite energies of heaven and earth, sun and moon, light and dark, are crystallised and form what the Chinese called the Golden Flower, an inner mandala imaging the balanced, open and centred heart.

Maybe, mandalic in origins, that such symbols revealled the deeper insight of the soul who had travelled and secured the "parcel of thought gained" as packages to be born in mind, to surface time and time again?

What use to loose our pursuates to self actualization, and immmediate recognitions of that peak experience, to have found Maslow had created a pyramid of a kind? It had already rested deeply in my own mind's creations, as a model formed. Can I progress his thoughts and his models mine. I most certainly can, and I have the history to prove this, as I incinuate from what is baised in my own views. My writing.

Who is Abraham Maslow, that such idealizations would amount to a psychological veiw I engaged in just the last couple of days or so, that I'd found some association too, model depictions, that I myself had created.

Consider this the base of the pyramid and the four faces, and what value this insight that such perfection could have arsien from Maslow's hierarchal renditions towards self actualization, that the lower centers of humanity would have been it's struggle in the heart, to have become actualized in the heart of mind, as a transcendance of thought, gained?

It was with some historical perspective that having spent years studing, that such model was produced. Which guided my own wording and thinking as I developed. Befuddle readers, as to the demands for a more clearer kind of writing.

Asked, if the most predominante language should be, I too had said math, but most will say english. I give my reasons why, for math, yet so inexperienced am I it's many forms:)

The archetype has no form of its own, but it acts as an "organizing principle" on the things we see or do. It works the way that instincts work in Freud's theory: At first, the baby just wants something to eat, without knowing what it wants. It has a rather indefinite yearning which, nevertheless, can be satisfied by some things and not by others. Later, with experience, the child begins to yearn for something more specific when it is hungry -- a bottle, a cookie, a broiled lobster, a slice of New York style pizza.

The archetype is like a black hole in space: You only know its there by how it draws matter and light to itself.

Less comprehensible no doubt, without out the reader having has some idea of where I was speaking from? No, not from some "other worldly" person like PLato, but an "archetype used" to progress the thoughts of many who had themself engaged in science, about the greater perception/inspiration, as we moved back from the Plato's Cave, to gain in light, about man's imprisonment. As we have "unchained the mind" from the links/matter that bind us.

So you might say what changed?

As I read some more on Maslow, I learnt about many things about my own mind that felt true, to what was being read. That I understand now, that the first part of the lesson about self and it's motivation with years of study, might had seen and been lost, had I not now concluded some thoughts about what I have gained in recognition about self? Time in perception about the past allows this recollection and reminincing now focused forward.

What could be added to Maslows hierarchal diagram of thinking mind and about the steps of progression had some kind of self actualization been bound in the determined mind of one who was not a conformist? To any degree, who liken the freedom to study outside all of the rules of engagement, was still very respectful of the halls of higher learning.

Engaging life as a father and husband, the early years and education did not ever reveal that I would be capable less than the man working ever with his hands and mind to be paid? That his family needed to be supported and growth accomplished as any child would in nurture. While amidst this, a experimentor, and philosopher, as student of life in father felt.



You had to be motivated( what kind of motivation is seeking, what is it's base), or why would you waste your time travelling through the idealizations we do encounter. Facing to see what modulation of thought might do in seeing anew? You had to rise above those lower centers. Such a climb, to the heart in mind(some might know of it's truth comparison in images shown here. Was part of the actualization process after attending class?



Alchemcial processes might have shown such step processes engaged in the process of purifying(psychological), as well as leading to the understanding of who the king was(ego) and how mastery would have been gained over?