What are Sounds in the New Concept of Theoretics Approach?

I must be true to my word, and follow the tidit of information that I posted on Peter Woit's site. I am pointing to the two positions that both Lubos and Peter declare of themselves, in what they choose to represent of their thinking.

Lubos Said:

As I go towards the present, physics of these topics becomes increasingly difficult, requires higher education, expertise - and I think that something remotely similar exists in any other sufficiently complex field of science, including e.g. number theory, too. Proving the Fermat Last Theorem is a pretty fancy thing that requires some new technology, does not it?

In what Lubos saids, there is no arguing about the prerequsites of insight that follow educational roads to comprehending the world. In a way, that I have mentioned, that few recognize.

So as a commoner and having followed this thinking over the last few years, it so happened that a conceptual frameworld developed that help me look at the physics and approachs that are developing at the the very front lines of theoretical and mathematical developement.

Of course my statements have to be laid in contrast to what is being shown to us on a public scale. To have derived this thinking, gracefully exploding into new phase transitive models of apprehension. What better contrast then to have another mind like Peters Woits to contradict the mathematics that has been developed in string theory?

Peter makes it clear, that the mathematics is in question? If you attack the model of string/M theory you attack it's mathematics. There is no way to avoid this logically. Being the spokesman of why theoretcially this model of strings will never survive? In a innocent enough posting thread of his Peter voices this in a quiet humourous way by point out the logic of his thinking as well? That humour has to be based on some pre existing understanding of math in order to be driven into the jovial states of laughter?:)


Peter saids:

Mathematical Humor

Now for some comic relief:

A new issue of the Notices of the AMS is out. It contains an entertaining article entitled Foolproof: A Sampling of Mathematical Folk Humor with many examples of mathematical humor. Physicists also put in an appearance.

So as if this concept dropped into our views, from the 21 century(the future), we find that these concepts move the common person forward by having our front line physics and theoretcial people explaining how this concept is developing backwards or is it forwards?:)

Yes it is amazing to think, that a whole concept could exist within this reality and that the arguement is being fought on whether to accept this belief or not? That the substance of this reality could mathematical say the same things, from both Peter and Lubos. This will be then the basis of our interpretation, of the way we will derive the physics of approach by elements of structures, that have preceded us in our determnations revealled in the Einsteinian way? This exposition is articulated countless times, on a geoemtrical and topological determination, that rests early in Euclid's developement of postulates, continuing on to the road taken Reimann spherical which determinations lead us in our visions of gravity.

What the hell would any commoner know, if they did not understand that this basis of interpetation did not explode fractorially into the concept we now look at in terms of dimensional attributes above the spacetime we have come to accept and look at, in our everyday lives?



It is nice to have people Like Michio Kaku who can help orientate the common person into the reality that has moved these theoretical positions with clear and concise methods of interpretation. But my start of comprehension in based on the work of Savas Dimopoulos and the conection Nima and others have to a developing view about dimensional interpretation.

Savas Dimopoulos
Here’s an analogy to understand this: imagine that our universe is a two-dimensional pool table, which you look down on from the third spatial dimension. When the billiard balls collide on the table, they scatter into new trajectories across the surface. But we also hear the click of sound as they impact: that’s collision energy being radiated into a third dimension above and beyond the surface. In this picture, the billiard balls are like protons and neutrons, and the sound wave behaves like the graviton.

It is very hard for people to see this third dimension, but if the analogies help, then you should be able to understand the world of this tension, and the harmony involved generated from the musical comparison that is associated?

We can't actually hear gravitational waves, even with the most sophisticated equipment, because the sounds they make are the wrong frequency for our ears to hear. This is similar in principle to the frequency of dog whistles that canines can hear, but are too high for humans. The sounds of gravitional waves are probably too low for us to actually hear. However, the signals that scientists hope to measure with LISA and other gravitational wave detectors are best described as "sounds." If we could hear them, here are some of the possible sounds of a gravitational wave generated by the movement of a small body inspiralling into a black hole.

Have a look here and listen:)Make sure your speakers are on.

This helps one to distinquish the purposes of what might have been driven as a being represented in the manifestation of GR as a spacetime fabric . Holographically, these dimensions consolidate not as a point particles(harmonically driven interpretations) but as a strings on the brane?

The "air," of this particle identification, is density articluated( KK tower on brane thickness?), by energy determinations that are dimensionally related? The only way for us to see this, is to derive some topological feature, that moves into geometrical interpetations of that same energy value determination?



Without these graphs to demonstarte particle movements from collisions, how would you define topologically this energy distribution?

There is more to be added here, to complete this posting, that will show up later.

I would like to tantilize the minds view of this landscape, with a rendition of the Hills are alive with the Sound of Music, and what this looks like, as portrayed by Les Houches.:)