Decomposable Limits of Definitions

With the discovery of sound waves in the CMB, we have entered a new era of precision cosmology in which we can begin to talk with certainty about the origin of structure and the content of matter and energy in the universeWayne Hu

There are ways in which I have "perceived the landscape" that may be more appealing to one with Bohmian views? The way in which the analogy of sound is used has deep implications not only in the avenues of expression made about the examples herein shown, but with Helioseismology's as well, and the way in which we can interpret the sun as we look at it in a greater depth.

Phil Warnell said...

as chance serves to be nothing other then an incidental cause and relies on the existence of a realm of the “possible” and not one of the “probable”. By the way your mappings of hills and valleys are quite close to this vision as it represents the “wave” as one element of reality in the Bohmian view. All that remains to be added are the particles and the dynamics that exist in the wave that are relayed to or reacted to by the particles. The mystery does not exist only the ignorance and for some the truth of it being so.

It's an exercise for me to look back over the ideas that had been going on in my mind, and observations being made about "energy stored" in a system. One would never have realized the similarities that "Colour of Gravity" implies, accepting the wave nature of the particle could have given perspective on the idea of consequence as we live our lives. Function humanly possible and the depth of these actions more tangible and though being subtle in the idea of a wave, has given matter states a place to reside given nodal definitions, just as the modular forms do, as they reside in the valleys.



How is it one sees in terms of Lagrangian views when you look out into space now that such congregation of the graviton gathered for it's exemplary views on the nature of vibration.

A Chladni plate consist of a flat sheet of metal, usually circular or square, mounted on a central stalk to a sturdy base. When the plate is oscillating in a particular mode of vibration, the nodes and anti-nodes set up form a complex but symmetrical pattern over its surface. The positions of these nodes and anti-nodes can be seen by sprinkling sand upon the plates;

Potential

* The mathematical study of potentials is known as potential theory; it is the study of harmonic functions on manifolds. This mathematical formulation arises from the fact that, in physics, the scalar potential is irrotational, and thus has a vanishing Laplacian — the very definition of a harmonic function.
* In physics, a potential may refer to the scalar potential or to the vector potential. In either case, it is a field defined in space, from which many important physical properties may be derived.
o Leading examples are the gravitational potential and the electric potential, from which the motion of gravitating or electrically charged bodies may be obtained.
o Many entities in physics may be described as vector fields, but it is often easier to work with the corresponding potentials as proxies for the fields themselves. For instance, some force fields exert forces on a body equal to the product of the field and some invariant scalar property of the body, such as the mass or charge. As a body moves through such a force field, it rises and falls in the field's potential, gaining and losing energy through mechanical work. This exchange of energy allows the interaction to be analyzed in terms of simple laws of conservation of energy, without resorting to kinematics, which can be computationally difficult.
o In electrochemistry there are Galvani potential and Volta potential.
o The gravitational field is a notable example of such a field. The electric field also behaves this way in many cases, though in the general case it does not (see Electric potential and Faraday's Law).
* Specific forces have associated potentials, including the Coulomb potential, the van der Waals potential, the Lennard-Jones potential and the Yukawa potential.

Dr. Jenny's cymatic images are truly awe-inspiring, not only for their visual beauty in portraying the inherent res-ponsiveness of matter to sound (vibration) but because they inspire a deep re-cognition that we, too, are part and parcel of this same complex and intricate vibrational matrix -- the music of the spheres! These pages illumine the very principles which inspired the ancient Greek philosophers Heraclitus, Pythagoras and Plato, and cosmologists Giordano Bruno and Johannes Kepler.

Potential Energy

Potential energy is the energy which is stored. Potential energy exists when there is a force that tends to pull an object back towards some original position when the object is displaced. This force is often called a restoring force. The phrase 'potential energy' was coined by William Rankine.[1] For example, when a spring is stretched to the left, it exerts a force to the right so as to return to its original, un-stretched position. Or, suppose that a weight is lifted straight up. The force of gravity will try to bring it back down to its original position. The initial steps of stretching the spring and lifting the weight both require energy to perform. According to the principle of conservation of energy, energy cannot be created or destroyed; hence this energy cannot disappear. Instead it is stored as potential energy. If the spring is released or the weight is dropped, this stored energy will be converted into kinetic energy by the restoring force — elasticity in the case of the spring, and gravity in the case of the weight.

The more formal definition is that potential energy is the energy of position, that is, the energy an object is considered to have due to its position in space. There are a number of different types of potential energy, each associated with a particular type of force. More specifically, every conservative force gives rise to potential energy. For example, the work of elastic force is called elastic potential energy; work of gravitational force is called gravitational potential energy, work of the Coulomb force is called electric potential energy; work of strong nuclear force or weak nuclear force acting on the baryon charge is called nuclear potential energy; work of intermolecular forces is called intermolecular potential energy. Chemical potential energy, such as the energy stored in fossil fuels, is the work of Coulomb force during rearrangement of mutual positions of electrons and nuclei in atoms and molecules. Thermal energy usually has two components: the kinetic energy of random motion of particles and potential energy of their mutual positions.

As a general rule, the work done by a conservative force F will be



where ΔPE is the change in the potential energy associated with that particular force. The most common notations for potential energy are PE and U. It is important to note that electric potential (commonly denoted with a V for voltage) is not the same as electric potential energy.

We can't actually hear gravational waves, even with the most sophisticated equipment, because the sounds they make are the wrong frequency for our ears to hear. This is similar in principle to the frequency of dog whistles that canines can hear, but are too high for humans. The sounds of gravitional waves are probably too low for us to actually hear. However, the signals that scientists hope to measure with LISA and other gravitational wave detectors are best described as "sounds." If we could hear them, here are some of the possible sounds of a gravitational wave generated by the movement of a small body inspiralling into a black hole.




See:

The Sound of Gravitational Waves

The Sound of the Landscape

Nodes and Anti-nodes

Ways IN which To Perceive Landscape?

The Location of the Rooms

The theory of strings predicts that the universe might occupy one random "valley" out of a virtually infinite selection of valleys in a vast landscape of possibilities

Quantum Effect, however allow a manifold to change state abruptly at some point-to tunnel through the intervening ridge to a nearby lower valley.

By Raphael Bousso and Joseph Polchinski, Scientific America, Beyond Einstein, September 2004



What possibility exists if we did not see some resolve, as we examine the nature of what shall become the subject of these rooms? What is the significance of these locations then, that we shall appoint mountain places, and valleys abodes, that such thinking is reduced to something that comes out of statistical significance, and then materializes into the potential?

Another deep quantum mystery for
which physicists have no answer has to do with "tunnelling" -- the bizarre ability of particles to sometimes penetrate impenetrable barriers. This effect is not only well demonstrated; it is the basis of tunnel diodes and similar devices vital to modern electronic systems.

Tunnelling is based on the fact that quantum theory is statistical in nature and deals with probabilities rather than specific predictions; there is no way to know in advance when a single radioactive atom will decay, for example.

The probabilistic nature of quantum events means that if a stream of particles encounters an obstacle, most of the particles will be stopped in their tracks but a few, conveyed by probability alone, will magically appear on the other side of the barrier. The process is called "tunnelling," although the word in itself explains nothing.

Photograph by Clifford Johnson

While I used Mt Olympus previously, I thought, hey! why not use another individual's picture for comparison. While these pictures become fixtures in mind, the rooms that we are going to visit are places that have certain potentials realized are conceptually defined for us as we enter.

Click on the picture for a further explanation

Now one must know is that like every culture of our historical past, it is important to take the myth and bring it down to earth for some comparative view. What place is this, if we had not journeyed to the valleys for consideration?

As a lay person following the debate on the issue of Finiteness in String Theory landscape was the point technically reached that I was referring too.

IN concert with Virtual Reality of the Ancients, I am going to bring the science back into the picture for a minute, so one understands that the developing views had not been without some basis of thought in my considerations.

The landscape became an important look at the relationship to the "topography of the energy" and hence, it's relations that point too, the aspects I wish to create in these rooms. Now indeed, such configuration spaces talk about the potential that is realized when there are "consolidating factors" that reduce the potential understanding to the valleys.

It had to be philosophically sound, in that the comparative features assigned to metaphorical creations, would instill, and form the basis of that science, as well as, furthered information as a consequence in setting up the models for the production of these rooms.

The equations of string theory specify the arrangement of the manifold configuration, along with their associated branes (green) and lines of force known as flux lines (orange). The physics that is observed in the three large dimensions depends on the size and the structure of the manifold: how many doughnut-like "handles" it has, the length and circumference of each handle, the number and locations of its branes, and the number of flux lines wrapped around each doughnut.


Still within context of this given space, the relationship to a "space in the universe" does not discount that other probabilities exist, where these rooms are possible. It thusly creates an place closer to the "indecomposable element that we've assigned," not only to the possibilities, but also what is injected into this space from beyond the confines of that room.

See:

The landscape again and again

The Virtual Reality of the Ancients

Okay, here is a "fictional setting" about the lands one may venture too, and the landscapes, that speak to the hills and valleys, and "all that kind of stuff" where tunnelling can make itself known. A Place, where the genus figures lie.

Mount Olympus:View from Litochoro

In the Greek mythology, Mount Olympus is the home of the Olympians, the principal gods in the Greek pantheon. The Greeks thought of it as built with crystal mansions wherein the gods, such as Zeus, dwelt. It is also known in Greek mythology that when Gaia gave birth to the Vols they used the mountains in Greece as their thrones.

I am drawing attention to the way in which "ancient ideas" would now be represented. How one may create "this place as a virtual architecture room," created specifically for such meetings.

Elysium

In Greek mythology, Elysium (Greek: Ἠλύσια πεδία) was a section of the Underworld (the spelling Elysium is a Latinization of the Greek word Elysion). The Elysian fields, or sometimes Elysian plains, were the final resting place of the souls of the heroic and the virtuous. It is associated with the Christian Heaven.

Now, there are different places out there in the computer world, and Bloggeries seem to suit this purpose, and where such connections to this room, would be as if, "Skype had entered the room." It has brought people from their very own homes, as a technological expression and talk furthered in this medium. How nice.

But imagine, that such a room becomes the place in which information enters, and if it was considered "above the configuration space," then not only would this information allow direct connections to vast resources, but it would also allow the complexity of probabilistic outcomes to merge with events that can happen within this room?

Heaven

In the modern age of science and space flight the idea that Heaven is a physical place in the observable universe has largely been abandoned.[citation needed] Religious views, however, still hold Heaven as having a dual status as a concept of mind or heart, but also possibly still physically existing in some way on another "plane of existence", dimension, or perhaps at a future time.[citation needed] According to science there are unobservable areas of the universe (everywhere beyond earth's Particle horizon), although by their very nature it is not possible to observe them.

This room then becomes an expression, and by it's very nature, a cyclical version of what we can create, and what we create, comes from. Information then is about creativity and how we use "this energy" to connect with the real world.

The Medallion, like a Overcoat

Benjamin Franklin came to mind. It is about what we wear in terms of the medallion, as we philosophically display our wares for other to see. See, the way we "walk the talk."

Plato:

Benjamin Franklin in his epitaph call it an overcoat we put on, and the summation of this is the accumulation of life and all it trappings and wondering. How simple of any of us to think it is the "actual overcoat" when we know the deeper resonance such epitaph can make of one's entire life. As if, the life were a "book of a kind." With death to come the realization of an worn out cover.

See: Mapping the Pathway Inside.

Times Capsules ,and Written Records?

Again, I hate quoting myself.

Here's the thing, if the culminating aspect and integration of all conceptual principles are given a wide berth then the idea here is to see that the "product of time," is elevated to the aspect given to a "gravitational perspective" I have assigned to colour.

Showing a "2 dimensional picture" had a greater meaning when it is moved to a fifth dimensional thinking. This is where "Colour of Gravity" would had to be applied? You might think that we cannot ever elevate the thinking here beyond the confines of our abstractions, and the relationship seen in the production of the signals of the body, have now a greater latitude then would have first been seen. Sure it rests in the attributes of the thinking human being who has received the impression, of, what had been spoken, written, and demonstrated in their actions. Moves further into the exploits of probabilistic outcomes.

What and how this title is used, "Times Capsules ,and Written Records?" asks the question in regards to the "intent of time as a potential?" is "Part and parcel" of the wider picture(the all).

Phil Warnell:

For me and many it has always been a problem how one can consider the nature of Einstein’s space-time with the nature of the quanta in a consistent manner. In one all of what can be and where and how it can be is there in completion; in the other what is there has no firmness beyond perception. How then could both be true? For me the answer has always seemed to rest with what we call potential.

Have I singled out "the phrases" as an inclination then in my observation, about what is constructed "in the experience that lies as a root cause of one's lifetime." What has it accumulated too, and what is the "singled out phrase" that may say something about that "whole life given the model perspective it has chosen." This is "the summation" and sets the pattern for the future.

"It is very good that Stu Kauffman and Lee are making this serious attempt to save a notion of time, since I think the issue of timelessness is central to the unification of general relativity with quantum mechanics. The notion of time capsules is still certainly only a conjecture. However, as Lee admits, it has proven very hard to show that the idea is definitely wrong. Moreover, the history of physics has shown that it is often worth taking disconcerting ideas seriously, and I think timelessness is such a one. At the moment, I do not find Lee and Stu's arguments for time threaten my position too strongly."- Julian Barbour

Of course to think that we are in the process and yet cannot see these patterns does not discount that determinism which I feel plays a role here about the connection to the probabilistic futures.

Julian Barbour

In my "The End of Time" I argue that the wave function of the universe is static and that the appearance of the flow of time emerges because the wave function of the universe is concentrated on configurations of the universe that we recognize as records. Edward Anderson and I are currently trying to develop this idea and create a theory of records. If successful, this work promises to explain the origin of the arrow of time at a fundamental level.

How would one of interpreted this as a "brain signal" whose potential realized could have affected the whole being? I have not gone beyond the circumference of this cosmological view, yet the very small and the very large are always included.:)

As above, so below? It is not about Heliocentrism, yet, in the undeducated mind it may be the "calling back" of the idea of a liminocentric orientated appeal for meaning in the greater expanse?

Pattern recognition

"To understand is to perceive patterns" - Isaiah Berlin

Namagiri, the consort of the lion god Narasimha. Ramanujan believed that he existed to serve as Namagiri´s champion - Hindu Goddess of creativity. In real life Ramanujan told people that Namagiri visited him in his dreams and wrote equations on his tongue.

Pattern recognition is a sub-topic of machine learning. It can be defined as

"the act of taking in raw data and taking an action based on the category of the data".

Most research in pattern recognition is about methods for supervised learning and unsupervised learning.

Pattern recognition aims to classify data (patterns) based on either a priori knowledge or on statistical information extracted from the patterns. The patterns to be classified are usually groups of measurements or observations, defining points in an appropriate multidimensional space. This is in contrast to pattern matching, where the pattern is rigidly specified.

Within medical science pattern recognition creates the basis for CAD Systems (Computer Aided Diagnosis). CAD describes a procedure that supports the doctor's interpretations and findings.

A complete pattern recognition system consists of a sensor that gathers the observations to be classified or described; a feature extraction mechanism that computes numeric or symbolic information from the observations; and a classification or description scheme that does the actual job of classifying or describing observations, relying on the extracted features.

That's part of the problem when the pattern has been identified, it sometimes then becomes the rest of the life's work to bring more clarity to what was brought back from the subtle journey the soul had taken into a seemingly chaotic world.

The pattern is worked on, and represents three dimensional model. While a two dimensional picture, it represents life's "attentive intent to build." While this pattern is not specific to me,it is used to explain the process, and exemplifies the soul attempt too, find one's wholeness. While speaking t the cyclical nature of this experience, and it's further meanings as a "time capsule" or, "written record." It can then become the fictional medallion that one might ware to be reminded of the life they have chosen.

                    Probabilties
                 (The Fifth Dimension)
                         |
                         |
                  Idea of the pipe
                        / \
                       /   \
                      /     \
                 Picture of the pipe
                    /         \
                   /           \
                  /             \
               The real pipe and form  
                                         

See:

Monday, May 22, 2006-Pattern Recognition
Betrayal of Images by Rene Magritte

Natural philosophy

Natural philosophy or the philosophy of nature, known in Latin as philosophia naturalis, is a term applied to the objective study of nature and the physical universe that was dominant before the development of modern science. It is considered the precursor of what is now called natural science, especially physics.

Forms of science historically developed out of philosophy or more specifically natural philosophy. At older universities, long-established Chairs of Natural Philosophy are nowadays occupied mainly by physics professors. Modern notions of science and scientists date only to the 19th century (Webster's Ninth New Collegiate Dictionary dates the origin of the word "scientist" to 1834). Before then, the word "science" simply meant knowledge and the label of scientist did not exist. Isaac Newton's 1687 scientific treatise is known as The Mathematical Principles of Natural Philosophy.

Left to it's own devices inegnuity required that one discover how the process actually worked internally, before applying it to discovery and confidence building that may undermine growing toward knowledge and education, alone.

The ancient emphasis on deduction has its representative in Aristotle's Organum, and the new emphasis on induction and research has its representative in Francis Bacon's treatise Novum Organum.

Deduction and Induction

Our attempt to justify our beliefs logically by giving reasons results in the "regress of reasons." Since any reason can be further challenged, the regress of reasons threatens to be an infinite regress. However, since this is impossible, there must be reasons for which there do not need to be further reasons: reasons which do not need to be proven. By definition, these are "first principles." The "Problem of First Principles" arises when we ask Why such reasons would not need to be proven. Aristotle's answer was that first principles do not need to be proven because they are self-evident, i.e. they are known to be true simply by understanding them.

See:

Induction and Deduction
Intuitively Balanced: Induction and Deduction

The Making of the Tablet of Life

Change your thoughts and you change your world.
Norman Vincent Peale

Simple frame of reference in the quote supplied above?


The Circle: Paradox and Paradigm by Reza Sarhangi & Bruce D. Martin

Abstract

The ultimate desire of mankind is to identify wholeness, to grasp the essence of being, to be integrated with the harmony, perfection, patterns, and cycles of the material, metaphorical and metaphysical worlds. This desire motivates us to explore the realms of fact and fancy, logic and metaphor, reason and emotion, to capture the whole of being in one part, to see it, hear it, feel it, and enjoy it in everyday life.

The circle is an object of nature, an idealization of pure mathematics, and a symbol or framework we use to understand and describe our world. The circle exists independently of human thought, as ripples in a pond, or the appearance of the sun and moon, or the shape of the iris of an eye. In mathematics, we choose to define a circle as the places at a constant distance from a center, usually in two dimensions. In this article, we look back at world history and the varied uses of the circle: literal and literary, physical and poetical, mathematical, metaphorical and mystical.

The two following diagrams are from site above.


The Mahakala Gonpo-Magpo chakra mandala, by A. T. Mann.

The Buddhist circular mandala designs have been used continuously for millennia. "A mandala (Sanskrit for "circle") is a symbolic diagram of the universe, arranged in circles, used in tantric Buddhism. The Swiss psychologist Carl Jung considered the mandala to be a universally occurring pattern associated with the mythological representation of the self

Jay Kappraf, Connections: the geometric bridge between art and science, McGraw-Hill, 1991, pp. 172-173.

The following is a little bit of a fictional story about what happens in the the making of this Tablet, can become significant "for the life" as we have come to venture forward, lists some of the attributes of what exists, and what is written for each and very soul respectively?

Interior of the Pantheon, in Rome. The light comes from a circular
opening at the top of the sphere that is the building Mann, ibid., p. 43. Bruce Martin, 1994.

So deep, and searching for meaning, the nature of this tablet means that every geometrical written circle becomes the template, for what is to unfold in the future of that persons life, as well as, what the division of this circle represents, the quarterlies, allocates, and in rotation, the birth of this soul, to the accomplishment of the life, to mean on it's completion?

How vague indeed it is for the story teller, that artifacts in the history of our civilization is looked for, that it might have found uncovered in this "ancient place," the history of all souls, as well, the delving into the meaning of every life as it begins it's journey?

From whence, is such a expression sent, to its ray which "manifests in that light" could mean, that the elements in relation "gather around?" So while this element in relation, it is in the configuration space of our being, that "our colours are defined for us" as to the substance and nature of that circle? Inner/outer then, and how strange this world that it reflects all that has been harboured in the individuals nature.

TagCrowd

Just thought I'd try it.

article aspect become blog brain clock context death dialogos eide energy exist experience flow further future given gravity human idea information life links manifest mapping method mind moments moves nature past physics plato points post present pulse quantum realities reference relation scheme self socratic solidification space subjective think understanding world

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That Mysterious Flow

That Mysterious Flow by Paul Davies This is a follow up post to the article Andrew Thomas presented for Bee article at Backreaction, "Every Now and Then."

It would have been nice to be able to see the content of the blog commentaries which are allowing pictures to greatly enhance the product and visual effect of our examples. Or, to consider Snap that would allow this comment to open in another window, as you hover over the link. For to display this using snap is a easy way of making the blog commentary more visual as well.

But onto what I would like to speak too, as Paul Davies wraps up his article.



Here's the thing, if the culminating aspect and integration of all conceptual principles are given a wide berth then the idea here is to see that the "product of time," is elevated to the aspect given to a "gravitational perspective" I have assigned to colour.

Enrique thinks Time is an Illusion too.

At 12:34 AM, May 04, 2008, Blogger Enrique said...

The way of our brain to know about that wavelength is that redness experience which cannot be communicated. I'm not saying that qualia do exist. What I say is that our brain handles that color information in such a way that creates this subjective experience. The same happens with sound. Althought soud is fully described physically by the speed, frequency, amplitude and shape of the wave in some media, we cannot figure out how it "sounds" until we acutally listen it. Same goes with temperature or odors. This doesn't mean that the world out there doesn't exist or that only exists in our mind. However all the perceptions that reach our brain have an existence that we consciously accept and I would say that that is the part consciousness plays here. We perceive that time flows and that is our brain's way to know about time.

The idea here then is to point to two aspects that are related to how we see consciousness as playing a part in the measure of time. One that Paul Davies did recognize that there is no "time organ in our brains,"( as yet) and, Enrique points to the subjective nature of the integration aspect I find in relation to this conceptual synthesis.

Left alone the subjective nature of our impressionable memory stores this information, and out of it "the scheme" is the mathematical basis which I have applied to the "mind mapping scheme" that goes on.

Part of the reductionist aspect of following the information is to go "backwards in time" in this subjective cognitive fashion, and trace the human experiential aspect of the daily living, and what the mind captures in it's recording. While this is being accomplished in the most subtle fashion of our thinking, the nature of the experience catalyst's itself into the pool of the collective unconscious of the soul.

Whether one would think we are limited to this life alone, there is a greater reservoir that we tap into at this point. While probabilistic in it's scenario(which life), the function is still less the the fashion I point to in the future, and it's causations relevant to that which follows in that presentation of the now, is, fastidiously in it's representations.

This is how I point to the "self referential loop" that the solidification and concretion's of our thought structures become a oscillatory reduction of the projection to the mapping of the schema. Who you are now.

The Future and past are connected.

They manifest through you and whether one would argue the illusionist facet of this proposal, it is the understanding that we are "limited by our perspective." While Enrique, moves to a "synthesis" is far from complete without understanding how the product of time is moved beyond the current perceptions housed.



The developing mapping that goes into the "Colour of Gravity" is the understanding that this coordinate space(configuration space) holds within it not only Boltzman's brain, but the understanding of the unification toward a fifth dimensional perspective.

Since the Lab model is a three dimensional model, it can only be represented properly in a three dimensional space.

While only a two dimensional representation above points to a map that must be given to gravity, as we look at the "Lagrangian aspect of the cosmos" it could also include the "space of the mind" which we operate in. It has become multi-dynamical living space, as we explore the solidification processes reduced to the biological functions of the human body. As we explore the phase conditions of the matter states. Emotive , intellectual and spiritual in it's breadth, is a much more subtle aspect of the "whole thinking being?"

The Map



What is the energy behind it, that it can manifest within your mind, and it then becomes this eternal puzzle of life? Remove all it's colour then, and we see the geometrics of its construction. This is the Scheme with which I point as we move to understand the full scope of this puzzle called life, and all it's expressions.

It was important that the understanding of consciousness connect to that eternal reservoir of life, we can come in contact with that very centre. So this is the idea I have about the connection between the past and the future. That while life is given to this frame of reference, the ultimate aspect of the life is but parcel of a much greater flow of energy that goes on within the divinity of the soul in expression.

The manifestation, is the recognition that the energy passes through from the soul's creation in this life time, to the living of this life. Such patterns that manifest within the context of the mind's pursuit is the recognition then of the energy packet contained in the puzzlement itself, that is offered for the reintroduction introspective search for greater meaning in this life, comes with, what we had learnt previously.

The future then is the greater puzzlement, that it lies open to the multitude of "fractal images" that manifest within the mind, as it tries to come to terms with all it's aspectsof the human condition transformed into human experience.


See: Emotion and Reason Balanced: The Mind's Consequence?
Mandalas as Mind Maps