A Model for Science

Science is growing more complex, and so are the problems scientists face. A growing number of researchers argue that changing not just how we do science, but how we share it as well, would unlock vast new opportunities. A recent conference at Perimeter Institute asked: Is the time right for open source science? See:Can open-source software be a model for science?

The Tao of Life

The understanding that I gained from looking at the approach to Taoism was from Jung initially and the Book of Changes Jung talked about. Similarly the hexagrams alone and in part demonstrate an active and passive recognition of the lines, as broken and unbroken. While thought to be gender specific, these are not, and represent active and passive attributes within the whole system.

Wholeness implies a circular function and integration of these active and passive forces within the individual them-self. Active and passive features in the way we objectively and subjectively interact with the world around us and within us.

While bold in the application of active and passive forces the degrees of this participation is represented. Hard and soft, movement and resistance. While in opposition these are never apart as wholeness implies.

These do have psychological associations in mind, as represented in the active and passive understanding of information access and transmission. These are also represented in the eeg associations of an active and passive mind. Heart like, these can be rated in pulse.(see Mandelbrot and Seth Cohen) These are bio-metric markers, much as cell phone antenna's are specific to your phone. Algorithmic written as a debit card signature.

The range and application of the understanding here in relation to the processes of science was a development characteristic I gained over the years while developing an understanding of the nature of the active and passive features within our world.  Superconductors, the nature of viscosity in the science processes and active transmission of information within that science development. These were developed as an understanding of energy particulates that make there way into earth's medium environment. AS well as, an understanding in the nature of crystallization,  as represented in the idea of sound as cymatics.

 The intuitive framework has to recognize that you have already worked the angles and that such intuition is gathered from all that has been worked.......I am not saying it is right just that I have seen this perspective in development with regard to scientists as they push through the wall that has separated them from moving on. This then details a whole set of new parameters in which the thinking mind can move forward with proposals. Fractals and Antennas and The Economy

Geometry of the Universe

See Also: WMAP

Artificial Intelligence and the Complexity Frontier - Public Lecture Trailer at Perimeter

Watch live online May. 2 here:

A Tour of the Moon

Credit: NASA's Goddard Space Flight Center/David Ladd

This video is public domain and along with other supporting visualizations can be downloaded from the Scientific Visualization Studio at: http://svs.gsfc.nasa.gov/4619

"Into the Night: Portraits of Life and Death"

Hear intimate stories of nine men and women changed by their encounters with mortality.
See Also: Why Not Talk About Death? by Adam Frank

Inspiring Future Women in Science 2018

See Also:Inspiring Future Women in Science 2018

Computational Creativity: AI and the Art of Ingenuity

See Also:Computational Creativity: AI and the Art of Ingenuity

Stanford students design and build autonomous delivery drones

The Weirdest Stars in the Universe: Public Lecture Trailer at the Perimeter Institute for Theoretical Physics

See:
The Weirdest Stars in the Universe: Public Lecture Trailer

Quantum Reality: Space, Time, and Entanglement

See: Quantum Reality: Space, Time, and Entanglement

Illustris Simulation

See: Illustris Simulation

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This movie shows the formation of one of the Aquarius halos we simulated, over nearly the full age of the Universe from redshift z~50 to z=0. The camera position moves slowly around the forming galactic halo, pointing towards its centre at all times. The movie is based on our Aq-A-2 simulation. See: Aquarius Project Visualizations

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See Also:

• Shut up and simulate. (In which I try to understand how dark matter forms galaxies, and end up very confused.) by Sabine of Backreaction

Time Travelers

By Unknown - Netflix, Public Domain, https://commons.wikimedia.org/w/index.php?curid=62395143

Travelers is a science fiction television series created by Brad Wright, starring Eric McCormack, Mackenzie Porter, Jared Abrahamson, Nesta Cooper, Reilly Dolman and Patrick Gilmore.^[1][2] The series is a co-production between Netflix and Showcase. The first season comprises 12 episodes and premiered on Showcase on October 17, 2016; the entire series premiered globally on Netflix on December 23, 2016.^[3] On February 8, 2017, Netflix and Showcase renewed the series for a second season, which premiered on Showcase in Canada on October 16, 2017. The second season was then released worldwide, outside Canada, on Netflix on December 26, 2017.^[4][5]

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See Also:

Can We Change The Past? by Marcelo Gleiser

February 21, 20189:12 AM ET

The ARIES project

See Also:

• Accelerator Research and Innovation for European Science and Society

• Aries Fact Sheet

What Reality Is.

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The Necker cube is used in epistemology (the study of knowledge) and provides a counter-attack against naïve realism. Naïve realism (also known as direct or common-sense realism) states that the way we perceive the world is the way the world actually is. The Necker cube seems to disprove this claim because we see one or the other of two cubes, but really, there is no cube there at all: only a two-dimensional drawing of twelve lines. We see something which is not really there, thus (allegedly) disproving naïve realism. This criticism of naïve realism supports representative realism. Necker cube -http://en.wikipedia.org/wiki/Necker_cube#Epistemology

The Necker cube is a paradigmatic example for bistable perception where pattern reversal obeys a particular probability distribution. Atmanspacher, Filk and Römer (2004) discussed this switching dynamics in terms of the quantum Zeno effect where “observation” (here attending to a percept) increases the dwell-time of an otherwise fast decaying unobserved state. Quantum Cognition, Bistable perception

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See Also:

• Ambiguous Perception
•  Quantum Cognition

Simulation Theory 2018 What is the Truth?

Testing Simulation hypothesis physically

A long-shot method to test one type of simulation hypothesis was proposed in 2012 in a joint paper by physicists Silas R. Beane from the University of Bonn (now at the University of Washington, Seattle), and Zohreh Davoudi and Martin J. Savage from the University of Washington, Seattle.[11] Under the assumption of finite computational resources, the simulation of the universe would be performed by dividing the continuum space-time into a discrete set of points. In analogy with the mini-simulations that lattice-gauge theorists run today to build up nuclei from the underlying theory of strong interactions (known as Quantum chromodynamics), several observational consequences of a grid-like space-time have been studied in their work. Among proposed signatures is an anisotropy in the distribution of ultra-high-energy cosmic rays, that, if observed, would be consistent with the simulation hypothesis according to these physicists.[12

Simulation Theory 2017, We are waking up!!!!

Technicum as a New Age

TEDxAmsterdam: Kevin Kelly from TEDxAmsterdam on Vimeo.

The Riddle of the Quantum Sphinx: Robert Spekkens Public Lecture

In his Feb. 7 public lecture at Perimeter Institute, Robert Spekkens will explain why he believes that many quantum mysteries are a result of a category mistake concerning the nature of quantum states.

Sack's and Ulam Spiral

Numbers on the marked curve are of the form

x2 + x + 41,

the famous prime-generating formula discovered by Euler in 1772. http://www.numberspiral.com/index.html

 Riemann discovered a geometric landscape, the contours of which held the secret to the way primes are distributed through the universe of numbers.

It seemed the patterns Montgomery was predicting for the way zeros were distributed on Riemann’s critical line were the same as those predicted by quantum physicists for energy levels in the nucleus of heavy atoms. The implications of a connection were immense: If one could understand the mathematics describing the structure of the atomic nucleus in quantum physics, maybe the same math could solve the Riemann Hypothesis. http://seedmagazine.com/content/article/prime_numbers_get_hitched/

Sack's spiral-a version of the Ulam spiral

 Sift the Two's and Sift the Three's,
The Sieve of Eratosthenes.
When the multiples sublime,
The numbers that remain are Prime.

Anonymous[5]

Albrecht Durer's Magic Square

Albrecht Dürer (/ˈdʊərər, ˈdjʊərər/;[1] German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528)[2] was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Dürer is commemorated by both the Lutheran and Episcopal Churches. The Expulsion From Paradise by Albrecht Dürer Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), are more Gothic than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective, and ideal proportions.

Melencolia I 1514

Albrecht Dürer's magic square

Detail of Melencolia I

 

The order-4 magic square Albrecht Dürer immortalized in his 1514 engraving Melencolia I, referred to above, is believed to be the first seen in European art. It is very similar to Yang Hui's square, which was created in China about 250 years before Dürer's time. The sum 34 can be found in the rows, columns, diagonals, each of the quadrants, the center four squares, and the corner squares (of the 4×4 as well as the four contained 3×3 grids). This sum can also be found in the four outer numbers clockwise from the corners (3+8+14+9) and likewise the four counter-clockwise (the locations of four queens in the two solutions of the 4 queens puzzle^[36]), the two sets of four symmetrical numbers (2+8+9+15 and 3+5+12+14), the sum of the middle two entries of the two outer columns and rows (5+9+8+12 and 3+2+15+14), and in four kite or cross shaped quartets (3+5+11+15, 2+10+8+14, 3+9+7+15, and 2+6+12+14). The two numbers in the middle of the bottom row give the date of the engraving: 1514. The numbers 1 and 4 at either side of the date correspond respectively to the letters "A" and "D," which are the initials of the artist.