Coffee and Donut?

A continuous deformation (homeomorphism) of a coffee cup into a doughnut (torus) and back.

Similarly, the hairy ball theorem of algebraic topology says that "one cannot comb the hair flat on a hairy ball without creating a cowlick."

***

This fact is immediately convincing to most people, even though they might not recognize the more formal statement of the theorem, that there is no nonvanishing continuous tangent vectorfield on the sphere. As with the Bridges of Königsberg, the result does not depend on the exact shape of the sphere; it applies to pear shapes and in fact any kind of smooth blob, as long as it has no holes.

In order to deal with these problems that do not rely on the exact shape of the objects, one must be clear about just what properties these problems do rely on. From this need arises the notion of homeomorphism. The impossibility of crossing each bridge just once applies to any arrangement of bridges homeomorphic to those in Königsberg, and the hairy ball theorem applies to any space homeomorphic to a sphere.

Intuitively two spaces are homeomorphic if one can be deformed into the other without cutting or gluing. A traditional joke is that a topologist can't distinguish a coffee mug from a doughnut, since a sufficiently pliable doughnut could be reshaped to the form of a coffee cup by creating a dimple and progressively enlarging it, while shrinking the hole into a handle. A precise definition of homeomorphic, involving a continuous function with a continuous inverse, is necessarily more technical.

Homeomorphism can be considered the most basic topological equivalence. Another is homotopy equivalence. This is harder to describe without getting technical, but the essential notion is that two objects are homotopy equivalent if they both result from "squishing" some larger object.

Equivalence classes of the English alphabet in uppercase sans-serif font (Myriad); left - homeomorphism, right - homotopy equivalence

 

An introductory exercise is to classify the uppercase letters of the English alphabet according to homeomorphism and homotopy equivalence. The result depends partially on the font used. The figures use a sans-serif font named Myriad.

Notice that homotopy equivalence is a rougher relationship than homeomorphism; a homotopy equivalence class can contain several of the homeomorphism classes. The simple case of homotopy equivalence described above can be used here to show two letters are homotopy equivalent, e.g. O fits inside P and the tail of the P can be squished to the "hole" part.

Thus, the homeomorphism classes are: one hole two tails, two holes no tail, no holes, one hole no tail, no holes three tails, a bar with four tails (the "bar" on the K
is almost too short to see), one hole one tail, and no holes four tails.

The homotopy classes are larger, because the tails can be squished down to a point. The homotopy classes are: one hole, two holes, and no holes.

To be sure we have classified the letters correctly, we not only need to show that two letters in the same class are equivalent, but that two letters in different classes are not equivalent. In the case of homeomorphism, this can be done by suitably selecting points and showing their removal disconnects the letters differently. For example, X and Y are not homeomorphic because removing the center point of the X leaves four pieces; whatever point in Y corresponds to this point, its removal can leave at most three pieces. The case of homotopy equivalence is harder and requires a more elaborate argument showing an algebraic invariant, such as the fundamental group, is different on the supposedly differing classes.

Letter topology has some practical relevance in stencil typography. The font Braggadocio, for instance, has stencils that are made of one connected piece of material.

I Have An Idea

Now as many of you know,  a creative individual if they are open enough can bring forth something that is accessible to all, but,  if the mind is not in a particular travelling mode, the idea might not appear on it's radar screen for observation.

So understanding what it takes to materialize these efforts on idea manifestation to appearance on a human scale

Now remember,  what I propose could in affect revolutionize the auto industry and our dependence on oil and gas? Economy

In a philosophical sense, when thinking about "symmetry as a place." How  could one move to such a position creatively to derive a new possibility? See it's effects, here on earth?

The effects of a polarizing filter on the sky in a photograph. The picture on the right uses the filter.

Ya, it's is an idea that could in fact change the way society uses the technologies it has, expands on it, and applies it in a different way.

Economic Translation From Boards

How many of you have joined your fellow brain jammers to seek a solution for a time for creative purpose?

Dr:Lee Smolin's article on arXiv.

Having read it, I find it amusing that the language of economics can be recast in the language of physics. That said a lot of it is hard going, mathematically, though the language he uses is familiar to me, having seen things like conserved currents in quantum electrodynamics.
I think caution should be taken in placing too much emphasis on the math. The ultimate goal of economics is to describe the monetary interactions of humans and how phenomena rooted in the exchange of goods, services, assets and money have broader repercussions (simple example: What happens if everybody saves money? You induce an economic recession, explained by the paradox of thrift.)

Hi Dr.

In bold isn't this what eventually happens when the economy undergoes a correction and we see the events that we do, to realize, that people are now nervous about how they are going to be able to care of themselves? So priorities change, your dollars in your pocket become "more accountable."

BEYOND REDUCTIONISM: REINVENTING THE SACRED


[/quote]Stuart Alan Kauffman (28 September 1939) is an US American theoretical biologist and complex systems researcher concerning the origin of life on Earth. He is best known for arguing that the complexity of biological systems and organisms might result as much from self-organization and far-from-equilibrium dynamics as from Darwinian natural selection, as well as for proposing the first models of Boolean networks.

Kauffman presently holds a joint appointment at the University of Calgary in Biological Sciences and in Physics and Astronomy, and is an Adjunct Professor in the Department of Philosophy. He is also an iCORE (Informatics Research Circle of Excellence) [1] chair and the director of the Institute for Biocomplexity and Informatics.[/quote]


BEYOND REDUCTIONISM

See:Reinventing the Sacred: A New View of Science, Reason, and Religion (Hardcover)

Self-organization is a process of attraction and repulsion in which the internal organization of a system, normally an open system, increases in complexity without being guided or managed by an outside source. Self-organizing systems typically (though not always) display emergent properties.

Stuart Kauffman - The Evolution of Economic Wealth and Innovation
I think this is indeed the effort that translation occur from new proposals, to what finally happens to the individuals who partakes of this economic endeavor. I find "specialization can give perspective"  that would not normally be granted the person on the street, but that it is equally important to understand how these economic factors mathematically can play a part in our everyday lives.

The idea of economic correction itself?

(click on Image for larger viewing)

According to Ray Kurzweil, his logarithmic graph of 15 lists of paradigm shifts for key historicexponential trend.^{[clarification needed]} The lists' compilers include Carl Sagan, Paul D. Boyer, Encyclopædia Britannica, American Museum of Natural History, and University of Arizona.

A person once offered the perspective of Kurzweil and the singularity .

Now, how would this mean anything if there was not some comparison in phenomenological relation that we might push perspective forward?

At what times do we find such a thing taking place that all kinds of new things are introduced to send the system too,  already in chaos and find this is an opportunistic time to advance mathematical proposals into the system to see entropic valuation materialize to the person on the street?

A location perhaps, housing the possibilities of the "neurological synapse" considered to be the "white board of creative possibilities?"

***

This Nobel Prize award was of interest to me.

The Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel 2007


"for having laid the foundations of mechanism design theory"

Leonid Hurwicz


Eric S.Maskin


Roger B. Myerson

I first started to come to the conclusion in regards to the "social construct" and the relationship it had to the mathematical environmental when I saw the movie, "The Beautiful Mind." It was based on the story of John Nash.

A Theory is Born

PBS: Game Theory Explained

This science is unusual in the breadth of its potential applications. Unlike physics or chemistry, which have a clearly defined and narrow scope, the precepts of game theory are useful in a whole range of activities, from everyday social interactions and sports to business and economics, politics, law, diplomacy and war. Biologists have recognized that the Darwinian struggle for survival involves strategic interactions, and modern evolutionary theory has close links with game theory.

Game theory got its start with the work of John von Neumann in the 1920s, which culminated in his book with Oskar Morgenstern. They studied "zero-sum" games where the interests of two players were strictly opposed. John Nash treated the more general and realistic case of a mixture of common interests and rivalry and any number of players. Other theorists, most notably Reinhard Selten and John Harsanyi who shared the 1994 Nobel Memorial Prize with Nash, studied even more complex games with sequences of moves, and games where one player has more information than others.

I wanted to saved a little time, for I would be sure that this highlight in bold would draw attention? So, I thought to preempt it.
You have to understand where symmetry "begins and is possible" to understand that such a place, can exist in the minds of those who go there and become part of the process. This does not define those with agendas,  but also recognizes that if we partake as watchers of this process, we can be assured that citizens are given their full rights and respect while capitalism seeks to have it's mandate.

LCROSS Observes Water on Moon

Data from the ultraviolet/visible spectrometer taken shortly after impact showing emission lines (indicated by arrows). These emission lines are diagnostic of compounds in the vapor/debris cloud.
Credit: NASA

LCROSS Impact Data Indicates Water on Moon11.13.09

The argument that the moon is a dry, desolate place no longer holds water.

Secrets the moon has been holding, for perhaps billions of years, are now being revealed to the delight of scientists and space enthusiasts alike.

NASA today opened a new chapter in our understanding of the moon. Preliminary data from the Lunar CRater Observation and Sensing Satellite, or LCROSS, indicates that the mission successfully uncovered water during the Oct. 9, 2009 impacts into the permanently shadowed region of Cabeus cater near the moon’s south pole.

The impact created by the LCROSS Centaur upper stage rocket created a two-part plume of material from the bottom of the crater. The first part was a high angle plume of vapor and fine dust and the second a lower angle ejecta curtain of heavier material. This material has not seen sunlight in billions of years.

See more on link above.



LRO's First Moon Images

07.02.09

1994 Clementine image of the moon with Mare Nubium labeled. LRO's first lunar images show an area near this region. Credit: NASA

NASA's Lunar Reconnaissance Orbiter has transmitted its first images since reaching the moon on June 23. The spacecraft's two cameras, collectively known as the Lunar Reconnaissance Orbiter Camera, or LROC, were activated June 30. The cameras are working well and have returned images of a region in the lunar highlands south of Mare Nubium (Sea of Clouds).

As the moon rotates beneath LRO, LROC gradually will build up photographic maps of the lunar surface.

"Our first images were taken along the moon's terminator -- the dividing line between day and night -- making us initially unsure of how they would turn out," said LROC Principal Investigator Mark Robinson of Arizona State University in Tempe. "Because of the deep shadowing, subtle topography is exaggerated, suggesting a craggy and inhospitable surface. In reality, the area is similar to the region where the Apollo 16 astronauts safely explored in 1972. While these are magnificent in their own right, the main message is that LROC is nearly ready to begin its mission."

On Memory

Today is my 1000th post. I began here in November of 2004. It has been a good time of learning and being propelled forward by other blog posters and blog commentators.  It has been a wonderful journey in terms of the education I have received.

Again too, within each of our conversations with who ever that might be,  have been the catalyst for writing and giving thought forward to my further gathering of information. So thanks to every one that took time to discuss or exchange ideas.

In a nutshell, what Karim showed was that each time a memory is used, it has to be restored as a new memory in order to be accessible later. The old memory is either not there or is inaccessible. In short, your memory about something is only as good as your last memory about it. Joseph LeDoux

I am not as old as those of sixty, but I have a similar problem that if I do not use it, I tend to loose it.

Psychological mindedness

Psychological Mindedness (PM) is a concept which refers to an individual's capacity for self-examination, self-observation, introspection and personal insight.[citation needed] It also includes an ability to recognize and see the links between current problems within self and with others, and the ability to insight one's past particularly for its impact on present attitudes and functioning. Psychologically minded people have average and above average intelligence and generally have some insight into their problems even before they enter therapy. Psychological mindedness is distinct from intellectualism and obsessional rumination about one's inner problems. The latter is of no help in psychotherapy, but it is a sign of resistance.

Since we can be creatures of habit, it seems to me that neurological pathways are highways so to speak, and not traveling these roads, names of towns can slip our mind. "Waking up by traveling similar journeys" do tend to re-ignited those same neurological pathways. Having a strokes and damaging areas of the brain means that in order to ignite processes in our body expressions means to try and ignited those same pathways that were used.

By correspondence, we see correlations to our own lives. Looking at something and orientating the mind to see angles of something, is to me much like looking deep within the functioning of society to see what lies at the "bedrock or infrastructure" of the supporting objects of perception.

This is where something vaguely familiar eggs the conscious mind to look harder into the reservoir of our own histories. Brings those memories back to the surface.

***

The Spotless Mind

Psychology professor Karim Nader is helping sufferers of post-traumatic stress disorder lessen debilitating symptoms—and in some cases, regain a normal life.Owen Egan See also: The Trauma Tamer

IC: Why is this research so important?

Karim Nader: There are a lot of implications. All psychopathological disorders, such as PTSD, epilepsy, obsessive compulsive disorders, or addiction—all these things have to do with your brain getting rewired in a way that is malfunctioning. Theoretically, we may be able to treat a lot of these psychopathologies. If you could block the re-storage of the circuit that causes the obsessive compulsion, then you might be able to reset a person to a level where they aren’t so obsessive. Or perhaps you can reset the circuit that has undergone epilepsy repeatedly so that you can increase the threshold for seizures. And there is some killer data showing that it’s possible to block the reconsolidation of drug cravings.

The other reason why I think it is so striking is that it is so contrary to what has been the accepted view of memory for so long in the mainstream. My research caused everybody in the field to stop, turn around and go, “Whoa, where’d that come from?” Nobody’s really working on this issue, and the only reason I came up with this is because I wasn’t trained in memory. [Nader was originally researching fear.] It really caused a fundamental reconceptualization of a very basic and dogmatic field in neuroscience, which is very exciting. It is the first time in 100 years that people are starting to come up with new models of memory at the physiological level.

***

Quote:

Anomaly and the Emergence of Scientific Discoveries Kuhn now moves past his initial topic of paradigm to scientific discovery saying that in order for there to be a discovery, an anomaly must be detected within the field of study. He discusses several different studies and points out the anomaly that invoked the scientific discovery. Later in the chapter he begins to discuss how the anomaly can be incorporated into the discovery to satisfy the scientific community.

There are three different characteristics of all discoveries from which new sorts of phenomena emerge. These three characteristics are proven through an experiment dealing with a deck of cards. The deck consisted of anomalous cards (e.g. the red six of spades shown on the previous page) mixed in with regular cards. These cards were held up in front of students who were asked to call out the card they saw, and in most cases the anomaly was not detected.

For certain when composing articles in blogging format your trying to build off of previous information. You gather information so providing links is a way,  much like connecting neurons to what was written before. Doing search functions for what is relevant to a topic in Google, or as a mean to use these search functions to help memory point to correlations.



Betrayal of Images" by Rene Magritte. 1929 painting on which is written "This is not a Pipe"
Looking at things from different angles is much like an artist who grabs onto an idea and furnishes us with a expose' into the idea of attention with further presentations visually. It is about seeing the idea manifest toward some kind of reality that is dare to say abstract in it's extrapolations,  much as math is used to describe an aspect of nature.

Salvador Dalí (Spanish, 1904-1989). Crucifixion (Corpus Hypercubicus), 1953–54. Oil on canvas. 77 x 49 in. (195.6 x 124.5 cm). Gift of the Chester Dale Collection, 1955 (55.5). The Metropolitan Museum of Art, New York.

© Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Society (ARS), New York

So in a way,  while we seem to see true representations "about the fundamental ideas" these manifest toward physical manifestation.  These ideas "are covered by abstractions."  Much like experience in our daily lives. Sorting through the memory is like sorting through the experience. Recall then becomes something of a challenge when we seek to better understand how we have become who are.

Waking up means to become aware at what resides at the basis of our experiences in society, and how these have manifested in our daily dealings within that society.

As simple as possible then in mathematical interpretation. You see?

***

Spending a little time looking into science and art, Dali rose to the occasion in my view in terms of Geometry and the tesseract.

Quote:

In geometry, the tesseract, or hypercube, is a regular convex polychoron with eight cubical cells. It can be thought of as a 4-dimensional analogue of the cube. Roughly speaking, the tesseract is to the cube as the cube is to the square.

Generalizations of the cube to dimensions greater than three are called hypercubes or measure polytopes. This article focuses on the 4D hypercube, the tesseract.

He had a "religious epiphany" moving toward dimensional perspective, and related it too, moving perception toward geometry, as if "other worldly." Many understand his private life not to be so blessed with such religiosity?:)

Quote:

Penrose's Influence on EscherDuring the later half of the 1950’s, Maurits Cornelius Escher received a letter from Lionel and Roger Penrose. This letter consisted of a report by the father and son team that focused on impossible figures. By this time, Escher had begun exploring impossible worlds. He had recently produced the lithograph Belvedere based on the “rib-cube,” an impossible cuboid named by Escher (Teuber 161). However, the letter by the Penroses, which would later appear in the British Journal of Psychology, enlightened Escher to two new impossible objects; the Penrose triangle and the Penrose stairs. With these figures, Escher went on to create further impossible worlds that break the laws of three-dimensional space, mystify one’s mind, and give a window to the artist heart.
See:Penroses Influence on Escher

IN this way, I felt there was a kinship toward artist expression moving minds in science toward an malleable experience in terms of "using the brain and twisting it" one might say. This is a perspective I formed around how we view projective geometry in terms of it leading perspective in that artistic sense.

Fermi Records Lighthouse Effect

John Keats talked of "unweaving the rainbow", suggesting that Newton destroyed the beauty of nature by analysing light with a prism and splitting it into different colours. Keats was being a prat. Physicists also smile when we see rainbows, but our emotional reaction is doubled by our understanding of the deep physics relating to the prismatic effects of raindrops. Similarly, physicists appreciate sunsets more than anybody else, because we can enjoy the myriad colours and at the same time grasp the nuclear physics that created the energy that created the photons that travelled for millions of years to the surface of the Sun, which then travelled eight minutes through space to Earth, which were then scattered by the atmosphere to create the colourful sunset. Understanding physics only enhances the beauty of nature.See:'Keats claimed physics destroyed beauty. Keats was being a prat'

In this illustration, one photon (purple) carries a million times the energy of another (yellow). Some theorists predict travel delays for higher-energy photons, which interact more strongly with the proposed frothy nature of space-time. Yet Fermi data on two photons from a gamma-ray burst fail to show this effect, eliminating some approaches to a new theory of gravity. The animation link below shows the delay scientists had expected to observe. Credit: NASA/Sonoma State University/Aurore Simonnet

See: Fermi Telescope Caps First Year With Glimpse of Space-Time

"This measurement eliminates any approach to a new theory of gravity that predicts a strong energy dependent change in the speed of light," Michelson said. "To one part in 100 million billion, these two photons travelled at the same speed. Einstein still rules."

What I want people to know now is that a question arises about "theoretical conclusions drawn" about joining, "Electromagnetism and Gravity." This basically what their saying?

***

We see a pulsar, then, when one of its beams of radiation crosses our line-of-sight. In this way, a pulsar is like a lighthouse. The light from a lighthouse appears to be "pulsing" because it only crosses our line-of-sight once each time it spins. Similarly, a pulsar "pulses" because we see bright flashes every time the star spins. See: Pulsars

Link to tutorial site has been taken down, and belongs to Barb of  http://www.airynothing.com

For some it is not a hard thing to remember when the Sun, or a light has blinded one to seeing what is in front of you, it aligns to the realization, that if one shifts to the right or left, they can come out of the bright directional gaze of emissions from that other time.

M87's Energetic Jet., HST image. The blue light from the jet emerging from the bright AGN core, towards the lower right, is due to synchrotron radiation.

See Also: Light House Keeper as well as Label Lighthouse at bottom of Post entry.

*** 

Simple Jet Model. A simple model for a jet is a relativistic sphere emitting synchrotron radiation. This simple model hides the complexity of a real jet but can still be used to illustrate the principles of relativistic beaming.

Electrons inside the blob(Crab Nebula) travel at speeds just a tiny fraction below the speed of light and are whipped around by the magnetic field. Each change in direction by an electron is accompanied by the release of energy in the form of a photon. With enough electrons and a powerful enough magnetic field the relativistic sphere can emit a huge number of photons, ranging from those at relatively weak radio frequencies to powerful X-ray photons.-(In brackets added by me)See: Relativistic beaming

So the spectrum at this end reveals Gamma ray perspective that when considered under this watchful eye, reveals views of our Sun and views of the Cosmos of very different ranges used in that spectrum, still, shows the Sun.

It is not so difficult to realize then how much energy is directed that one could say that what we had seen in the light effect can help spotters on ships realize the coastlines during those frightful storms at sea.

(click on image for larger viewing)

The bluish glow from the central region of the nebula is due to synchrotron radiation.

Synchrotron radiation is electromagnetic radiation, similar to cyclotron radiation, but generated by the acceleration of ultrarelativistic (i.e., moving near the speed of light) charged particles through magnetic fields. This may be achieved artificially in synchrotronsstorage rings, or naturally by fast electrons moving through magnetic fields in space. The radiation produced may range over the entire electromagnetic spectrum, from radio wavesinfrared light, visible light, ultraviolet light, X-rays, and gamma rays. It is distinguished by its characteristic polarization and spectrum.

Gravity is Talking, LISA will Listen

It seems by measure the Interferometer has come a long way. If one recognizes how gravitational waves are measured, you come to understand how they can have a affect on laser light.

Bee and Stefan of Backreaction have gone to visit the historical location of the beginnings of how we use interferometers.

(click on Image for larger viewing)

LISA Desktop Backgrounds

The Cosmos sings with many strong gravitational voices, causing ripples in the fabric of space and time that carry the message of tremendous astronomical events: the rapid dances of closely orbiting stellar remnants, the mergers of massive black holes millions of times heavier than the Sun, the aftermath of the Big Bang. These ripples are the gravitational waves predicted by Albert Einstein's 1915 general relativity; nearly one century later, it is now possible to detect them. Gravitational waves will give us an entirely new way to observe and understand the Universe, enhancing and complementing the insights of conventional astronomy.

LISA, the Laser Interferometer Space Antenna, is a joint NASA–ESA mission to observe astrophysical and cosmological sources of gravitational waves of low frequencies (0.03 mHz to 0.1 Hz, corresponding to oscillation periods of about 10 hours to 10 seconds). This frequency band contains the emission from massive black-hole binaries that form after galactic mergers; the song of compact stellar remnants as they slowly spiral to their final fate in the black holes at the centers of galaxies; the chorus of millions of compact binariesshortly after the Big Bang.

LISA consists of three identical spacecraft flying in a triangular constellation, with equal arms of 5 million kilometers each. As gravitational waves from distant sources reach LISA, they warp space-time, stretching and compressing the triangle. Thus, by precisely monitoring the separation between the spacecraft, we can measure the waves; and by studying the shape and timing of the waves we can learn about the nature and evolution of the systems that emitted them.

New Synesthete Character on Heroes

For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shine. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color. Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.

I had been searching for the latest TV Show on Heroes.

I finally came across somebody who pretty well sees it the way Synesthesis  does?  A fictional TV show cut forYoutube which provided for reference below which was what I was looking for.


Now the followers of this blog must know by now, that I see the "Colour of Gravity" as a link between what can conceptually transpire when the photon is travelling through, or "showing itself" in a gravitational field.

Now, what is right scientifically on this, that what we can say of theoretics which has combined electromagnetism with gravity, is to reveal "a colourful gravitational history" in this way? It brought to mind a dream I had of Einstein stirring a glass container of juice with ice in it. In my cognisance of how sound would reveal and be indicative of gravity speaking, I look to see what Einstein meant by display.

This was triggered I believe by  Joseph Weber's research into the aluminum bars detectors for gravitational wave detection.

Gravitational Wave Detectors are Best Described as "Sounds."

 

Weber developed an experiment using a large suspended bar of aluminum, with a high resonant Q at a frequency of about 1 kH; the oscillation of the bar after it had been excited could be measured by a series of piezoelectric crystals mounted on it. The output of the system was put on a chart recorder like those used to record earthquakes. Weber studied the excursions of the pen to look for the occasional tone of a gravitational wave passing through the bar...

Some might not understand the history to which I had devoted to building and understanding the emotive qualities combined with the intellectual. Which lead to seeing dynamical movement between the inner and outer world with respect to the state of mind at any given time. There have always been attempts on my part to describe this motion, not just on the psychological level, but on what also transpires emotively while the emotive state is being expressed.

I cannot say I am a Synesthesis by the 61 definitions given by Sean Day. So in the truest sense, I am not by that definition one. But conceptually linking and intertwining sound and colour with the physiological and the psychological, it was important by that definition be given, what colourful state the mind can be in.

Albert Einstein's perception of time and beauty seemed relevant to me about the quality given in measure, but by this perspective I am sure that is not what Einstein wanted to give meaning too, while thinking of the curvature of space and time.

This then is based on a perspective I have formed around gravity. What attach itself to all of us, whether we see the colours or not by consequence. This is an evolutionary form in my mind of what the soul can gain and loose by recognizing the colourful state of mind at any given time, and how it harbours colour in the truest sense as an expression of that being.

To be left with "no physical form" a mode of being becomes a retention of the abstract thinking mind, sets a tone in my mind for what is to come home to roost.

That we exist then mentally in that very realm, means to learn to recognize the pain and the "duration of time" we associated with those given memories. Upon reflection, we learn something then about the way we relate to the world and people around us which allows us to project "forward future consequences" intellectually bound by creative advances in language construction advancements of "creating in the mental world."

IN the most purest sense then, all combined is the birthing to segregation of sensory abilities according to "cabinets of perspective" that are arranged according to the principals of how we will interact in this community. This by arrangement, on entering materiality.

See:Emotion and Reason Balanced: The Mind's Consequence?

See Also: Art and Science: Kandinsky

Leon Lederman and Starting Out

"The soul is awestruck and shudders at the sight of the beautiful." Plato

Leon Max Lederman (born July 15, 1922) is an American experimental physicist and Nobel Prize in Physics laureate for his work with neutrinos. He is Director Emeritus of Fermi National Accelerator Laboratory (Fermilab) in Batavia, Illinois. He founded the Illinois Mathematics and Science Academy, in Aurora, Illinois in 1986, and has served in the capacity of Resident Scholar since 1998.

 The lessons of history are clear. The more exotic, the more abstract the knowledge, the more profound will be its consequences." Leon Lederman, from an address to the Franklin Institute, 1995 

I found the following clip from the article linked at bottom of Quote. Very funny indeed.

After the test (I felt only slightly better), I returned to the lab to find a janitor mopping the wire-strewn floor and singing an Italian operatic tune. As I entered, the guy shouted something in Italian and offered a handshake.

I said, "Okay, but be careful. The wires are carrying a high current and your wet mop may produce a short circuit." He stared cluelessly and, in total disgust, I walked out in the hall to wait for the guy to leave.

In the hall, there was the department chairman. "We have a new, dumb janitor, huh?" I said.

"New? No, wait! You mean the guy in your lab? "

"Yeah."

"That's no janitor, dummy, that's Professor Gilberto Bernardini, a world-famous Italian cosmic-ray expert whom I invited to spend a year here to help you in your research."

"Oh, my God!" I gasped and rushed in to repair my damage.

Over time, Bernardini and I learnt how to communicate and I began to watch Gilberto. There was his habit of entering a dark room, pushing the light switch: light. Pushing it again: off. On, off five or six times. Each time there would be a loud "fantastico!" Why? He seemed to have this remarkable sense of wonder about simple things.

Then the cloud chamber.

Gilberto: "Wat's dat wire in de middle?"

Leon: "That's carrying the radioactive source."

Gilberto: "Tayk id oud."

Leon: "It makes tracks."

Gilberto: "Tayk id oud."

After a few minutes, tracks appeared. My source had been far too radioactive for the chamber! Now we had a success. See:Life in physics and the crucial sense of wonder

 ***

Blackhole Analogue Introduction

Hydraulic spray

The hydraulic spray nozzle utilizes the liquid kinetic energy as the energy source to break the liquid into droplets. This type of spray is less energy consuming than a gas atomized or twin-fluid spray nozzle. As the fluid pressure increases the flow increases and the drop size decreases. But this leads to problems in selecting a droplet size and to achieve a certain flow rate at a given pressure. To overcome this situation a special hydraulic nozzle (Lechler Spillback Nozzle) has been developed. This nozzle can vary the liquid flow rate at a particular droplet size and pressure. This nozzle creates a better and optimum control on the liquid spray and in certain applications can eliminate the need of expensive compressed air.

 ***

Sometimes knowing the real world exists one has to take what is theoretical and apply some working model to help direct thinking toward being realist. Point toward to how one sees cosmic ray spallating enters a contact point and exits for distribution.  Yes of course one has to be careful on such assumptions, but isn't this part of removing incorrect ideas from the new terrain of burgeoning conceptions that are coming forth from young scientist bright young minds?

Fig. 2. Image showing how an 8 TeV black hole might look in the ATLAS detector (with the caveat that there are still uncertainties in the theoretical calculations).


So the idea here is that "information is never lost? " It includes all information around and within contact point in order for it to be disseminated according  an archetypal structure for examination of it's many parts to make up all that information. Dimensionally, all of it's "degrees of freedom."

(click on image for larger viewing)

Gauguin, Paul

Where Do We Come From? What Are We? Where Are We Going?

"On the right (Where do we come from?), we see the baby, and three young women - those who are closest to that eternal mystery. In the center, Gauguin meditates on what we are. Here are two women, talking about destiny (or so he described them), a man looking puzzled and half-aggressive, and in the middle, a youth plucking the fruit of experience. This has nothing to do, I feel sure, with the Garden of Eden; it is humanity's innocent and natural desire to live and to search for more life. A child eats the fruit, overlooked by the remote presence of an idol - emblem of our need for the spiritual. There are women (one mysteriously curled up into a shell), and there are animals with whom we share the world: a goat, a cat, and kittens. In the final section (Where are we going?), a beautiful young woman broods, and an old woman prepares to die. Her pallor and gray hair tell us so, but the message is underscored by the presence of a strange white bird. I once described it as "a mutated puffin," and I do not think I can do better. It is Gauguin's symbol of the afterlife, of the unknown (just as the dog, on the far right, is his symbol of himself). 

Realistically "the backreaction" too,  how far we can go as to what constitutes the beginning of the universe is in question, as I reflect on the ideas of Veneziano and the painting he sought to reflect on the nature of constitutions of civilizations and gatherings of that information. Can we exceed the contact point of experiential design to reflect all commentary status of the examination of the output given under the conditions sited here in  Analogue relation? 

Again, no information is lost.