The Earth as a Layered Pearl of Vision

While the Image seen here, is one week into our trip back east to the prairies, this leg of the vacation is being shown for a particluar reason.

HUman nature saids we like to embedded and concretize the greater philosophies into the images of history? Americanization would embue itself to the higher standards of which this society would develope itself. So with insight, a sculptor might embedded these into the images that we visited, to see here. Allow people to give nergy to such gatherings and become the blazoned typical image to reside now in the deeper functions of scoieties long lasting and timeless embodiement within that same consciousness.

BIGHorn Medicine Wheel


This place is called Big Horn Medicine Wheel, and is located near Sheridan Wyoming.

At a elevation of 9642 this is located on Medicine Mountain. This Medicine Wheel, was used by the Crow and Cree Indians and is remote and inaccessible most of the year.

While the walk is about a mile and half in, the trail takes you to vistas, and reasons why such a view woud have held the nature of sight beyond border from sights seen at lower elevations. At that Height, it was beautiful, and held me in wonder why such a jouney would have been endured by these cultures to participate in a ritual of harmony.

This is one aspect of the culture to which the idea of "liminocentric structures" are brought forward for inspection, and aside from the context with which I have spoken here in this blog. I wanted this relation to reveal the topological recognition of what wraps the brain and bodies's home much like the earth, that although it is physical as th ebody is the earth has certain qualties that we give the earth body, a layered recognition, much like the pearl, deepr levels of consciousness exist.

But there is another layer to the idea of what existed long before we had ever set our hands to work in these concretize forms, that the historical significance reminds us of a civilization that existed long before the scuptor saw fit to immortalize the subject in stone.

But before I continue with this explanation I wanted to move forward with the idea of this entry, so one gets this sense of the layered vision with which we assign humanities philosphies to concretization and heights, from which modern day visions are circumvented to our daily lives.

Devil's Tower


From a distance, as I looked at this object of consideration,I thought too, that such a distance could have been associated to the depth with which our consciousness sees fit to bring into the light of day, much as the story unfolds in Close Encounters of the Third Kind.

So who is that plants these idealizations in the hisory of mankind, that such mountains and stories of myth would challenge the mind to ascend the mountain landscape, to become in touch with the finer aspect of spirit, that so close and intouch we might have become with the true goals of what exists at these deeper levels of mind. That such universality would have pointed all to the aspect with which we encounter these deepr levels of unconsciousness that you or I have given, in meaning?

Where the greater context of people gather on a scupltured mountain, or high mountain place that a INdian culture would gather, or where the society would see the layered source of true metal, of mountain stone revealled, in President Heads, or as Devil's tower?

The struggle is for recognition, and verbalization, artistically inclined, that such a struggle would bring identification to a certain reality and life's fulfillment of a plannned unfoldment in one's life's work.


I am not sure if any remember this image when it was first introduced for the general public in a movie known as, Close Encounters of the Third Kind." Where Richard Dreyfuss in his struggle to identify this deeper conscious recognition implanted in the brains of the public, for a meeting ground of contact.

The nearly vertical monolith known as Devils Tower rises 1,267 feet above the meandering Belle Fourche River. Once hidden below the earth's surface, erosion has stripped away the softer rock layers revealing Devils Tower.

Known by several northern plains tribes as Bears Lodge, it is a sacred site of worship for many American Indians. The rolling hills of this 1,347 acre park are covered with pine forests, deciduous woodlands, and prairie grasslands. Deer, prairie dogs, and other wildlife are abundant.

Proclaimed September 24, 1906 as the nation's first national monument by President Theodore Roosevelt.

So it seems such a idea of the first contact of the extraterristial kind should have brought the publics to consensus in this planted image of gathering. What value then of such a natural consequence would lead anyone to write this image into a movie and draw from the myth that surrounds it's very formative and geophysical relevance to other worldly ideas?

A electrical beacon for other civilizations? The universality of a life living would be in greater context then the one life we choose to live now? The greater context would say, that Like Ben Franklin, the cloak with which we wear, can be taken off and put on. But in the deeper context of this outer covering, the truth still exists and is retained as a thread, through all our choosen existances.

So we are not so divide in this culture or that one that we might not have expeirnced the model of wholeness through which each life is represented as a point onthis circle of time, that such wholeness would say that the inner/outer compulsion for expression would be out there int helayered vsions of relaity yet they are tied deeply to the home in which we live now. The Earth with which we reside now?

Trembling, in the Unshakeable?

There is a story on this page that unfolds the more you enter the depth of perception that is offered. If you click on the picture supplied below it takes you into a deeper "cavern of thinking", that relates the depth of ideas that Lubos talks about, with ways in which the standard model might have been used.

I don't say this is the way, but just that in observation, I delved deeper into the meaning of what is not apparent on first look, had me realize that the way history can be rewritten, with a artistic inclination could hold a scientific mind to valuation of what others who demand of this reasoning to be sound.

"But now, almost a century after Einstein's tour-de-force, string theory gives us a quantum-mechanical discription of gravity that, by necessity, modifies general relativity when distances involved become as short as the Planck length. Since Reinmannian geometry is the mathetical core of general relativity, this means that it too must be modified in order to reflect faithfully the new short distance physics of string theory. Whereas general relativity asserts that the curved properties of the universe are described by Reinmannian geometry, string theory asserts this is true only if we examine the fabric of the universe on large enough scales. On scales as small as planck length a new kind of geometry must emerge, one that aligns with the new physics of string theory. This new geometry is called, quantum geometry."

The Elegant Universe, by Brian Greene, pg 231 and Pg 232

On observation alone, who might judge what might issue responsibility, and we have one man's take here. I thought, why waste having hard work deleted, when I can explain myself here:)It always amazes me that such theories were allowed expression and crackpotential meter status recognition, were allowed to live well on, "Not Even Wrong."

New York Times on Toronto Panel Discussion

In Comment Section:

Peter Woit:I’ve always personally felt that the real question is not how to quantize gravity, but how to quantize gravity in some way that tells us how the geometry of space-time is related to the geometry of the standard model.

So Tony Smith opens the door to crackpot alley, and the chances of who might issue forward with possible scenarios, can include, not just the sane in respect of one man's view, but others to comment regardless of the stature with which he might impose a strict recogniton of what is required.

Do they all follow this regiment?

So while this topic was going on I thought about something, or rather someone, who might fit the requirement of Peters statement. Why not my words, and the perspective of another, who saw historically one way, had revisionistic insight, to redraw the picture in a way, that such a view could be extolled in Peter's Comment?

While the Standard Model has been very successful in describing most of the phenomemon that we can experimentally investigate with the current generation of particle acceleraters, it leaves many unanswered questions about the fundamental nature of the universe. The goal of modern theoretical physics has been to find a "unified" description of the universe.

This indeed leaves a "pretty big question mark", but Prof.dr R.H. Dijkgraaf might he learnt to hide this question mark in a place where few with good observational skills might find it? So how lovely indeed, that such a veiw that Peter Woit asks for, might have been embued in artistically thesis of the good professor?

See if this "picture" rings a bell?:)



The dynamical nature of this movement, is the status of what quantum gravity might have brought forward in unseen lines and such, that Prof.dr R.H. Dijkgraaf maybe, just maybe, the answer lies here? What do you think Peter Woit?

Dealing With a 5d World

A black hole is an object so massive that even light cannot escape from it. This requires the idea of a gravitational mass for a photon, which then allows the calculation of an escape energy for an object of that mass. When the escape energy is equal to the photon energy, the implication is that the object is a "black hole".

A lot of us understand I think that the cosmological world we had been lead through by Einstein, has geometrical principals embued with this organizational ascent. So too alongside of this equative understanding, the geometry must be understood as well, as the role we have in develoing to non euclidean geometry.

The basic principals have direct physics results as we learn to explore these potentials.



If we are taken to understand this progression, how did we get here? Are there higher dimensions without the geometry?



Measuring the depth of ideas

Lubos saids:Instead, let us ask: is quantum mechanics deep? Yes, I think that quantum mechanics is perhaps the deepest idea we know. It is once again a deformation of a conceptually simpler picture of classical physics. Much like the speed of light is finite in relativity and it unifies space and time, the Planck constant is finite in quantum mechanics which allows us to identify the energy with the frequency, among many other things - quantities that would otherwise remain as independent as space and time without relativity.

Lubos Motl talk about the depth of ideas, for me, leads to this progression of geometry. Talked about it in a way I saw leading and consenting ideas to this progression, by developing these deeper qualities of "quantum mechanics".

We had to understand then that such a physics progression would follow hand in hand, with the ideas of geometrical expression? So how were we lead into the non-eucldean world?



So too then, how would it be, if we use a different method to extoll the holographical understanding in how we percieve the natural abilties of information related to this geometrical form? Bekenstein Bound holds important clues about this fifth dimensional attribute?

Holography encodes the information in a region of space onto a surface one dimension lower. It sees to be the property of gravity, as is shown by the fact that the area of th event horizon measures the number of internal states of a blackhole, holography would be a one-to-one correspondance between states in our four dimensional world and states in higher dimensions. From a positivist viewpoint, one cannot distinquish which discription is more fundamental.

Pg 198, The Universe in Nutshell, by Stephen Hawking

How would then would we reduce Higher dimensions to relativity?

Superstring theory rules in the 5-D spacetime, but a so-called conformal field theory of point particles operates on the 4-D hologram. A black hole in the 5-D spacetime is equivalent to hot radiation on the hologram--for example, the hole and the radiation have the same entropy even though the physical origin of the entropy is completely different for each case. Although these two descriptions of the universe seem utterly unalike, no experiment could distinguish between them, even in principle.

History of Gravity and the Equivalence Principle

History rerun on bar ringings?


That's it: the bar is in place.

Our word gravity and its more precise derivative gravitation come from the Latin word gravitas, from gravis (heavy), which in turn comes from a still more ancient root word thought to have existed because of numerous cognates in related languages. For example, compare the Old English word grafan (grave), the Old Slavic pogreti (to bury), the Sanskrit guru (weighty, venerable), and Greek barus (heavy, grievous) among others. These words have common meanings of heaviness, importance, seriousness, dignity, grimness; the modern, physical sense of a field of attraction did not appear until Newton's time. Indeed, for Galileo, Newton, and scientists up to the beginning of the twentieth century, gravity was no more than an empty name for the phenomenon, a fact that they were well aware of.

How the Natural World has Been Painted

While some are intrigued by EM waves, I have a fascination for GW and the way we can portrait the natural world, we do not see.



The sounds of gravitional waves are probably too low for us to actually hear. However, the signals that scientists hope to measure with LISA and other gravitational wave detectors are best described as "sounds." If we could hear them, here are some of the possible sounds of a gravitational wave generated by the movement of a small body inspiralling into a black hole.

There is a lesson in this, when you learn to hear what billiard balls sound like, and what the resulting "click" could represent.

Savas Dimopoulos

Here’s an analogy to understand this: imagine that our universe is a two-dimensional pool table, which you look down on from the third spatial dimension. When the billiard balls collide on the table, they scatter into new trajectories across the surface. But we also hear the click of sound as they impact: that’s collision energy being radiated into a third dimension above and beyond the surface. In this picture, the billiard balls are like protons and neutrons, and the sound wave behaves like the graviton.

It helps you to see the world as a very much different place then the one we are accustomed too.

Can these be applied to such romantic reasoning, that we are encouraged to poetry and other things, where such idealizations, are battling for whose interpretation is right? What portraits are these that there is no romm for them to hang for observation? A glimpse of Mona Lisa's smile, that if taken from various perspective it would seem to be always looking at you? How could you distance yourself, if you are what you think?

Quantum Gravity

The jump from conventional field theories of point-like objects to a theory of one-dimensional objects has striking implications. The vibration spectrum of the string contains a massless spin-2 particle: the graviton. Its long wavelength interactions are described by Einstein's theory of General Relativity. Thus General Relativity may be viewed as a prediction of string theory!

Imagine the very canvas is string theories very fabric of the cosmos:)


J. Metzinger Le Gouter/Teatime (1911)

"Dynamical triangulations" and such, that such a painting will explore the greater potential of perception, from varying perspectives?

Art Mirrors Physics Mirrors Art

The French mathematician Henri Poincaré provided inspiration for both Einstein and Picasso. Einstein read Poincaré's Science and Hypothesis (French edition 1902, German translation 1904) and discussed it with his friends in Bern. He might also have read Poincaré's 1898 article on the measurement of time, in which the synchronization of clocks was discussed--a topic of professional interest to Einstein as a patent examiner. Picasso learned about Science and Hypothesis indirectly through Maurice Princet, an insurance actuary who explained the new geometry to Picasso and his friends in Paris. At that time there was considerable popular fascination with the idea of a fourth spatial dimension, thought by some to be the home of spirits, conceived by others as an "astral plane" where one can see all sides of an object at once. The British novelist H. G. Wells caused a sensation with his book The Time Machine (1895, French translation in a popular magazine 1898-99), where the fourth dimension was time, not space.

Shakespearean Quandry Has Limits

As a measure how far can this be taken? Some like to think like Smolin, and Smolin's reference to Glast is a important one:)This defines his limits.

Others, have decided to go beyond this.:)

Torsors Made Easy

John Baez:

In Newtonian mechanics, we can only measure energy differences, not energies themselves. The reason is that we can add any real number to our definition of energy without changing any of the physics. This means it doesn't make much sense to ask what the energy of a system is - we can answer this question only after picking an arbitrary convention about what counts as "zero energy". What makes more sense is to talk about the difference between the energy of a system in one state and the energy of that system in some other state.

We can express this in terms of torsors as follows: energy differences lie in the group of real numbers R, but energies themselves do not: they lie in an "R-torsor".

In quantum mechanics, we can only measure relative phases, not phases themselves. The reason is that we can multiply the phase of a quantum state by any unit complex number without changing any of the physics. So, it doesn't make much sense to ask what the phase of a quantum state is - we can answer this question only after picking an arbitrary convention. What makes sense more sense is to talk about the relative phase between two states that differ only by a phase.

We can express this in terms of torsors as follows: relative phases lie in the group of unit complex numbers, which is called U(1), but phases themselves do not: they lie in a "U(1)-torsor".

Deep Impact craters on the moon.

What do they reveal about the moon's geological structure?


The colors in this image can be used to ascertain compositional properties of the materials making up the deep strata of these two regions.

One day I'd like to think we will be precise enough to ascertain all geological structure of the planets by info that we don't have just yet in terms of gravitational perspective? Maybe we can insert in between space of Mendeelev's model one day?

These are good indicators to help us see the nature of the planets organization constituents, as fundamental characters, of that same planet?



Studying gravitational models also help in this direction. The unique character is amazing once we thought the sphere on whch we live was to be so round, when in fact, from that same gravitational perspective, this is just not so.:)

Lee Smolin's Case for Background Independence

While we were privy to the debate between Susskind and Smolin in a previous post, the origins and definitions have been drawn from the deeper requirements of an ideology.

Where do these begin, and we find the inner compulsion of a scientist to find the means and defintions to extend the basis of our perceptions on a basis that both agree.

Lubos reaffirms this many times, and is in concert, as many in string theory continue to hold to what this desire should be.

Lubos saids:

Some of Lee's points can be agreed with, for example:

It is desirable to find a background independent formulation of string/M-theory

Such a formulation would likely to answer the questions whether the landscape approach to string/M-theory is correct; why it's not; what it should be replaced with.

This post represents a becoming. From those deeper levels, such a stage must be set?

Good for Lee Smolin, and the work he has been doing for laying a foundation, that all see, must reside to an synoptic closure, before such progressions become. If it got Lee smolin and others thinking, then, it served it's purpose, and those who say, a waste of time, would have undertsood then, Lee Smolin would not be where he is today on the pdf file here written.

So has Lubos has then directed our perspective in relation to how Lee Smolin sees the issues, and we have found the direct relationship and difference between how M Theory apporaches and How LQG does.

Lubos Motl saids:

An attempt to revive Mach's principle means to argue that the gravitational waves do not exist. It is a struggle to return us not only before General Relativity; it is a program to return the humankind to the pre-Newtonian era and the dark Middle Ages. Some people may be permanently impressed by Mach's principle and some people may find it shallow after a closer scrutiny. These two groups may be composed of equally nice people. But the difference is that the critics of Mach's principle have a good physical intuition; its advocates are philosophers who are unable to think analytically and quantitatively and they prefer to insist on prejudices that can be shown flawed by a five-minute-long quantitative argument.

There are catelysts all around, that ask for this deeper resolve to come forth. Asking for greater potentials in our visionistic qualities, to understand, that we can see this world very much differently? What pathway had been established then that Lee Smoln would attack this from another perspective held within the ideas of Special Relativity, that holds the idealization before the roads to gravitational understanding had been theoretically proven by Einstein.

Lubos Said:>

OK, let me start with the questions about relationism and Mach's principle. I highly recommend you the second popular book by Brian Greene, "The Fabric of the Cosmos", where the relative vs. absolute debate is covered in the first chapters. And the presentation is very nice.

How often the debate on such levels of what seems has been lacking in string/M theory that such voices extolled would relinquish it to paths unexperimentally challenged? They would have missed the opportunity ofsuch a debate brought forth from the Dialogos of Eide.

It is a strong statement which arises from the Platonic school, that such a discussion would reveal, that what is in the Heaven of ideas, could descend to minds and those who ask, those who embroil themselves, to questions of what it is, that makes the ideas of reality, a part of the natural world.

Lee Smolin:

The aim of this paper is to explain carefully the arguments behind the assertion that the correct quantum theory of gravity must be background independent. We begin by recounting how the debate over whether quantum gravity must be background independent is a continuation of a long-standing argument in the history of physics and philosophy over whether space and time are relational or absolute. This leads to a careful statement of what physicists mean when we speak of background independence. Given this we can characterize the precise sense in which general relativity is a background independent theory. The leading background independent approaches to quantum gravity are then discussed, including causal set models, loop quantum gravity and dynamical triangulations and their main achievements are summarized along with the problems that remain open. Some first attempts to cast string/M theory into a background independent formulation are also mentioned.

The relational/absolute debate has implications also for other issues such as unification and how the parameters of the standard models of physics and cosmology are to be explained. The recent issues concerning the string theory landscape are reviewed and it is argued that they can only be resolved within the context of a background independent formulation. Finally, we review some recent proposals to make quantum theory more relational.

Kilometric Radiation?

So we use physics in ways to change the way we see? Here are some examles from the Cassini Project and Wikipedia.

Cassini Plasma Spectrometer (CAPS)
The Cassini Plasma Spectrometer (CAPS) is a direct sensing instrument that measures the energy and electrical charge of particles such as electrons and protons that the instrument encounters. CAPS will measure the molecules originating from Saturn's ionosphere and also determine the configuration of Saturn's magnetic field. CAPS will also investigate plasma in these areas as well as the solar wind within Saturn's magnetosphere.[1]

Cosmic Dust Analyzer (CDA)

The Cosmic Dust Analyzer (CDA) is a direct sensing instrument that measures the size, speed, and direction of tiny dust grains near Saturn. Some of these particles are orbiting Saturn, while others may come from other solar systems. The Cosmic Dust Analyzer onboard the Cassini orbiter is ultimately designed to help discover more about these mysterious particles, and significantly add to the knowledge of the materials in other celestial bodies and potentially more about the origins of the universe.[2]

Composite Infrared Spectrometer (CIRS)

The Composite Infrared Spectrometer (CIRS) is a remote sensing instrument that measures the infrared light coming from an object (such as an atmosphere or moon surface) to learn more about its temperature and what it's made of. Throughout the Cassini-Huygens mission, CIRS will measure infrared emissions from atmospheres, rings and surfaces in the vast Saturn system to determine their composition, temperatures and thermal properties. It will map the atmosphere of Saturn in three dimensions to determine temperature and pressure profiles with altitude, gas composition, and the distribution of aerosols and clouds. This instrument will also measure thermal characteristics and the composition of satellite surfaces and rings.[3]

Ion and Neutral Mass Spectrometer (INMS)

The Ion and Neutral Mass Spectrometer (INMS) is a direct sensing instrument that analyzes charged particles (like protons and heavier ions) and neutral particles (like atoms) near Titan and Saturn to learn more about their atmospheres. INMS is intended also to measure the positive ion and neutral environments of Saturn's icy satellites and rings.[4]

Imaging Science Subsystem (ISS)

The Imaging Science Subsystem (ISS) is a remote sensing instrument that captures images in visible light, and some in infrared and ultraviolet light. The ISS has a camera that can take a broad, wide-angle picture and a camera that can record small areas in fine detail. Scientists anticipate that Cassini scientists will be able to use ISS to return hundreds of thousands of images of Saturn and its rings and moons. ISS includes two cameras; a Wide Angle Camera (WAC) and a Narrow Angle Camera (NAC). Each uses a sensitive charge-coupled device (CCD) as its detector. Each CCD consists of a 1,024 square array of pixels, 12 μm on a side. The camera's system allows for many data collection modes, including on-chip data compression. Both cameras are fitted with spectral filters that rotate on a wheel—to view different bands within the electromagnetic spectrum ranging from 0.2 to 1.1 μm.[5]

Dual Technique Magnetometer (MAG)

The Dual Technique Magnetometer (MAG) is a direct sensing instrument that measures the strength and direction of the magnetic field around Saturn. The magnetic fields are generated partly by the intensely hot molten core at Saturn's center. Measuring the magnetic field is one of the ways to probe the core, even though it is far too hot and deep to actually visit. MAG's goals are to develop a three-dimensional model of Saturn's magnetosphere, as well as determine the magnetic state of Titan and its atmosphere, and the icy satellites and their role in the magnetosphere of Saturn.[6]

Magnetospheric Imaging Instrument (MIMI)

The Magnetospheric Imaging Instrument (MIMI) is both a direct and remote sensing instrument that produces images and other data about the particles trapped in Saturn's huge magnetic field, or magnetosphere. This information will be used to study the overall configuration and dynamics of the magnetosphere and its interactions with the solar wind, Saturn's atmosphere, Titan, rings, and icy satellites.[7]

Radio Detection and Ranging Instrument (RADAR)

The Radio Detection and Ranging Instrument (RADAR) is a remote active and remote passive sensing instrument that will produce maps of Titan's surface and measures the height of surface objects (like mountains and canyons) by bouncing radio signals off of Titan's surface and timing their return. Radio waves can penetrate the thick veil of haze surrounding Titan. In addition to bouncing radio waves, the RADAR instrument will listen for radio waves that Saturn or its moons may be producing.[8]

Radio and Plasma Wave Science instrument (RPWS)

The Radio and Plasma Wave Science instrument (RPWS) is a direct and remote sensing instrument that receives and measures the radio signals coming from Saturn, including the radio waves given off by the interaction of the solar wind with Saturn and Titan. The major functions of the RPWS are to measure the electric and magnetic wave fields in the interplanetary medium and planetary magnetospheres. The instrument will also determine the electron density and temperature near Titan and in some regions of Saturn's magnetosphere. RPWS studies the configuration of Saturn's magnetic field and its relationship to Saturn Kilometric Radiation (SKR), as well as monitoring and mapping Saturn's ionosphere, plasma, and lightning from Saturn's (and possibly Titan's) atmosphere.[9]

Radio Science Subsystem (RSS)

The Radio Science Subsystem (RSS) is a remote sensing instrument that uses radio antennas on Earth to observe the way radio signals from the spacecraft change as they are sent through objects, such as Titan's atmosphere or Saturn's rings, or even behind the sun. The RSS also studies the compositions, pressures and temperatures of atmospheres and ionospheres, radial structure and particle size distribution within rings, body and system masses and gravitational waves. The instrument uses the spacecraft X-band communication link as well as S-band downlink and Ka-band uplink and downlink.[10]

Ultraviolet Imaging Spectrograph (UVIS)

The Ultraviolet Imaging Spectrograph (UVIS) is a remote sensing instrument that captures images of the ultraviolet light reflected off an object, such as the clouds of Saturn and/or its rings, to learn more about their structure and composition. Designed to measure ultraviolet light over wavelengths from 55.8 to 190 nm, this instrument is also a valuable tool to help determine the composition, distribution, aerosol particle content and temperatures of their atmospheres. This sensitive instrument is different from other types of spectrometers because it can take both spectral and spatial readings. It is particularly adept at determining the composition of gases. Spatial observations take a wide-by-narrow view, only one pixel tall and 60 pixels across. The spectral dimension is 1,024 pixels per spatial pixel. Additionally, it is capable of taking so many images that it can create movies to show the ways in which this material is moved around by other forces.[11]

Visible and Infrared Mapping Spectrometer (VIMS)

The Visible and Infrared Mapping Spectrometer (VIMS) is a remote sensing instrument that is actually made up of two cameras in one: one is used to measure visible wavelengths, the other infrared. VIMS captures images using visible and infrared light to learn more about the composition of moon surfaces, the rings, and the atmospheres of Saturn and Titan. VIMS also observes the sunlight and starlight that passes through the rings to learn more about ring structure. VIMS is designed to measure reflected and emitted radiation from atmospheres, rings and surfaces over wavelengths from 0.35 to 5.1 mm. It will also help determine the compositions, temperatures and structures of these objects. With VIMS, scientists also plan to perform long-term studies of cloud movement and morphology in the Saturn system, to determine the planet's weather patterns.[12]

So how does String/M theory change the way we see?

The calorimeter design for GLAST produces flashes of light that are used to determine how much energy is in each gamma-ray. A calorimeter ("calorie-meter") is a device that measures the energy (heat: calor) of a particle when it is totally absorbed.

Smolin added his contribution to the string theory discussion on the new Cosmicvariance.com site that has been created by a group of people that offer perspective. In this case Sean Carroll posted a thread on Two Cheers for String theory, provoked some iteresting responses by minds who are at the forefront of these conversations.

I responded to this becuase I had been following both avenues Smolin spoke too, so I'll put my comment here as well.

This topic thread was develope from my reactions based on those who call people who are trying hard to integrate views of the natural world with the physics ideology of the topic of Strings?M theory, these fellows present. If they can not show us these new views as Smolin offers for inspection then what use the models and theories if no onne wants to se these work in the world we undrstand well by seeing around us?

While some people are looking for consistant means of determinations, others apply "conceptual situations" and bring forth comprehension of a kind. Now to this degree, that "gluonic perception is being adjusted" to see these values. The Smolins and others understood well the limitation of these views? Are there any?

Radio sounds from the source

All of the structures we observe in Saturn's radio spectrum are giving us clues about what might be going on in the source of the radio emissions above Saturn's auroras," said Dr. Bill Kurth, deputy principal investigator for the instrument. He is with the University of Iowa, Iowa City. Kurth made the discovery along with Principal Investigator Don Gurnett, a professor at the University. "We believe that the changing frequencies are related to tiny radio sources moving up and down along Saturn's magnetic field lines."

Has Sound, Changed the way we See?

Most of us understand the the aurora display do we not, and the resulting interactive play between the sun and the earth? The Auger experiment previously talked about and spoken too, by John Ellis, is a fine example of the diversity of interative features we can hope to see, as we examine the particle nature apart from the LHC rules of energy engagement, above and beyond the limits that have been imposed on us earthlings:)


The Fly's Eye and the Oh My God Particle

While the topic is produced for this conversation seems disjointed, the ideology of the string theorist is held to a boundry of thinking in my eyes that such a membrane( here I could link a toy model for comparison), and defined in this bubble context, as rudimentry as it appears in my mind's eye, it follows the developemental processes we see from the eulicidation Einstein offered us by joining Maxwell into the process unfolding in nature and to see the effect of any bulk production as a necessary step beyond the boudaries of this bubble?


Now in contrast I see the soapy bubble and light refraction dispalyed in such a lovely continuous flow over it's surface, that to me, it does not make sense if such auroric dispalyes are not to give us new ideas about the interactive feature of the sun with earth? Conceptually, thes ideas of hitting metal plates and such present new ideas in how dispersion across that plate could represent other ideas. What are those. Wel that's what I am trying to do is free the mind from th econstraints we had put on it in sucha strick language accompany those that step ahead of us in their own specualtions educationally followed doctrine. What new light and thinking patterns follow these people?

The auroral ionosphere is a natural emitter of radio waves, and many of these emissions are observable at ground level. Several types of radio emissions have been well documented using a variety of ground-based, stepped-frequency receivers (see reviews by LaBelle [1989] and LaBelle and Weatherwax, [1992]). In particular, auroral roar is a relatively narrowband emission at roughly 2 and 3 times the local electron cyclotron frequency ( ) [Kellogg and Monson, 1979; Kellogg and Monson, 1984; Weatherwax et al., 1993, 1995]. Much effort has been made in characterizing the seasonal, diurnal, and spectral characteristics of auroral roar to aid in determining its generation mechanism [e.g., Weatherwax et al., 1995.

See also:

http://www-pw.physics.uiowa.edu/plasma-wave/tutorial/examples.html

News articles shamelessy borrowed:

Space Music

The Musical Sounds of Space

'Sun Rings' Shares the Music of
Space

Quartet, Choir Debut NASA's 'Space Music'

Out of This World

Music of the Stars

Music of the Spheres

NASA Music Out of This World

Sun Rings

Turning Sounds From Space Into a Symphony

Science and Music Merge for Fall Concert

UI Space Physicist's Sounds of Space Inspire Work of Art