Isostatic Adjustment is Why Planets are Round?

Conclusion:The state of mind of the observer plays a crucial role in the perception of time.Einstein

See here.

If we thought of the "Colour of Gravity" posted here, what values could you assign any materials that arise from the centre out? Gravity would have it's way with these materials for us to assign them to their unique ordering?

The Power of Myth With Bill Moyers, by Joseph Campbell , Introduction that Bill Moyers writes,

"Campbell was no pessimist. He believed there is a "point of wisdom beyond the conflicts of illusion and truth by which lives can be put back together again." Finding it is the "prime question of the time." In his final years he was striving for a new synthesis of science and spirit. "The shift from a geocentric to a heliocentric world view," he wrote after the astronauts touched the moon, "seemed to have removed man from the center-and the center seemed so important...

That we may say, the minerals on the moon have been assigned their valuation too? I would say it's the colour of gravity that we had assigned all of humanities thoughts and where is man/woman's centre?

Image: NASA/JPL-

Planets are round because their gravitational field acts as though it originates from the center of the body and pulls everything toward it. With its large body and internal heating from radioactive elements, a planet behaves like a fluid, and over long periods of time succumbs to the gravitational pull from its center of gravity. The only way to get all the mass as close to planet's center of gravity as possible is to form a sphere. The technical name for this process is "isostatic adjustment."

With much smaller bodies, such as the 20-kilometer asteroids we have seen in recent spacecraft images, the gravitational pull is too weak to overcome the asteroid's mechanical strength. As a result, these bodies do not form spheres. Rather they maintain irregular, fragmentary shapes.

By using Grace here, and the way we look at earth now, we get a better sense of what the actual shape of the earth is. WE had all thought it looked so round from space, that under a "time variable measure" we knew better. We knew that the variations in topographical locations would reveal something unique in relation to gravity. It took Grace to do that

Our work is about comparing the data we collect in the STAR detector with modern calculations, so that we can write down equations on paper that exactly describe how the quark-gluon plasma behaves," says Jerome Lauret from Brookhaven National Laboratory. "One of the most important assumptions we've made is that, for very intense collisions, the quark-gluon plasma behaves according to hydrodynamic calculations in which the matter is like a liquid that flows with no viscosity whatsoever."

See more here

The Moon Clementine-Color ratio image of Aristarchus Crater on the Moon-Clementine color ratio composite image of Aristarchus Crater on the Moon. This 42 km diameter crater is located on the corner of the Aristarchus plateau, at 24 N, 47 W. Ejecta from the plateau is visible as the blue material at the upper left (northwest), while material excavated from the Oceanus Procellarum area is the reddish color to the lower right (southeast). The colors in this image can be used to ascertain compositional properties of the materials making up the deep strata of these two regions. (Clementine, USGS slide 11)

It is not so far fetched for the mind to think of the planet in question, as to it's roundness, or, the moon in relation to how we see those impact craters on it's surface. "The moon" quite revealing in the mineralogical decor for us. So there are two things to consider here.

From the "boundary" of the planet "inward" and from the "centre" of the planet "outward."

The Multiverse is like a....Flower?

Alexander Vilenkin

The implications of inflation are particularly important in the context of the landscape of string theory. One of the leading researchers studying how inflationary cosmology evolves through the landscape is Alex Vilenkin, a theoretical physicist at Tufts who has been working in the field of cosmology for 25 years and is a pioneer in introducing the ideas of eternal inflation and quantum creation of the universe from nothing. Here he sets forth his ideas of how the set of theories which began with Guth's inflationary scenario are playing out.

This post on the Multiverse of mine, may be an "psychological interpretation" here that I would like to bring forward. This may be distasteful for people of science. Please bear with me as I try to explain myself, and not sanction me to a site that has issues with "ten dimensions and and quantum tunnelling?":)

The Flower as a Universe in Expression

So I will open the above with an example of one of the flowers done up with regards to Mandalic interpretations. This has been part of my research to understand the "individuality of each persons expression" from the inside out. As if, one understood the "liminocentric structure" develop from the schematic of the "circle with a point" in it, "to a point" with a boundary condition that is contained, as an equation of E=mc².

AS well the student here is learning to give credence to a "way of enlightenment" that foreshadows what can exist as "this schematic mathematical diagram," could find itself looking quite nicely in such a expression as that of a flower.

"Out of Nothing" Came Art and Science?

But even empty space has faint traces of energy that fluctuate on the subatomic scale. As suggested previously by Jaume Garriga of Universitat Autonoma de Barcelona and Alexander Vilenkin of Tufts University, these fluctuations can generate their own big bangs in tiny areas of the universe, widely separated in time and space. Carroll and Chen extend this idea in dramatic fashion, suggesting that inflation could start “in reverse” in the distant past of our universe, so that time could appear to run backwards (from our perspective) to observers far in our past.

I think one can be detracted by good pictures as to the originality of how we might see the universe in expression. So "without further explanation" we might say yes indeed they are good pictures of flowers without understanding the inheritance of the explanation forth coming.

So the idea here is not to be judgemental of the "book by it's cover" until one has considered the explanation that is forthcoming. As one weights what the expression of any universe can mean, while within it, there are evidences for the possibilities of what exists as our own universe, was granted a design, as one might grant each galaxy in expression?

Take an event within the colliders and tell how each will react according to the energies used?


MARIO MARKUS, Max Planck Inst., Dortmund

This first issue of the journal became a "meeting place" of an international group of authors, representing five continents. Although the papers give reliable information about the authors, we add here some brief "informal" notes on all of them:

I may have been attracted to this one for consideration by implicating the "music of the spheres" in my previous comments so however words are transported back and forth between scientists, or "the insinuation" of JoAnne of Cosmic Variance has for it, I cannot help the way I see.:)

OKay now. On to the explanation, as I have learnt to understand it, and then, what ever fate I have assigned to me and this becomes the way of it for me? Cracked flower pot and all.

Bubble Nucleation

During a first-order phase transition, the matter fields get trapped in a `false vacuum' state from which they can only escape by nucleating bubbles of the new phase, that is, the `true vacuum' state. See here for correlating Post.

Now is it enough that I identify the "source of such expressions" to advance the "geometrical inherent of form" as a universe in expression? So where did this design come from. How could anything issue from such "chaos implied in all the possibilities" that we might have the universe we did in this one?

Physically, the effect can be interpreted as an object moving from the "false vacuum" (where = 0) to the more stable "true vacuum" (where = v). Gravitationally, it is similar to the more familiar case of moving from the hilltop to the valley. In the case of Higgs field, the transformation is accompanied with a "phase change", which endows mass to some of the particles.

So by looking at the picture below you get this sense of why the "sombrero as a hat" serves us well to explain the nature of gravitational considerations while this "collapse of the sphere" can produce all kinds of models of geometrical expressions, as a Calabi Yau?



The "landscape" has been something of a issue, as I have travelled through the last couple of years, watching scientists go back and forth in debate. They have their reasons why of course.

I will not assign "a label" although I use them here in this blog "to categorize the times that I have ventured onto a particular subject." I will not succumb to "any categories" that insinuate that "one group of scientists belong to let's say the "Templeton Foundation" and thusly criticize them, as being insignificant and deluded. "Founding a movement" to change society other then, what society wants itself to become.

So by characterization I have learnt to not hold any woman or man to the "fate of character alone," or the "choices they make." But to see the basis of science is continually being adhered to on a level of "correlation of cognition." Given, the experiment and facts, what does one conclude to do while they venture forward? What do they pull toward them, as they theorize about the science?

How is their philosophy imbued them to speak, while there is this underlying mathematical basis to the world? Is it all "flowery or drawn to the arts" that it detracts from the science? Are there not ways that art helps science visualize what has come from their thought processes?

So Tegmark saids,"the universe is not a bagel?" And we have all these ideas about the "shape of the universe." Cosmology likes em large, while the Calabi Yau-ist like it small? Okay, not small, but descriptively unique?

Window Into the Mind

As we increase our knowledge of the genetic, neural and cognitive aspects of synaesthesia, we will find that we are beginning to understand the brain more completely. Researchers may wish that they possessed synaesthesia, but being able to explore a new and strange trait that may hold the answers to many fundamental questions is reward enough.

Yellow, Red, Blue
1925; Oil on canvas, 127x200cm; Centre Georges Pompidou, Paris

Kandinsky, himself an accomplished musician, once said Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul. The concept that color and musical harmony are linked has a long history, intriguing scientists such as Sir Isaac Newton. Kandinsky used color in a highly theoretical way associating tone with timbre (the sound's character), hue with pitch, and saturation with the volume of sound. He even claimed that when he saw color he heard music.

Over the past 35 years I have spent a considerable time doing my own research. Learning to express myself, has been very difficult to say the least.

It is while doing this research that things seem to "overlap" as I ventured forward and finding examples, as if "analogies in nature" has been the "metaphorical struggle" that I use in "word use and comparison."

Creating the Language

It has accumulated from that research and integration within myself. So it is like creating and learning a "new language," while most of the time I come across as not being understood. That has been "my struggle" to get people "to see" what I am seeing? I don't get "images" in my head, but the accumulation of everything has been transposed into the way I express myself here in this blog.

It is true without lying, certain and most true. That which is Below is like that which is Above and that which is Above is like that which is Below to do the miracles of the Only Thing. And as all things have been and arose from One by the mediation of One, so all things have their birth from this One Thing by adaptation. Sir Isaac Newton

If I may by example give here "the idea of perfecting the self" in regards to Sir Isaac Newton. If he were to have been a alchemist, and persevered in his "psychological struggles," then what form would all his "struggles in self" have exemplified, if he "accomplished those parts of himself."

The "colour" of his being, and the alchemical relation to psychological changes? These alway existed and "as yet" had no name?

So from whence comes all "this energy of expression", to have been displayed as it has? In all the avenues of our "selves," that our experience has allowed that energy to manifest "this way" and "that way," and we have this "unique individual" before us, as you, or I, and "the many?" You "control the color or not" or, is it a "consequence" of this physiological process?


Smilack says her synesthesia helps her create art, such as this piece, "Squid Row." Photo by Marcia Smilack

Smilack belongs to the group of one to four percent of people worldwide with synesthesia, the neurological mixing of the senses. No two synesthetes have exactly the same perceptual experiences. Many perceive each number, letter of the alphabet, or day of the week as a different color. For others, sounds from the environment are always accompanied by moving geometric patterns in their "mind's eye."

Smilack has a rare form of synesthesia that involves all of her senses—the sound of one female voice looks like a thin, bending sheet of metal, and the sight of a certain fishing shack gives her a brief taste of Neapolitan ice cream—but her artistic leanings are shared by many other synesthetes. Scientists estimate that synesthesia is about seven times more common in poets, novelists, and artists than in the rest of the population. (Some of the most famous examples include artists David Hockney and Wassily Kandinsky and writer Vladimir Nabokov.)

Marcia Smilack:

When you take a photograph of a reflection, you must compose your image upside down -- an odd and difficult task. Eventually, it is simply easier to give in and rely on other parts of your mind to compose the image. So, in an oxymoronic way, seeing in reflection "forces" you to let go, to trust what you feel.

Second, these images opened a unique window into the mind of the researcher. Remember the Heisenberg Uncertainty Principle that states every object observed is changed by the experience? Well, I am the voice from the other side, the voice of the object that was watching them the whole time they were watching me. I have learned that we change each other through our interchanges. And while it is hard for me to quantify what I have learned from them, it is a great deal. Their questions and responses provide a framework onto which I can project what I intuitively know but do not usually speak.

She has many wonderful links that I had accumulated, and more. Also check out the extensive amount of links associated with the Synesthesia Resource Center on Patricia Lynne Duffy's book web page.

Calculus, or Feynman's Toy Models?

Some, who possess what researchers call "conceptual synesthesia," see abstract concepts, such as units of time or mathematical operations, as shapes projected either internally or in the space around them

So, is it out of necessity that we can "create the language" necessary to view the reality around us as it is, and how shall we do that? Sir Isaac Newton created "Calculus."

So with this "unique perspective of synesthesia," how shall you give to the world from what began in self, and we have this "multitude of choices" as to the "fabrications" we may use from our "artistic creative design?" No choice, synesthesia just is?

Sometimes I relate the experience of reading a book, to what is "consumed one day" was by design, our place in the scheme of understanding things. Where we have "this experience" that we can correlate. So "it" makes sense. If a person with synesthesia was to read my blog, how much more would they take from my writing, then one without?

It is no different then our understanding of the science of things. Life can seem "mythic in proportion,", until, we understood the deeper part of the "design of reality?"

Update:


Nature, so endlessly creative, has managed things so that each of us, hosts of synesthesia or not, perceives a slightly different world... a world colored by our one-of-a-kind pattern of neurons and experiences" -- Patricia Lynne Duffy

The Philosophy of Death is one of Life?

Yes of course the entries like this one are philosphical in nature.

So I thought I would try and explain it as I understood it? Whether it's right or not, is how much you want to believe it? That's up to you.

Instructions for Vision 1: The Source (Eyes closed, external stimuli ignored)

O nobly-born, listen carefully:
The Radiant Energy of the Seed
From which come all living forms,
Shoots forth and strikes against you
With a light so brilliant that you will scarcely be able to look at it.
Do not be frightened.
This is the Source Energy which has been radiating for billions of years,
Ever manifesting itself in different forms.
Accept it.
Do not try to intellectualize it.
Do not play games with it.
Merge with it.
Let it flow through you.
Lose yourself in it.
Fuse in the Halo of Rainbow Light
Into the core of the energy dance.
Obtain Buddhahood in the Central Realm of the Densely Packed.

Each of the quoted paragraphs are directly linked. I wanted the science mind to be considered here, so I linked to my site in paragraph below and what liminocentrically structure means. A circle, with a dot in it, is a transcendant figure, once you move to the center?

If conceived as a series of ever-wider experiential contexts, nested one within the other like a set of Chinese boxes, consciousness can be thought of as wrapping back around on itself in such a way that the outermost 'context' is indistinguishable from the innermost 'content' - a structure for which we coined the term 'liminocentric'.

I guess it might depend on how we live life now? :)

If we imagine history running back in time, we inevitably come to the epoch of the "big squeeze" with all the galaxies, stars, atoms and atomic nuclei squeezed, so to speak, to a pulp. During that early stage of evolution, matter must have been dissociated into its elementary components.... We call this primordial mixture ylem.

Having this kind of information at hand, and being lead by the basis of "interpretations of death," can we not die and are born many times in life? Change?

If you had lost the ability to grasp the physcial processes in our real(illusive) life, and moved the spirit, thinking, it was physically capable, to only find that you pass through, what are you to surmize?

If such physical process was the corner stone of our thoughts, then such a shock, that "the transferance" from the "waking mind" that sees around now, would have passed onto the subsconcious mind(deaths mind)and that once, it was where we dreamed, now sees, it is this dreams that is "the mind" of the soul.

Shall life had been so scattered, and the events disenchanted as "events," one from another(discrete), then what use the outcome of interpretation of the dream world, and the chaoticness with which we had been effected and dreamed in life?

The subsconscious then, becomes the mind of the soul?

Finally, we also hope that this series furthers the discussion regarding the nature and function of 'the mandala'. In the spiritual traditions from which Jung borrowed the term, it is not the SYMMETRY of mandalas that is all-important, as Jung later led us to believe. It is their capacity to reveal the asymmetry that resides at the very heart of symmetry. By offering a new view about how consciousness itself is structured - in a fundamentally paradoxical fashion - and how these structurings are reflected in principles according to which the mandala is organized, we are able in this series to show how personality itself may be thought of as having an essentially 'liminocentric' design.

You need a map? :) So you learn to see how structure is applied in the consequence and outward expressions, also, holds the "transcendant value" to where we see the light again. In our center?

How can a speck of a universe be physically identical to the great expanse we view in the heavens above? (Greene, The Elegant Universe, pages 248-249).

I always reiterate the "koan in life" that was most troubling, in regards to Greene's statement? By turning something inside/out, such a collapse to such a singuarilty has consequences for "information loss."

A new birth of "something old or in need of rejuvenation?) that is ready to turn? I don't see any of you, as any different.

See:

Books for the Dead are Really, Books for Life?

A Myth Created: Truth Felt, and a Life to Accomplish?

Past Life Bleed Throughs?

In studying over the many years, certain concepts and ideas brought from other cultures stayed with me of course, while I explored the dream world enviroment on my own.

The idea here is that similar patterns used in construction of mandalic interpetations, serve to illustrate model applications, that when bleeding, overlap experiences, whether they be drean information gathered, or, historical correlations, these struck me as significant.

This is not to say that all people who dream will be good mathematicians, just that the road to cogitive realization held in context of Ramanujan should be seen as the developing subsconscious as a very important tool in moving the cogitive revelations that the creative mind can utilize, in developing math models for the future?

THatpattern had to be understood a dLimincentric structures as well. If you didn't you would not have seen the importance of the schematics that Liminocentric structures reveal of themself as mandalic models of intepretation.



See:

A Pure Love of Math

A Tribute to Hinduism

The inexhaustible Ramanujan was an observant Hindu, adept at dream interpretation and astrology. His work was marked by bold leaps and gut feelings. Growing up he had learned to worship Namagiri, the consort of the lion god Narasimha. Ramanujan believed that he existed to serve as Namagiri´s champion - Hindu Goddess of creativity. In real life Ramanujan told people that Namagiri visited him in his dreams and wrote equations on his tongue.

Ramanujan could never explain to G H Hardy how he arrived at his deep insights in mathematical terms; but he did say many of his discoveries came to him in dreams, from the goddess Namakkal, and that he had a morning ritual of awakening and writing them down.

Having heard of Ramanujan method of information gathering, it was interesting from the standpoint of how the consciousness could organzed itself and bring forth abstract notions(jumbling experiences in that dream world), to have the method of mathematical explanation bear tangible proof in our reality now.

This is of course are some of the ideas I have around cognitive recognitions of getting to the source of creation and bringing back tangible equative solutions.



Perhaps it is of some use for a example to better understand this?

While journalling for many years and recording my dreams, I came up with what I called "dream poetry," because I wanted to try and catch the rhythmn and story behind it as best I could without subjecting it to the scrutinization of my mind and analysis.

Of course having a pen and paper beside the bed was always good advice. There was always a definite difference in the lucidness of those dreams, that seemed to indicate this past life referencing, then the normal dream periods.

Also by doing this "awareness of the dream time" it became very pronouced in terms of the recall before getting busy with the day.



Mandalas:

Since ancient times, Mandalas have been used for meditation and healing. In old Tibet, Mandalas were used in the process of training the mind to be quiet, so that That Still Place Within was more easily accessible.

It was said that the Divine lives at the center of the Mandala. With that in mind, the Mandala was used as a focus point for meditation.

As the mind quiets and becomes still, the meditator finds the Divine at the center of his own being.

I read about this use of Mandalas years ago. When this series of designs came through me, I realized that that was the intent within them: that the Divine would reside at each design's center.

Research I've done indicates that Mandalas are the visual forms of the resonance traces of specific frequencies of sound/light. Some pretty amazing research done by Hans Jenny shows that if sound is transmitted through a thin layer of sand on a metal plate, the sand vibrates in such a manner as to create designs in the sand, the patterns shifting with the sounds transmitted.

If one wanted to pursue it further then it makes sense that the Chaldni plate becomes a interesting piece of equipment in analyzing the nature of such vibrations. A balloon dipped in a dye solution and subjected to different sounds, has an interestig perspective to it.

Nodes and anti-nodes



On beautiful mandalic designs see:

Flower Mandalas Project

Intuitive Self and Structure: My Past

One qubit at a time by the Economist

COMPUTING is about to hit a problem. In each new generation the components are smaller than they were in its predecessor, and the speed at which this miniaturisation is happening means that within 15 years or so a fundamental limit will be reached. At that point, not only will the strange effects of quantum mechanics hold sway, the components themselves will be on the scale of atoms and no further size-reduction will be possible. Which is why scientists and engineers are seeking new ways of building computers.

One route they are exploring, which was discussed at a meeting held recently at the Royal Society in London, is called quantum computing. Instead of trying to overcome quantum weirdness, this technique embraces and exploits it. The thing that distinguishes a quantum computer from the sort in use today is the number of calculations it can do in parallel. Both sorts of computer use binary arithmetic, but they do so in rather different ways. A classical computer employs bits—binary digits, either zero or one—to process and store information. But a bit must be one or the other; it cannot be both at the same time. A quantum computer does not suffer from this restriction.

Tabula rasa >(Latin: "scraped tablet", though often translated "blank slate") is the notion that individual human beings are born "blank" (with no built-in mental content), and that their identity is defined entirely by events after birth.

Yet it is in every moment that such information should have the ability to make it's way? The past allowable in what is created in that "one moment" has the potential to become the possibility of that future. They are inevitably liinked in you, as a receptacle of possibilites?

Quantum Phase Gate

The basic entanglement process of two quantum systems can be considered as an elementary function for quantum information processing, a "quantum gate". A lot of attention has been devoted in the last years to the realization and characterization of quantum gates, either in NMR, ion traps or cavity QED experiments.

Let's say we wanted to bring perspective to quantum processes in terms of computerization? There's this image in mind and the logic forming apparatus that issues from a Quantum Phase Gate.

While I see the historical past, I also see it's application in how information processing might be philsophical endowed within mind? Is it right, I am not sure, but looking at such spaces if we can call it that, while there seems to be "no separation between the two photons of Alice and BOb" and spooky is being interpreted here what value, if such interjections of information could appeal in that "space" of the quantum phase gate?

INteresting perspective on the term "mandorlas."

So a historical look then, and other research, that I am doing.

Vesica piscis(wikipedia 20 May 2006)

The symbol is formed from the almond-shaped area in the overlap between the circles, as shown in black in the diagram — for certain purposes also including the upper arcs as far as the edges of a rectangle whose sides coincide with the widest points of the almond (as shown in light blue in the diagram). The resulting figure looks like a stylized fish, or in the extended version like a flattened Greek letter alpha.

Seeing the earlier contribution made on Venn Logic and TA I couldn't help but see some similarities.



In regards to mandalas as well in terms of Liminocentric structures. A historical perspective and one I gained from understanding Jung.

While this terminology may seem foreign, it is well within context of this information, that such similarites were deduced in my own research. So, by producing these maps, it became interesting to know that if they arose from the deeper realms of the subconscious these will make themself known as emerging principals(bubbles of thought) from the waters, what said that such things could not have been part of the history of the soul, to have regained what it had once done by finding that wholenesss of being once before?

Such research and developement if followed, leads one to the deeper understanding of what emerges from the very source of one's being. Details, the schematic drawings of lines and circles as such, to have them become modern day models, while they were once part of our history as human beings. Once, represented the complete and gathering of all the native tribes.

So as ancient as these things are to the mind for consumption in today's world, the thought process is not tainted by that historical past, but leads one forward, from past accomplishements. Pave the way for new models to emerge in society? New models to emerge in science?

How could information enter the synapse, as it does in the gate? It's computational significance in "backreaction?" One would have to recognize the work of Josephson and what tunneling could do? RHIC investigation ain regards to Laval analogies?

Spintronics and implying channelling would have spin orientated possibilties? What signature would have revealled the nature of any elemental if the energy transferred through that tunnelling effect, came from the very beginnings of the universe?

Elements and Atoms: Chapter 11
An Unsystematic Foreshadowing: J. A. R. Newlands

Having revealed where I stand, I invite you to examine and assess Newlands' work on the subject. This selection includes four short papers of Newlands and a report of another paper which show him struggling toward and eventually formulating the system he dubbed the "law of octaves

Is the door open to the eruption of the sociology of knowledge?

Nobody really thinks about the subtle perceptions that can make their way into the scientist's mind? Do they?

While, I had talked about the quiet places we like to go to find that peace of mind, it might be different for each of us? Maybe for Clifford, it is the stream. Maybe for a Witten and his walks, the stream, as well?

I spent a lot of years watching the subtle language that one can draw from the subconscious in dream time and to me such suttle obsersvation while fleeting, it always is a good idea to have a pen and paper alongside of you. Because, it happens that quick sometimes, that if you don't catch it, it sort of leaves the focal front to the tip of the tongue, as a puzzling thought about?

This enlightenment experience is a realization about the nature of the mind which entails recognizing it (in a direct, experiential way) as liminocentrically organized. The overall structure is paradoxical, and so the articulation of this realization will 'transcend' logic - insofar as logic itself is based on the presumption that nested sets are not permitted to loop back on themselves in a non-heirarchical manner. 11

Piercing the veil perhaps?

Some of the things that seem to influence creativity, is the very idea of flow, and sitting by a river, "to think" might be one, or sitting high up on a mountain looking over the landscape, perhaps? Looking deep into "the space of the starry universe" above?



Observation is really important I believe. If I were to say the "space between the heartbeat," it would not have been to unlikely, that the points between something, could ever be reduced to have it seem that our "quantum perception" has revealled a dynamical reality?

Yes it's true. Energy calculations revealled information about the space we are living in? Nothing confusing about that. How silly then, that such a suttle perception as to the cards below would have passed our attention unsignificant?

Anomaly and the Emergence of Scientific Discoveries[/b] Kuhn now moves past his initial topic of paradigm to scientific discovery saying that in order for there to be a discovery, an anomaly must be detected within the field of study. He discusses several different studies and points out the anomaly that invoked the scientific discovery. Later in the chapter he begins to discuss how the anomaly can be incorporated into the discovery to satisfy the scientific community.

There are three different characteristics of all discoveries from which new sorts of phenomena emerge. These three characteristics are proven through an experiment dealing with a deck of cards. The deck consisted of anomalous cards (e.g. the red six of spades shown on the previous page) mixed in with regular cards. These cards were held up in front of students who were asked to call out the card they saw, and in most cases the anomaly was not detected.

Attention and awareness is sometimes like listening "between the heartbeats?" Also if you look at that space what is it then filled with? I had a hard time of it trying to understand what nothing meant. It just does not make sense. Nothing is Nothing, and something out of Nothing is really a hard one to ponder for me so I had to see these dynamics working in ways that would tax the mind visually.



So what did I do?

Why is sound so important in the analogies of science now? Acoustically, what would the science of sound mean in our discriptions of the landscape? How does it change the way we thnk and do, and leads our thinking minds into some kind of entrainment that is rhythmetically enhanced? What does it do for the brain waves? Functional use, done in MRI study, along with the process of thinking?



So I thought I should build a world that leads us to realize the reality we create. You think I did not think of the color of these situations? Look carefully at the ephemeral qualities of mind.

You have to understand that the geometrical realization at the basis of my own experiences were derived from understanding the work of Carl Jung, and the mandalas he talked about.

The way in which he might have divided up the circle according to the way our minds work. Having the anima and animus respectvely in both male and female, what really made me think of the topological function of the mind, are up top, on the enlightenment plate. Balance was needed to be struck and this is done automatically depending on our genders the balance would have been injected accordingly?

If you think for one moment our past history is not important, what use to understand that we continue evolve within our consciousness?

There are such designs from our expierence, to learn? You might have read my views on emotions and experience, and how we cannot change what has already happened, but we can meet the expeirence and change the attitude? That is within our power and ths is what sets up the future.

Proceedings of Societies [Report on the Law of Octaves]

Mr. JOHN A. R. NEWLANDS read a paper entitled "The Law of Octaves, and the Causes of Numerical Relations among the Atomic Weights."[41] The author claims the discovery of a law according to which the elements analogous in their properties exhibit peculiar relationships, similar to those subsisting in music between a note and its octave. Starting from the atomic weights on Cannizzarro's [sic] system, the author arranges the known elements in order of succession, beginning with the lowest atomic weight (hydrogen) and ending with thorium (=231.5); placing, however, nickel and cobalt, platinum and iridium, cerium and lanthanum, &c., in positions of absolute equality or in the same line. The fifty-six elements[42] so arranged are said to form the compass of eight octaves, and the author finds that chlorine, bromine, iodine, and fluorine are thus brought into the same line, or occupy corresponding places in his scale. Nitrogen and phosphorus, oxygen and sulphur, &c., are also considered as forming true octaves. The author's supposition will be exemplified in Table II., shown to the meeting, and here subjoined:--

In this way I sort of felt that a calm mind and a calm heart, would allow one to see the discrepancies better. I do not know if that is the truth of it, but imagine our perception going deeper then it had ever gone before? There had to be some results, from listening?

A Chladni plate consist of a flat sheet of metal, usually circular or square, mounted on a central stalk to a sturdy base. When the plate is oscillating in a particular mode of vibration, the nodes and antinodes set up form a complex but symmetrical pattern over its surface. The positions of these nodes and antinodes can be seen by sprinkling sand upon the plates;

If one moment you thought of the Law of Octaves above, what place "the heart" to serve for our evolving consicousness?

The Revolution that Didn't Happen by Steven Weinberg

I first read Thomas Kuhn's famous book The Structure of Scientific Revolutions1 a quarter-century ago, soon after the publication of the second edition. I had known Kuhn only slightly when we had been together on the faculty at Berkeley in the early 1960s, but I came to like and admire him later, when he came to MIT. His book I found exciting.

Evidently others felt the same. Structure has had a wider influence than any other book on the history of science. Soon after Kuhn's death in 1996, the sociologist Clifford Geertz remarked that Kuhn's book had "opened the door to the eruption of the sociology of knowledge" into the study of the sciences. Kuhn's ideas have been invoked again and again in the recent conflict over the relation of science and culture known as the science wars.

See:

Revolutions for Change

Path With a Heart

A Supersymmetrical Valuation of Where things Began

Of course "phase transitions" and "asymmetrical realizations" had to arise from developmental processes in the universe? One had to know, in what sphere such developemental would take place, and if we circumvented all these chinese boxes or Russina dolls to exemplifed allegorical comments about consciousness. It had to follow a Gr perspective, and, a quantum mechanical one? "Topo-sense" as to developing topolgical models within consciousness, as a well as, models in the developing universe as a GR sense? IMagine to then such toposense further develped from theidealizatin of quantum views such physicla actions taken from cosmological proportions and reduced to probability functions entailed in our mental structure, then indeed we had transgressed our limitation to a feeling?:)

The theory of relativity predicts that, as it orbits the Sun, Mercury does not exactly retrace the same path each time, but rather swings around over time. We say therefore that the perihelion -- the point on its orbit when Mercury is closest to the Sun -- advances.

Imagine for a moment about that such a "momentus occasion", as well we learn to see the developmental process of circles(orbits) and Mercuries orbital patterns (a daisey) and got this general sense of reduced orbital pattern decay of rotatng binary pulsar systems as revealled by Taylor and Hulse.

We got to know "information release" from the distances involved, and could calculated when they would combined? This is a "prediction then" based on, a viable measure, not only in terms of that distance valuation, but of how we might arrive at it other then in astronmical viewing. What would be revealled in LIGO application?

Atiyah's comments are important here I think.

If theory is the role of the architect, then such beautiful proofs are the role of the craftsman. Of course, as with the great renaissance artists, such roles are not mutually exclusive. A great cathedral has both structural impressiveness and delicate detail. A great mathematical theory should similarly be beautiful on both large and small scales.

Assymetrical views would have revealled mandalic interpretations very distinctive of conscious awareness, and unfoldment in design. This had to have a geometric and foundational perspective that arose from the expansitory valution of brane world idealizations? As well as, the deeper recesses of our own minds?

Finally, we also hope that this series furthers the discussion regarding the nature and function of 'the mandala'. In the spiritual traditions from which Jung borrowed the term, it is not the SYMMETRY of mandalas that is all-important, as Jung later led us to believe. It is their capacity to reveal the asymmetry that resides at the very heart of symmetry. By offering a new view about how consciousness itself is structured - in a fundamentally paradoxical fashion - and how these structurings are reflected in principles according to which the mandala is organized, we are able in this series to show how personality itself may be thought of as having an essentially 'liminocentric' design.

One had to be able to recognize this "model apprehension" and speak to it directly in experience. I could do that because of my explorations. Am I adapting to new methods of model developements? For sure. :)



"Luminousity" as enlightenment could possibly help push back the veil, if we could probably do this?