Showing posts with label Heart. Show all posts
Showing posts with label Heart. Show all posts

Wednesday, November 04, 2009

On Memory

Today is my 1000th post. I began here in November of 2004. It has been a good time of learning and being propelled forward by other blog posters and blog commentators.  It has been a wonderful journey in terms of the education I have received.

Again too, within each of our conversations with who ever that might be,  have been the catalyst for writing and giving thought forward to my further gathering of information. So thanks to every one that took time to discuss or exchange ideas.


In a nutshell, what Karim showed was that each time a memory is used, it has to be restored as a new memory in order to be accessible later. The old memory is either not there or is inaccessible. In short, your memory about something is only as good as your last memory about it. Joseph LeDoux

I am not as old as those of sixty, but I have a similar problem that if I do not use it, I tend to loose it.


Psychological mindedness

Psychological Mindedness (PM) is a concept which refers to an individual's capacity for self-examination, self-observation, introspection and personal insight.[citation needed] It also includes an ability to recognize and see the links between current problems within self and with others, and the ability to insight one's past particularly for its impact on present attitudes and functioning. Psychologically minded people have average and above average intelligence and generally have some insight into their problems even before they enter therapy. Psychological mindedness is distinct from intellectualism and obsessional rumination about one's inner problems. The latter is of no help in psychotherapy, but it is a sign of resistance.

Since we can be creatures of habit, it seems to me that neurological pathways are highways so to speak, and not traveling these roads, names of towns can slip our mind. "Waking up by traveling similar journeys" do tend to re-ignited those same neurological pathways. Having a strokes and damaging areas of the brain means that in order to ignite processes in our body expressions means to try and ignited those same pathways that were used.

By correspondence, we see correlations to our own lives. Looking at something and orientating the mind to see angles of something, is to me much like looking deep within the functioning of society to see what lies at the "bedrock or infrastructure" of the supporting objects of perception.

This is where something vaguely familiar eggs the conscious mind to look harder into the reservoir of our own histories. Brings those memories back to the surface.





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The Spotless Mind

Psychology professor Karim Nader is helping sufferers of post-traumatic stress disorder lessen debilitating symptoms—and in some cases, regain a normal life.Owen Egan See also: The Trauma Tamer
IC: Why is this research so important?

Karim Nader: There are a lot of implications. All psychopathological disorders, such as PTSD, epilepsy, obsessive compulsive disorders, or addiction—all these things have to do with your brain getting rewired in a way that is malfunctioning. Theoretically, we may be able to treat a lot of these psychopathologies. If you could block the re-storage of the circuit that causes the obsessive compulsion, then you might be able to reset a person to a level where they aren’t so obsessive. Or perhaps you can reset the circuit that has undergone epilepsy repeatedly so that you can increase the threshold for seizures. And there is some killer data showing that it’s possible to block the reconsolidation of drug cravings.

The other reason why I think it is so striking is that it is so contrary to what has been the accepted view of memory for so long in the mainstream. My research caused everybody in the field to stop, turn around and go, “Whoa, where’d that come from?” Nobody’s really working on this issue, and the only reason I came up with this is because I wasn’t trained in memory. [Nader was originally researching fear.] It really caused a fundamental reconceptualization of a very basic and dogmatic field in neuroscience, which is very exciting. It is the first time in 100 years that people are starting to come up with new models of memory at the physiological level.





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Anomaly and the Emergence of Scientific Discoveries Kuhn now moves past his initial topic of paradigm to scientific discovery saying that in order for there to be a discovery, an anomaly must be detected within the field of study. He discusses several different studies and points out the anomaly that invoked the scientific discovery. Later in the chapter he begins to discuss how the anomaly can be incorporated into the discovery to satisfy the scientific community.

There are three different characteristics of all discoveries from which new sorts of phenomena emerge. These three characteristics are proven through an experiment dealing with a deck of cards. The deck consisted of anomalous cards (e.g. the red six of spades shown on the previous page) mixed in with regular cards. These cards were held up in front of students who were asked to call out the card they saw, and in most cases the anomaly was not detected.

For certain when composing articles in blogging format your trying to build off of previous information. You gather information so providing links is a way,  much like connecting neurons to what was written before. Doing search functions for what is relevant to a topic in Google, or as a mean to use these search functions to help memory point to correlations.



Betrayal of Images" by Rene Magritte. 1929 painting on which is written "This is not a Pipe"
Looking at things from different angles is much like an artist who grabs onto an idea and furnishes us with a expose' into the idea of attention with further presentations visually. It is about seeing the idea manifest toward some kind of reality that is dare to say abstract in it's extrapolations,  much as math is used to describe an aspect of nature.

© Salvador Dalí, Gala-Salvador Dalí Foundation; used with permission of Philadelphia Museum of Art
Salvador Dalí (Spanish, 1904-1989). Crucifixion (Corpus Hypercubicus), 1953–54. Oil on canvas. 77 x 49 in. (195.6 x 124.5 cm). Gift of the Chester Dale Collection, 1955 (55.5). The Metropolitan Museum of Art, New York.
© Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Society (ARS), New York

So in a way,  while we seem to see true representations "about the fundamental ideas" these manifest toward physical manifestation.  These ideas "are covered by abstractions."  Much like experience in our daily lives. Sorting through the memory is like sorting through the experience. Recall then becomes something of a challenge when we seek to better understand how we have become who are.

Waking up means to become aware at what resides at the basis of our experiences in society, and how these have manifested in our daily dealings within that society.

As simple as possible then in mathematical interpretation. You see?

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Spending a little time looking into science and art, Dali rose to the occasion in my view in terms of Geometry and the tesseract.


Quote:
In geometry, the tesseract, or hypercube, is a regular convex polychoron with eight cubical cells. It can be thought of as a 4-dimensional analogue of the cube. Roughly speaking, the tesseract is to the cube as the cube is to the square.
Generalizations of the cube to dimensions greater than three are called hypercubes or measure polytopes. This article focuses on the 4D hypercube, the tesseract.

He had a "religious epiphany" moving toward dimensional perspective, and related it too, moving perception toward geometry, as if "other worldly." Many understand his private life not to be so blessed with such religiosity?:)


Quote:
Penrose's Influence on EscherDuring the later half of the 1950’s, Maurits Cornelius Escher received a letter from Lionel and Roger Penrose. This letter consisted of a report by the father and son team that focused on impossible figures. By this time, Escher had begun exploring impossible worlds. He had recently produced the lithograph Belvedere based on the “rib-cube,” an impossible cuboid named by Escher (Teuber 161). However, the letter by the Penroses, which would later appear in the British Journal of Psychology, enlightened Escher to two new impossible objects; the Penrose triangle and the Penrose stairs. With these figures, Escher went on to create further impossible worlds that break the laws of three-dimensional space, mystify one’s mind, and give a window to the artist heart.
See:Penroses Influence on Escher

IN this way, I felt there was a kinship toward artist expression moving minds in science toward an malleable experience in terms of "using the brain and twisting it" one might say. This is a perspective I formed around how we view projective geometry in terms of it leading perspective in that artistic sense.

Saturday, October 03, 2009

Creating the Perfect Human Being or Maybe.....

..... a Frankenstein?:)




Seriously , there are defined differences in the human being versus AI Intelligence. I think people have a tendency to blurr the lines on machinery. This of course required some reading and wiki quotes herein help to orientate.

Of course the pictures in fiction development are closely related to the approach to development, while in some respects it represents to be more the development of the perfect human being


It seems there is a quest "to develop" human beings, not just robots.


Artificial Intelligence (AI) is the intelligence of machines and the branch of computer scienceintelligent agents,"[1] where an intelligent agent is a system that perceives its environment and takes actions which maximize its chances of success.[2] John McCarthy, who coined the term in 1956,[3][4] which aims to create it. Textbooks define the field as "the study and design of defines it as "the science and engineering of making intelligent machines."
The field was founded on the claim that a central property of humans, intelligence—the sapience of Homo sapiens—can be so precisely described that it can be simulated by a machine.[5] This raises philosophical issues about the nature of the mind and limits of scientific hubris, issues which have been addressed by myth, fiction and philosophy since antiquity.[6] Artificial intelligence has been the subject of breathtaking optimism,[7] has suffered stunning setbacks[8][9] and, today, has become an essential part of the technology industry, providing the heavy lifting for many of the most difficult problems in computer science.
AI research is highly technical and specialized, deeply divided into subfields that often fail to communicate with each other.[10] Subfields have grown up around particular institutions, the work of individual researchers, the solution of specific problems, longstanding differences of opinion about how AI should be done and the application of widely differing tools. The central problems of AI include such traits as reasoning, knowledge, planning, learning, communication, perception and the ability to move and manipulate objects.[11] General intelligence (or "strong AI") is still a long-term goal of (some) research.[12]



Rusty the Tin man

Lacking a heart.....

Knowledge representation

Knowledge representation[43] and knowledge engineering[44] are central to AI research. Many of the problems machines are expected to solve will require extensive knowledge about the world. Among the things that AI needs to represent are: objects, properties, categories and relations between objects;[45] situations, events, states and time;[46] causes and effects;[47][48] and many other, less well researched domains. A complete representation of "what exists" is an ontology[49] (borrowing a word from traditional philosophy), of which the most general are called upper ontologies. knowledge about knowledge (what we know about what other people know);
Among the most difficult problems in knowledge representation are:
Default reasoning and the qualification problem
Many of the things people know take the form of "working assumptions." For example, if a bird comes up in conversation, people typically picture an animal that is fist sized, sings, and flies. None of these things are true about all birds. John McCarthy identified this problem in 1969[50] as the qualification problem: for any commonsense rule that AI researchers care to represent, there tend to be a huge number of exceptions. Almost nothing is simply true or false in the way that abstract logic requires. AI research has explored a number of solutions to this problem.[51]
The breadth of commonsense knowledge
The number of atomic facts that the average person knows is astronomical. Research projects that attempt to build a complete knowledge base of commonsense knowledgeCyc) require enormous amounts of laborious ontological engineering — they must be built, by hand, one complicated concept at a time.[52] A major goal is to have the computer understand enough concepts to be able to learn by reading from sources like the internet, and thus be able to add to its own ontology. (e.g.,
The subsymbolic form of some commonsense knowledge
Much of what people know is not represented as "facts" or "statements" that they could actually say out loud. For example, a chess master will avoid a particular chess position because it "feels too exposed"[53] or an art critic can take one look at a statue and instantly realize that it is a fake.[54] These are intuitions or tendencies that are represented in the brain non-consciously and sub-symbolically.[55] Knowledge like this informs, supports and provides a context for symbolic, conscious knowledge. As with the related problem of sub-symbolic reasoning, it is hoped that situated AI or computational intelligence will provide ways to represent this kind of knowledge.[55]


Bicentennial man

....they wanted to embed robotic feature with emotive functions...

Social intelligence


Kismet, a robot with rudimentary social skills
Emotion and social skills[73] play two roles for an intelligent agent. First, it must be able to predict the actions of others, by understanding their motives and emotional states. (This involves elements of game theory, decision theory, as well as the ability to model human emotions and the perceptual skills to detect emotions.) Also, for good human-computer interaction, an intelligent machine also needs to display emotions. At the very least it must appear polite and sensitive to the humans it interacts with. At best, it should have normal emotions itself.



....finally, having the ability to dream:)

Integrating the approaches

Intelligent agent paradigm
An intelligent agent is a system that perceives its environment and takes actions which maximizes its chances of success. The simplest intelligent agents are programs that solve specific problems. The most complicated intelligent agents are rational, thinking humans.[92] The paradigm gives researchers license to study isolated problems and find solutions that are both verifiable and useful, without agreeing on one single approach. An agent that solves a specific problem can use any approach that works — some agents are symbolic and logical, some are sub-symbolic neural networks and others may use new approaches. The paradigm also gives researchers a common language to communicate with other fields—such as decision theory and economics—that also use concepts of abstract agents. The intelligent agent paradigm became widely accepted during the 1990s.[93]

Agent architectures and cognitive architectures

Researchers have designed systems to build intelligent systems out of interacting intelligent agents in a multi-agent system.[94] A system with both symbolic and sub-symbolic components is a hybrid intelligent system, and the study of such systems is artificial intelligence systems integration. A hierarchical control system provides a bridge between sub-symbolic AI at its lowest, reactive levels and traditional symbolic AI at its highest levels, where relaxed time constraints permit planning and world modelling.[95] Rodney Brooks' subsumption architecture was an early proposal for such a hierarchical system.
So to me there is an understanding that needs to remain consistent in our views as one moves forward here to see that what is create is not really the human being that we are, but a manifestation of. I think people tend to "loose perspective" on human intelligence versus A.I. So that the issue then is to note these differences? This distinction to me rests in "what outcomes are possible in the diversity of human population matched to a purpose for personal development toward an ideal." No match can be found in terms of this creative attachment which can arise distinctive to each person's in probable outcome. The difference here is that "if" all knowledge already existed, and "if" we were to have access to this "collective unconscious per say," then how it is that such thinking cannot point toward new paradigms for personal development that are developed in society? New science? AI Intelligence already has all these knowledge factors inclusive, so it can give outcomes according to a "quantum leap??":) No, it needs human intervention, or AI can already give us that new science? You see? There would be "no need" for an Einstein?


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Friday, June 05, 2009

The Golden Rule: Heart as Feather, is a Heart in Measure


Der Barmherzige Samariter(The Merciful Samaritan) 1632-1633Rembrandt Harmensz. van Rijn 15 July 1606, Leiden – 4 October 1669, Amsterdam) was a Dutch painter, engraver and draftsman.

The Good Samaritan

"A man was going down from Jerusalem to Jericho, when he fell into the hands of robbers. They stripped him of his clothes, beat him and went away, leaving him half dead with no clothes. A priest happened to be going down the same road, and when he saw the man, and he passed by on the other side. So too, a Levite, when he came to the place and saw him, he too passed by on the other side. But a Samaritan, as he traveled, came where the man was; and when he saw him, he took pity on him. He went to him and bandaged his wounds, pouring on oil and wine. Then he put the man on his own donkey, took him to an inn and looked after him. The next day he took out two silver coins and gave them to the innkeeper. 'Look after him,' he said, 'and when I return, I will reimburse you for any extra expense you may have.' "Which of these three do you think was a neighbour to the man who fell into the hands of robbers?" The expert in the law replied, "The one who had mercy on him." Jesus told him, "Go and do likewise."


Ethic of reciprocity

Der gute Samariter (nach Delacroix)1890 Vincent van Gogh (1853–1890)

The ethic of reciprocity, also known as the Golden Rule, is an ethical code that states one has a right to just treatment, and a responsibility to ensure justice for others. Reciprocity is arguably the most essential basis for the modern concept of human rights, though it has its critics.[1] A key element of the golden rule is that a person attempting to live by this rule treats all people, not just members of his or her in-group, with consideration.

The golden rule has its roots in a wide range of world cultures, and is a standard which different cultures use to resolve conflicts[2]; it was present in the philosophies of ancient India, Greece, and China. Principal philosophers and religious figures have stated it in different ways, but its most common English phrasing is attributed to Jesus of Nazareth in the Biblical book of Luke: "Do unto others as you would have them do unto you." The "Do unto others" wording first appeared in English in a Catholic Catechism around 1567, but certainly in the reprint of 1583.
[3]

Wednesday, November 05, 2008

Corinthian bronze

“ Man is the most composite of all creatures.... Well, as in the old burning of the Temple at Corinth, by the melting and intermixture of silver and gold and other metals a new compound more precious than any, called Corinthian brass, was formed; so in this continent,--asylum of all nations,--the energy of Irish, Germans, Swedes, Poles, and Cossacks, and all the European tribes,--of the Africans, and of the Polynesians,--will construct a new race, a new religion, a new state, a new literature, which will be as vigorous as the new Europe which came out of the smelting-pot of the Dark Ages, or that which earlier emerged from the Pelasgic and Etruscan barbarism.”

Ralph Waldo Emerson, describing American Culture as a melting pot in a journal entry, 1845


So of course this brings to mind the historical reference to those "better angels," that the metal of women/men and the idea of a silver and gold in society."Plato made clear that merit and not heredity defined the gold man and that gold could be found in all parts of society." See:Plato and Justice

Abraham Lincoln-First Inaugural Address-Monday, March 4, 1861

I am loath to close. We are not enemies, but friends. We must not be enemies. Though passion may have strained it must not break our bonds of affection. The mystic chords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature.



Where are those whose insight can be formative to a "better ideal?" Shall it not begin inside this "melting pot" from an idea, to then recognize that such an application can set minds to see cultures whose demise has been moved to another arena for change? It is nopt to allow the distortions and appeal of the ole ways to rule the minds of those who are ready for change to be unshackle from the chains that bind one from seeing the applicability of the sun in our lives.


A crucible is a cup-shaped piece of laboratory equipment used to contain chemical compounds when heating them to very high temperatures. The receptacle is usually made of porcelain or an inert metal.
Use in Ash Content Determination


Ash is the completely unburnable inorganic salts in a sample. A crucible can be similarly used to determine the percentage of ash contained in an otherwise burnable sample of material such as coal, wood, or oil. A crucible and its lid are pre-weighed at constant mass as described above. The sample is added to the completely dry crucible and lid and together they are weighed to determine the mass of the sample by difference. The crucible, lid, and sample are then fired to constant mass to completely burn up the sample, leaving behind only the completely unburnable ash. After cooling in dryness, the crucible, lid, and remaining ash are weighed to find the mass of the ash from the sample by difference. The fraction of ash (by mass) in the sample is determined by the dividing the mass of the ash by the mass of the sample before burning, which is done by subtracting the weight of the crucible and lid from the figure of the container, lid, and sample.


Walking through the ruins, would set my mind to what existed, and what no longer exists. Did we not calculate "the change over time." Did we not understand the citadels that were built then while very physical , has now become unknown symbols of the past and stand as reckoning of a civilization that has long dissipated and has become part of the collective unconscious of our societies.

It is more then that the "character of the woman/man then become the idea of what falls away, and to see beyond the limitations that an ole society may have imbued in those times, that we saw too then, that our mothers, grandmothers, were indeed one of those better angels under the adversities of the times.

Thursday, September 11, 2008

Nature's Experiment on the Meaning of Weight

"Dyson, one of the most highly-regarded scientists of his time, poignantly informed the young man that his findings into the distribution of prime numbers corresponded with the spacing and distribution of energy levels of a higher-ordered quantum state." Mathematics Problem That Remains Elusive—And Beautiful By Raymond Petersen


This picture resides at the bottom of my Blogger for a reason. It is to remind me of what was given esoterically for fermentation on what it's meaning may have in my own life. in another culture it might have been referred to as a "Kōan." Persistence, is the key to unlocking these "time capsules." Accessibility, is the rule of thumb about "infinite regressions" under a logical format of reasoned inductive/deductive application. The modelled approach here recognized under the picture of Raphael and the school's of Athens early descendants. What place does this have for any student who has a teacher that resides in them? What will be your accomplishment in life?

If the heart was free from the impurities of sin, and therefore lighter than the feather, then the dead person could enter the eternal afterlife

You had to know what pain and suffering is, in relation to sin. Your conscience rules you and in it there is a "voice of reason." Sets the trials and tribulations before you. And somehow our youth have detached themself from any causations as to their destinies?

If you have never considered what "truth(feather) had for meaning in historical times" how would you know what is being imparted to the youth of today? That what is now seen/felt in the world, is not recognized. Choosing "the heart" in that sense, and a scale to boot, I push forward this relation here under the auspice of "weight and measure as a paradox for examination. That such a measure in scale of those ancient times, might spark one to think about the experiment I am showing under this blog post heading.

This post has been brewing for some time, and only recently the comment made was included to help ignited some of the thoughts I have had about the "weight of something" tied to some method of sound and a gravitational inclination to the pursuances I have of inclusion to colour and sound respectively.


I think this is a nice historical consideration toward a "new culture."

I was looking for something even more natural.

No "sky hooks" but some place to which this process is tied.

A gourd of water perhaps, tied to a string and the weight of this gourd adjusted by volume, to embed in the string different tension properties and sound characterizations.


I do not mean to discredit the young scientist here by connection of this comment, but to attached to what seems relevant to me the natural appearance of a counting system, to a method of "fingerprinting" accord to a natural explanation of curvatures in space.


It looks as though primes tend to concentrate in certain curves that swoop away to the northwest and southwest, like the curve marked by the blue arrow. (The numbers on that curve are of the form x(x+1) + 41, the famous prime-generating formula discovered by Euler in 1774.)
See:Mersenne Prime: One < the Power of two

Pacal's Triangle See:Blaise Pascal

Why only this one time( a numbered base not less then one ensuing from Pascal's triangle on Fibonacci) and I think to differ, that Riemann(Riemann Hypothesis) saw a unique opportunity here. To allow nature to express itself in "non-euclidean terms," that makes for the naturalness of sound to exemplify this unique quality, and an attachment to "colour of gravity" which is exhibited toward my understandings.

That I may have gone "one step further" on the basis of my "emotive, mental and spiritual search correlations. A search, with respect toward the qualities of gravity. Here it could have been made from the insight of Einsteins example of a "pretty girl and a hot stove?" That "pain" and "excitement" have different values when assigned to a relational quality close to "body home," versus, it's gravitational freedoms, and fleeting examples, that beauty, and mental states can have in "time relational values."

See:Dialogos of Eide: A New Culture?

Friday, April 11, 2008

The Toposense of Spacetime

Topo-Greek, from topos, place.

Basic Examples
In the early 1960s Grothendieck chose the Greek word topos (which means “place”) to denote a mathematical object that would provide a general framework for his theory of étale cohomology and other variants related to his philosophy of descent. Even
if you do not know what a topos is, you have surely come across some of them. Here are two examples:
See: What is a Topos? by Luc Illusie

Of course I am looking and trying to describe "Topo" in a different way. I do not want to diminish the significance of the mathematical intents. Just the realization of what we are doing with our perceptions, as we send them to extraordinary depth of of creation.



In 1952, in his book Relativity, in discussing Minkowski's Space World interpretation of his theory of relativity, Einstein writes:

Since there exist in this four dimensional structure [space-time] no longer any sections which represent "now" objectively, the concepts of happening and becoming are indeed not completely suspended, but yet complicated. It appears therefore more natural to think of physical reality as a four dimensional existence, instead of, as hitherto, the evolution of a three dimensional existence. Albert Einstein


Of course it was necessary to understand the evolution of Euclidean geometries to the non-euclidean, and the history associated with this. The word "Toposense" is one that becomes endearing when you realize that if your were to take to the meaning of "slide of light to heart" you would see the implications of what gravity could mean in the presence of the photon and it's explanatory revolutionary ideas about how it can encourage "Gravities Rainbow" here within context of this blog.

"On the Effects of External Sensory Input on Time Dilation." A. Einstein, Institute for Advanced Study, Princeton, N.J.

Conclusion: The state of mind of the observer plays a crucial role in the perception of time.


Unfortunately the link to the article below( now shows as Intuitively Excellent) has been removed from Scientific America's data base or has changed, or, I may of copied it wrong in my search. Nevertheless, I do not have the link, but would like to conclude the remark above, in terms of those pointed out for further repercussions of that conclusiveness.

Einstein scholars disagree, but the pretty girl/hot stove experiment also may have led to another of his pithy remarks, namely: "If we knew what it was we were doing, it would not be called research, would it?" Then again, Einstein was a bit of a wag. Consider his explanation of wireless communication: "The wireless telegraph is not difficult to understand. The ordinary telegraph is like a very long cat. You pull the tail in New York, and it meows in Los Angeles. The wireless is the same, only without the cat." This quote reportedly kept Schrödinger awake well past his bedtime.


Summing over Histories?



So how does all this come together into a physical theory? It turns out that the proper procedure is to construct every possible diagram allowed by the theory (for a given state of input and output particles and how they're moving) and add up the corresponding complex numbers. The result is essentially the "wave function" for that specific input-output state combination, and by squaring that number you can determine the probability that the given input will result in the given output. Doing that is how theorists at particle accelerators earn their keep.
See: An Introduction to String Theory by Steuard Jensen

So you look at the basis of interactions that Feynman produced in his Toy models and having some insight to the elemental consideration of those same interactions, what comes out, if we were to see the world in such a way, that continuity of expression is "the Wave that was generated in the very beginning," could have been reduce to some refractive expression of all life. The Spectrum, Hydrogen, or other wise.

Do we then know the nature of the source, that we are all derivatives of some coherent plan that manifests toward the "cyclical nature of being?" Some Shakespearean version of, "to E or not to E?"


Every known particle has an antiparticle; if they encounter one another, they will annihilate with the production of two gamma-rays. The quantum energies of the gamma rays is equal to the sum of the mass energies of the two particles (including their kinetic energies). It is also possible for a photon to give up its quantum energy to the formation of a particle-antiparticle pair in its interaction with matter.


No longer Reducible and Working from the Horizon?



How far can our perceptions be pushed? Can consciousness still remain as part of this "ability of creation," that we are still "part and parcel" of it to consider it's full scope?

So no geometrical idealizations in sight, other then to consider the significance of a place that is far removed from our looking to the cosmos, and while thinking about it, how far it has been reduce to a fuller picture of it's reality?

See: Colour of Gravity