PLato said,"Look to the perfection of the heavens for truth," while Aristotle said "look around you at what is, if you would know the truth" To Remember: Eskesthai
So of course I might wonder about cymatics in space. It 's more the idea that you could further experiment with the environment with which life on the space station may provide in opportunity. That's all.:)
There is a reason why I am presenting this blog entry.
It has to do with a comparison that came to mind about our earth and the relationship we might see to a sphere of water. Most will know from my blog the relevant topic used in terms of Isostatic adjustment in terms of planet design and formation. It is also about gravity and elemental consideration in terms of the shape of the planet.
Now sure we can expect certain things from the space environment in terms of molecular arrangement but of course my views are going much deeper in terms of the makeup of that space given the constituents of early universe formations. So here given to states for examination I had an insight in terms of how one may arrange modularization in terms of using the space environment to capitalize.
So there is something forming in mind here about the inherent nature of the matter constituents that I may say deeper then the design itself such arrangements are predestined to become perfectly arranged according to the type of element associated with it?
I want to be in control of that given a cloud of all constituents so that I may choose how to arrange the mattered state of existence. A planet maker perhaps?:) Design the gravity field. There are reasons for this.
Some of us do look toward these analogies as signs of Complexity science, so as to apply this thinking to the life they lead. How such implementations allow them to look at this life very differently.
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Each time the operator tuned to a new frequency, the wave was very simple and repetitive, just as above. This wave can be expressed by only two qualities: frequency and amplitude, and yet each new frequency created a new and many times surprisingly different result than it’s neighbor.
This phenomenon is analogous to all aspects of Complexity Science. And just like the simple rules set by the speaker in the video, an economy can achieve surprisingly complex results with simple rule sets.Harmonic Science
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In classical mechanics, a harmonic oscillator is a system that, when displaced from its equilibrium position, experiences a restoring force, F, proportional to the displacement, x:
If F is the only force acting on the system, the system is called a simple harmonic oscillator, and it undergoes simple harmonic motion: sinusoidaloscillations about the equilibrium point, with a constant amplitude and a constant frequency (which does not depend on the amplitude). If a frictional force (damping) proportional to the velocity is also present, the harmonic oscillator is described as a damped oscillator. Depending on the friction coefficient, the system can:
Oscillate with a frequency smaller than in the non-damped case, and an amplitude decreasing with time (underdamped oscillator).
Decay exponentially to the equilibrium position, without oscillations (overdamped oscillator).
If an external time dependent force is present, the harmonic oscillator is described as a driven oscillator.
Mechanical examples include pendula (with small angles of displacement), masses connected to springs, and acoustical systems. Other analogous systems include electrical harmonic oscillators such as RLC circuits. The harmonic oscillator model is very important in physics, because any mass subject to a force in stable equilibrium acts as a harmonic oscillator for small vibrations. Harmonic oscillators occur widely in nature and are exploited in many manmade devices, such as clocks and radio circuits. They are the source of virtually all sinusoidal vibrations and waves.
The frequency of simple harmonic motion like a mass on a spring is determined by the mass m and the stiffness of the spring expressed in terms of a spring constant k
The Landscape “avant la lettre” by A.N. Schellekens
I think one has to wonder with such diversities of souls who have entered this world, such distinctions of being identified as a "emergent product of all souls" might have a distinctive element with which lives could have been choreographed. Each soul, manifests according to their Heart Song? :)Each Heart Song is carried through a series of many lives? Each Heart Song,manifests according the conceptual acceptances and digestibility of our grokking, according to each circumstance that surrounds that life?
I just finish spending the last 8 days with two of my seven grandchildren. One had passed just a couple of days after being born.
Yes "Happy feet" has become a intricate part of my days visiting as these children are mesmerized by the hearts songs and uniqueness of being borne learning to tap instead of singing. It's trials and tribulations of being different. See:It's a Penquin?
Biology sees no possible reduction to the physics of thinking, that I have to wonder if they might of thought of the correlation here, as distinctive elements have distinctive sounds?
It's an anologistical way of looking at the space of thinking(mind /body) to have it coincide with somethng inherent in our make up. Some thing that is correlative to what strides the thinking mind makes and what resonances in the world are set up for each soul distinctive? Each soul's cause and effect, bringing home to roost the conceptually formed resonances that have been formed " by grokking and digestibility.
For example, in 1704 Sir Isaac Newton struggled to devise mathematical formulas to equate the vibrational frequency of sound waves with a corresponding wavelength of light. He failed to find his hoped-for translation algorithm, but the idea of correspondence took root, and the first practical application of it appears to be the clavecin oculaire, an instrument that played sound and light simultaneously. It was invented in 1725. Charles Darwin’s grandfather, Erasmus, achieved the same effect with a harpsichord and lanterns in 1790, although many others were built in the intervening years, on the same principle, where by a keyboard controlled mechanical shutters from behind which colored lights shne. By 1810 even Goethe was expounding correspondences between color and other senses in his book, Theory of Color.Pg 53, The Man Who Tasted Shapes, by Richard E. Cytowic, M.D.
So to then in my thinking that before each soul crystallizes it's hold on the reality of being in this world, that each soul was in a much different state. A state that the senses held no distinctions other then too, sense "all things" as connected to each other. The differentiations were our attempts to acceptance of living within this world that it should have it;s compartments for sensory outputs distinctive themselves. See:Soul Food
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Cymatics
From Wikipedia, the free encyclopedia
Resonance made visible with black seeds on a harpsichord sounboard
Amplified sine wave's effects on cornstarch & water solution
Cymatics (from Greek: κῦμα "wave") is the study of visible sound and vibration, a subset of modal phenomena. Typically the surface of a plate, diaphragm, or membrane is vibrated, and regions of maximum and minimum displacement are made visible in a thin coating of particles, paste, or liquid.[1] Different patterns emerge in the exitatory medium depending on the geometry of the plate and the driving frequency.
The apparatus employed can be simple, such as a Chladni Plate[2] or advanced such as the CymaScope, a laboratory instrument that makes visible the inherent geometries within sound and music.[clarification needed]
The generic term for this field of science is the study of modal phenomena, retitled Cymatics by Hans Jenny, a Swiss medical doctor and a pioneer in this field. The word Cymatics derives from the Greek 'kuma' meaning 'billow' or 'wave,' to describe the periodic effects that sound and vibration has on matter.
History
The study of the patterns produced by vibrating bodies has a venerable history. One of the earliest to notice that an oscillating body displayed regular patterns was Galileo Galilei. In Dialogue Concerning the Two Chief World Systems (1632), he wrote:
As I was scraping a brass plate with a sharp iron chisel in order to remove some spots from it and was running the chisel rather rapidly over it, I once or twice, during many strokes, heard the plate emit a rather strong and clear whistling sound: on looking at the plate more carefully, I noticed a long row of fine streaks parallel and equidistant from one another. Scraping with the chisel over and over again, I noticed that it was only when the plate emitted this hissing noise that any marks were left upon it; when the scraping was not accompanied by this sibilant note there was not the least trace of such marks.[3]
On July 8, 1680, Robert Hooke was able to see the nodal patterns associated with the modes of vibration of glass plates. Hooke ran a bow along the edge of a glass plate covered with flour, and saw the nodal patterns emerge.[4][5]
In 1787, Ernst Chladni repeated the work of Robert Hooke and published "Entdeckungen über die Theorie des Klanges" ("Discoveries in the Theory of Sound"). In this book, Chladni describes the patterns seen by placing sand on metal plates which are made to vibrate by stroking the edge of the plate with a bow.
Cymatics was explored by Hans Jenny in his 1967 book, Kymatik (translated Cymatics).[6] Inspired by systems theory and the work of Ernst Chladni, Jenny began an investigation of periodic phenomena but especially the visual display of sound. He used standing waves, piezoelectricamplifiers, and other methods and materials.
Influences in art
Hans Jenny's book influenced Alvin Lucier and, along with Chladni, helped lead to Lucier's composition Queen of the South. Jenny's work was also followed up by Center for Advanced Visual Studies (CAVS) founder Gyorgy Kepes at MIT. [7] His work in this area included an acoustically vibrated piece of sheet metal in which small holes had been drilled in a grid. Small flames of gas burned through these holes and thermodynamic patterns were made visible by this setup.
Rosslyn Chapel's carvings are thought to contain references to Cymatics patterns and in 2005 composer Stuart Mitchell and his father T.J.Mitchell created a work realised by the use of matching Cymatics/Chladni patterns to the 13 geometric symbols carved onto the faces of 213 cubes emanating from 14 arches. They have named the completed work The Rosslyn Motet and has received a great deal of media publicity and acclaim from scientific and musicological sources.
......in Greek means "matters pertaining to waves." Or in Hans Jenny's case Cymatics.
There were other images which mirrored biological forms and natural processes, as well as flowers, mandalas and intricate geometric designs - all this the result of audible vibration. These experiments seemed to reveal the hidden nature of creation, to lay bare the very principle through which matter coalesced into form.PUBLISHER'S CONFESSION by Jeff Volk, January 2001 Newmarket, New Hampshire, USA
I hope I will not see some so lost by accepting an "mystic interpretation," as some sign of engaging the decay of the scientific values. As Nature being the Architect, and in recognition of our builders of science, I have always been enthralled by what nature could have supplied. Not only in such designational feature of sound that is telling, but of what SOHO is to supply. How we see the Cosmo in relation to the WMAP. How such a "gravitational spectrum" maps the earth "in assumption" of the rules of relativity. We now see earth much different. Not so round and pretty:)
I would like to clarify that such patterns are somewhat "given to people in recognition of states" that are much closer to that "decomposable limit" that is declared by Connes in his articulation of the mathematics.
Such "decomposable limits" are the recognition of "pure states" becoming condensible. While we may think of the allotrope and their configurations, what is the final product given in the arrangement of the matters specific? Is there some "higher version of geometrics" that we had lost, while we see only the matter at hand.
IN this mandala above it is by design that human nature sought to construct the basis and foundation of experience so that it could be a record for all time. This is an intentional act to build in experience an foundational perspective. This is one time where we might use such a mind map to be used in this context. People become enthralled too, by the beauty of flower under computerize algorithmic code manipulated image because it is pleasing to the eye, while, there is another time where these "pure states" become the reflection of an intense experiential journey of sorts.
Sort of like, discovering new math and by definition, a decomposable limit.
ON the one hand you might say, well, this case its matter defined then, and while I am saying this is in the image of the mind, that too is a coalescing of the pure state, into a image form.
Such an kaleidescope view of the most intangible seems fitting that it defines a complex recognition state that was not accessible, before, this intense info packet had descended into the mind.
Image: NASA/JPL-
